Win Tickets to see “TCM Big Screen Classics: West Side Story” (Giveaway runs through June 9)

Win tickets to see “West Side Story” on the big screen!
In Select Cinemas Nationwide Sun June 24 and Wed June 27!

“When you’re a Jet, you’re a Jet all the way! from your first cigarette your last dyin’ days.”

CMH continues into our 3rd year of our partnership with Fathom Events – with the 7th of our 14 movie ticket giveaways for 2018, courtesy of Fathom Events!

That said, we’ll be giving away EIGHT PAIRS of tickets to see “TCM Big Screen Classics: West Side Story – the musical masterpiece — the way it was meant to be seen — on the Big Screen!

In order to qualify to win a pair of movie tickets via this contest, you must complete the below entry task by Saturday, June 9 at 6 PM EST.

We will announce the winner(s) on Twitter on Sunday, June 10, between 6PM EST and 7PM EST. If a winner(s) does not have a Twitter account, we will announce that winner(s) via this blog in the comment section below.

TCM Big Screen Classics: West Side Story

The film will be playing in select cinemas nationwide for a special two-day-only event on Sunday, June 24 and Wednesday, June 27 at 2:00 p.m. and 7:00 p.m. local time. Winners will be responsible for their own transportation to the Event. Only United States entries are eligible. Please click here before you enter to ensure that the Event is scheduled at a theater near you and that you are able to attend. (please note that there might be slightly different theater listings for each date)

ENTRY TASK (2-parts) to be completed by Saturday, June 9 at 6PM EST…

1) Answer the below question via the comment section at the bottom of this blog post

THE QUESTION:

What is it you love most about West Side Story? And if you haven’t seen it yet, why do you want to see it on the Big Screen now?

2) Then TWEET* (not DM) the following message:
I just entered to win tickets to see “TCM Big Screen Classics Presents: West Side Story” on the Big Screen courtesy of @ClassicMovieHub & @FathomEvents #EnterToWin #CMHContest link here: http://ow.ly/72fF30k5Sen

*If you don’t have a Twitter account, you can still enter the contest by simply answering the above question via the comment section at the bottom of this blog — BUT PLEASE ENSURE THAT YOU ADD THIS VERBIAGE TO YOUR ANSWER: I do not have a Twitter account, so I am posting here to enter but cannot tweet the message.

NOTE: If for any reason you encounter a problem commenting here on this blog, please feel free to tweet or DM us, or send an email to clas@gmail.com and we will be happy to create the entry for you.

ALSO: Please allow us 48 hours to approve your comments. Sorry about that, but we are being overwhelmed with spam, and must sort through 100s of comments…

About the film: This electrifying musical, with music by Leonard Bernstein and lyrics from Stephen Sondheim, sets the ageless tragedy of Romeo and Juliet in the slums of 1950’s New York. West Side Story explores the rivalry between two teenage street gangs – white working-class Jets and Puerto Rican Sharks. When a member of the Jets falls in love with the sister of the Sharksʼ leader, things look hopeful at first, but rapidly go downhill. Illustrating the events are many memorable song and dance numbers such as ʻAmericaʼ, ʻSomewhereʼ and ʻI Feel Prettyʼ.

Please note that only United States residents are eligible to enter this giveaway contest. (see contest rules for further information)

BlogHub members ARE also eligible to win if they live within the Continental United States (as noted above).

Good Luck!

–Annmarie Gatti for Classic Movie Hub

Posted in Contests & Giveaways, Fathom Events, TCM Big Screen Classics | Tagged , , , | 34 Comments

Day Two: Dynamic Duos in Classic Film Blogathon

 

And now for Day Two of the Dynamic Duos in Classic Blogathon…

The time has come to celebrate famous movie pairings of yesteryear for the Dynamic Duos in Classic Film blogathon. I am thrilled to host the second of two days of entries, preceded by the fabulous Aurora at Once Upon a Screen (@CitizenScreen) who posted on Day One yesterday.  

Dynamic Duos in Classic Film Blogathon

If you need a refresher on the nuts and bolts of the blogathon visit the announcement post here. Otherwise I will waste no time getting to the heart of the matter, the entries that will entertain, enthrall and enchant. On behalf of Aurora and myself, I want to thank all of the bloggers who have submitted entires to this event. Learning from you is the best part of hosting and we’re excited to have 8 dynamic duo-themed DVDs to raffle off at the end of the weekend to entrants chosen at random. Many thanks to Turner Classic Movies and Kino Lorber for graciously offering these DVDs.

And…here are the Day Two entries for your pleasure…

Dynamic Duos in Classic Film

Let’s kick things off with some chuckles and this entry from Caftan Woman, who brings us Ralph Wolf and Sam Sheepdog… Just love Looney Tunes myself 🙂

ralph wolf and sam sheepdog chuck jonesRalph Wolf (look familiar?) and Sam Sheepdog

…..

The Dream Book Blog explores the complex friendship between two iconic Hollywood stars in A Long and Peculiar Friendship: Bette Davis and Olivia de Havilland

olivia de havillandbette davis
Olivia de Havilland and Bette Davis – two strong ladies and a peculiar friendship

…..

Moon in Gemini brings us Paul Newman and Robert Redford, need I say more 🙂

paul newman robert redman butch cassidy and the sundance kid

Newman and Redford in Butch Cassidy and the Sundance Kid
…..

The Old Hollywood Garden talks about one of the most overlooked partnerships in Hollywood history… Director Anthony Mann and Cinematographer John Alton

t-men-02 anthony mann

Mann and Alton’s T-Men

…..

Overture Books and Film presents Tyrone Power and Linda Darnell (incidentally one of my favorite pairings)

linda darnell and tyrone power

The beautiful Linda Darnell and Tyrone Power

…..

And the fun continues… as Critica Retro brings us Laurel and Hardy and lots of fun gifs including this one…

laurel and hardy

I can almost hear Hardy saying “That’s another fine mess you’ve gotten us into”

…..

And Phyllis Loves Classic Movies brings us The Many Weddings of Lucy and Desi

lucy and desi wedding

Ricky does love Lucy

…..

The Blog of the Darned presents Rock Hudson and Tony Randall

rock hudson tony randall send me no flowers

Rock Hudson and Tony Randall in Send Me No Flowers

…..

And so fittingly, That William Powell Site brings us A Clara Bow and William Powell Duet

william powell and clara bow

William Powell and Clara Bow

…..

And another favorite duo of mine Groucho Marx and Margaret Dumont, from Old Hollywood Films…

margaret dumont and groucho marx duck soup

Margaret Dumont, the Fifth Marx Brother…

…..

Fairly fantastic, right? Well, if you like what you read so far, be sure to visit Once Upon a Screen to read entries from Day One of the Dynamic Duos in Classic Film Blogathon.

–Annmarie for Classic Movie Hub

By the way, there are many more classic film events planned this summer. For details visit the the CMH Events Calendar. You can add your own events and blogathons there too!

 

Posted in Blogathons, Posts by Annmarie Gatti | 3 Comments

Dynamic Duos in Classic Film: Doris Day and Rock Hudson

Doris Day and Rock Hudson: Always Good for a Smile

I’m not exactly sure when I first ‘discovered’ the Doris Day/Rock Hudson romantic comedies, but I do remember that it was at some point in my childhood when my parents shared them with me. And, as many classic movie fans will attest, the films that are so lovingly shared with us when we are young always seem to hold a special place in our hearts. And that is the case for me with Pillow Talk, Lover Come Back, and Send Me No Flowers – the three films that Doris Day and Rock Hudson made together.

doris day and rock hudson huggingDoris Day and Rock Hudson

Now as an adult, these films are the perfect little pick-me-ups for me, especially good for unwinding after a tough day at work, and always good for a laugh and a smile… and, believe it or not, they also make the drudgery of house work seem a little more pleasant (there’s nothing like ‘swiffering’ around the house to the tune of ‘You Are My Inspiration, Alma’).

There’s just something about this Feisty-Girl-Next-Door + Strong-and-Handsome-Hunk Dynamic Duo that works so wonderfully well together. Doris Day is the perfect combination of sweetness, sexiness, sophistication and smarts, while Rock, is well, Rock, a pretty darn sexy guy, whether he’s playing the playboy or the husband. Both play their roles to the hilt – whether romantic rivals, business rivals or married rivals — with a special chemistry that, by all accounts, bound them in a life-long friendship from day one.

These films are chock-full of clever dialog (including a fair share of double entendre), mistaken identities/assumptions, and good clean ‘battle of the sexes’ fun — plus lots of chic Doris Day fashion, and (I would be remiss not to mention this) the fabulous Tony Randall as the best-friend/boss side-kick (and the third, if you will, in this Dynamic Trio)…

So, in celebration of our ‘perfect combination’ Doris and Rock, I’d like to share some fun movie quotes… but first here are some short film descriptions for those of you who may not be familiar with all three movies…

…..

Doris Day Rock Hudson PillowTalk Lobby card

Pillow Talk (1959): Successful Interior Decorator, Jan Morrow, is at her wit’s end with irritating party-line neighbor, playboy-songwriter Brad Allen, who’s constantly phone-courting his revolving-door lady friends with ‘custom’ songs written especially for them (insert your name here). Lots of double-entendre sparring ensues while Jan tries to wrestle some phone control away from Brad. Meanwhile Jan’s faith in men is restored when she meets humble and handsome (not to mention wealthy) Texas hunk Rex Stetson. As Jan continues to battle over her phone (and bedroom) problems with bad boy Brad, she brags about her new beau Rex — so the last laugh’s on Mr. Allen, right? Or is it?  Spoiler alert: Rock plays two roles here, kind of 🙂

…..

doris day rock hudson lover come back lobby card

Lover Come Back (1961): Straight-and-narrow Advertising Exec Carol Templeton is frustrated to no end as slick Ad-Man rival Jerry Webster lands clients with his playboy appeal and party ethics. Carol gets a hot tip that Jerry’s about to close a huge deal with new mystery product VIP, so she makes it her mission to cut Jerry to the chase, wooing VIP inventor Dr. Linus Tyler to land the account. A case of mistaken identity sends Carol down the wrong path, and that works to Jerry’s advantage. Or does it? Spoiler alert: Rock does not play two roles here, but he might as well 🙂

…..

doris day and rock hudson send me no flowers lobby card

Send Me No Flowers (1964): And now for something completely different… After years of plentiful pill popping (just placebos, thanks to wife Judy), hypochondriac husband George is finally convinced that he’s dying. In an altruistic attempt to provide for Judy after he’s gone, George is determined to find a suitable replacement husband for her. But George lands himself in hot water when Judy misreads his signals and suspects hanky-panky instead, and that’s not good for George… Or is it? Spoiler alert: Unfortunately for George, he’s not really dying and his wife is mad as ‘heck’ 🙂

…..

And now for some quotes…

Pillow Talk

pillow talk doris day rock hudson, you are my inspirationJan (Doris Day) shares a party line with playboy bad boy Brad Allen (Rock Hudson) who serenades a different sweetheart every day. (well, sometimes every hour)…

Brad (singing): “You are my inspiration (your name here). A perfect combination (your name here).”

Jan (Doris Day): Will you please get off this phone!
Yvette (Jacqueline Beer): Who is that woman?!?!?
Brad (Rock Hudson): Some little eavesdropper on my party line. She’s always listening in. That’s how she brightens up her drab empty life.
Jan: If I could get a call through once in a while, my life wouldn’t be so drab!

Brad: Look, I don’t know what’s bothering you, but don’t take your bedroom problems out on me.
Jan: I have no bedroom problems. There’s nothing in my bedroom that bothers me.
Brad: Ohhhh. That’s too bad.

Jan: At least my problems can be solved in one bedroom. You couldn’t solve yours in a thousand!

…..

Lover Come Back

doris day rock hudson lover come back i'm taking you inJerry Webster (Rock Hudson) poses as VIP inventor Dr. Linus Tyler, trying to grab all of Carol’s (Doris Day) ad ideas, but that’s not all he’s trying to grab…

Carol (Doris Day): Doctor, there’s so much I can learn from you.
Jerry (posing as Dr. Tyler): As my father, the philosopher, used to say, “Knock at my door and I shall take you in.”
Carol: Dr. Tyler, I’m knocking.
Jerry: Miss Templeton, I’m taking you in.

Carol: Linus, I know a place where Webster wouldn’t find you.
Jerry (Posing as Dr. Tyler): Really? Where?
Carol: Right here. In that guest room.
Jerry: In your apartment? Alone with you? All night?
Carol: Oh, Linus. We’re adults.
Jerry: Yes, but…
Carol: Now, look at it calmly and sensibly. You won’t be disturbed. Right?
Jerry: Right.
Carol: You can concentrate on what you want to do.
Jerry: Well, that’s true.
Carol: Well then, for what you had in mind, isn’t this the best place?
Jerry: Yes, I guess it is.

…..

 Send Me No Flowers

doris day rock hudson tony randall clint walker send me no flowersPerhaps Judy’s (Doris Day) college sweetheart Bert (Clint Walker) is a suitable replacement for husband George (Rock Hudson)? At least that’s what George’s best friend Arnold (Tony Randall) thinks…

Judy (Doris Day): Oh Bert, I’d like you to meet my husband George and our good friend and neighbor Arnold Nash… Fellows I’d like you to meet Bert Powers, my college…
Bert (Clint Walker): Sweetheart. Hi there Arnold.
George (Rock Hudson): George!
Bert: Oh excuse me George, I thought you were the good friend and neighbor.
George: I am not her good friend. I am her husband!

Judy: When he tells me he’s dying and he doesn’t die… wouldn’t he know that I’d get SUSPICIOUS?

…..

And two more pictures for you…

Just because I love this picture 🙂

image removed

Image of Doris and Rock removed

…..

Doris Day, Rock Hudson (ca. 1985)And just because Doris and Rock were lifelong friends

….

And that is my entry for the Dynamic Duos in Classic Film blogathon — but there are sooooo many more wonderful Classic Bloggers participating in this event. So, if you want to take a look at the on- and off-screen stories of more Dynamic Duos, please be sure to check out the other entries.  I am honored to be co-hosting the event alongside Aurora of Once Upon a Screen.

Dynamic Duos in Classic Film Blogathon

…..

–Annmarie Gatti for Classic Movie Hub

Posted in Blogathons, Posts by Annmarie Gatti | Tagged , , , , , , | 7 Comments

Kino Lorber Springtime Blu-Ray/DVD Giveaway Promotion (Blog/Facebook)

Celebrating Springtime with Kino Lorber!
DVD/Blu-Ray Giveaway, Winner’s Choice of 4 Classic Titles

Now it’s time for the Facebook/Blog version of our Kino Lorber Springtime DVD/Blu-Ray Giveaway Contest! This time we’ll be giving away TWO Kino Classic titles via Facebook and this blog, courtesy of Kino LorberEach of our two winners will be able to choose their prize from the four titles listed below. And, remember, we’re also giving away TEN MORE DVDs/Blu-Rays via Twitter this month as well, so please feel free to enter that contest too…

In order to qualify to win a prize via this Facebook/Blog contest giveaway, you must complete the below entry task by Saturday, June 9 at 10PM ESTWe will pick our two winners via a random drawing and announce them on this Blog the day after the contest ends (Sunday June 10).

If you’re also on Twitter, please feel free to visit us at  @ClassicMovieHub for additional giveaways — because we’ll be giving away TEN MORE Kino Classics there as well! PS: you don’t even need a twitter account to enter! (Click here for twitter contest details)

since you went away, Jennifer Jones and Claudette ColbertJennifer Jones and Claudette Colbert in Since You Went Away
…..

Here are the titles up for grabs:

   

   

…..

 

Since You Went Away: Blu-Ray or DVD available. This heartwarming and soul-stirring portrait of life on the homefront during World War II is a magnificent picture that is rich in humor and poignant with heartbreak. All star cast includes Claudette Colbert, Jennifer Jones, Joseph Cotten and Shirley Temple.

 

I’ll Be Seeing You:  Blu-Ray or DVD available. Hollywood greats Ginger Rogers, Joseph Cotten and Shirley Temple top a stellar cast in this tender wartime love story about two troubled strangers who long for a normal life, meet by chance and try to crowd a lifetime of love and laughter into eight days.

 

The Whales of August:  Blu-Ray or DVD available. Screen legends Bette Davis, Lillian Gish and Vincent Price unite their iconic talents in this beautifully photographed, intensely emotional drama that offers unexpected and quite marvelous rewards.

 

Driftwood:  Blu-Ray or DVD available. The magic of eight-year-old Jenny (Natalie Wood), comes alive in this spirited, funny and immensely charming story of a lost orphan girl’s effects on the townspeople who find her.

The Whales of August bette davis lillian gishLillian Gish and Bette Davis in The Whales of August

…..

ENTRY TASK to be completed by Saturday, June 9 at 10PM EST…

1) Answer the below question via the comment section at the bottom of this blog post

THE QUESTION:
Which prize would you like to win and why?

ALSO: Please allow us 48 hours to approve your comments. Sorry about that, but we are being overwhelmed with spam, and must sort through 100s of comments…

…..

You can visit Kino Lorber on their website, on Twitter at @KinoLorber or on Facebook.

Please note that only Continental United States (excluding Alaska, Hawaii, and the territory of Puerto Rico) entrants are eligible.

And — BlogHub members ARE eligible to win if they live within the Continental United States (as noted above).

For complete rules, click here.

And if you can’t wait to win any of these titles, you can click on the images below to purchase on amazon :)

   

   

…..

Good Luck!

–Annmarie Gatti for Classic Movie Hub

Posted in Contests & Giveaways, Posts by Annmarie Gatti | Tagged , , , , | 15 Comments

Silents are Golden: Before the Nickelodeon – The Era of Traveling Moving Picture Shows

Before the Nickelodeon: The Era of Traveling Moving Picture Shows

We’ve all seen pictures of beautiful 1920s movie palaces, complete with columns, statues, and enormous lit-up marquees. And their ancestor, the Nickelodeon, is fairly well known–those small, crowded little theaters that charged a nickel to see the latest show. But before the late 1900’s heyday of the Nickelodeon and even before the existence of Hollywood itself, many people first saw films at traveling motion picture shows.

A Vitascope projector show at an existing theater.A Vitascope projector show at an existing theater.

These seem to have popped up sometime in the 1890s and were popular throughout the 1900s. They were descended from both magic lantern shows and the fancy exhibitions put on by inventors, showcasing their newly-patented cameras and projectors to a genteel audience. But the wonder of the moving picture couldn’t be contained in those staid lecture halls for long. To many enterprising men in the Victorian era (mainly gents were interested in this line of work), the novelty of cinema presented a unique and interesting way to make a living.

ad_chicago_projecting_company_225_dearborn_moving_picture_machines_1909 1930’s advertisement for a personal Moving Picture Machine.

How would you become the proud owner of a traveling show? Well, you would’ve heard about it either from attending the shows themselves or by seeing advertisements in local newspapers. Such ads offered film equipment and catalogs that provided the “how-tos” of the traveling show business. These catalogs sometimes served as one-stop shops for everything from the latest films to special carbon lights to “snappers,” tiny handheld devices that made a “click” sound to let the projectionist know he needed to change the slide.

For to be a truly successful exhibitor, you see, you wanted to provide a full evening’s worth of entertainment, not simply run a number of films without any fanfare. Thus, the shows also included music and slideshows accompanied by “intensely interesting lectures” (as the catalogs would say). Not only were projected slides already popular, but they were also meant to give people a break from staring at moving pictures. It’s an interesting fact that in the early days of cinema, there was a lot of concern over eyestrain. One catalog from 1907 explained: “The stereopticon views are restful to the eyes, while the motion pictures are somewhat tiring, hence an exhibition covering a period of an hour and a half and consisting of only motion pictures would become tiresome…” (Imagine what the writer would’ve thought of our commonplace, multi-hour superhero movies!)

Colored_Optical_Lantern_Slides_Traveling_Moving_PictureAn example of an antique slide set. (Image from Maggs.com.)

Catalogs also doled out practical advice, such as the following: “Never say ‘I can’t’ or ‘I don’t believe I am equal to the undertaking.’ Such thoughts should never enter the mind of any man.” “Never appear before your audience with your clothes in an untidy condition. Give careful attention to your linen, shave often, keep your hair nicely trimmed, and attend carefully to anything which will add to your personal appearance.” They could also be refreshingly blunt: “Do not undertake to go before the public until you are thoroughly familiar with the operation of your outfit and can go through the different operations almost unconsciously…theatrical people who have been on the stage all their lives practice the new play for weeks and even months in advance, and you certainly should not find it a hardship to practice for at least a few days.”

The amount of money that could potentially be made, in a line of independent work that involved entertainment and travel, was hard to for many ambitious young men to resist– catalogs promised that a traveling show could make a profit of about $1,000 to $5,000 per year. In today’s money that about $25,000 all the way up to a whopping $120,000.

Stereopticons Advertisement, 1905New York Clipper, Dec. 9 1905.

So what were these “moving picture shows” like? They were sometimes in tents with black interiors (which made it easier to view films), but often they were hosted in schools, churches, courthouses, and community halls. Not only was it easier to simply rent a public space, but the refined nature of these establishments helped audiences associate traveling shows with respectability.

The Murray Co. Circus Canvas Advertisement, 1905New York Clipper, August 1905.

Lecture topics might cover “The Grand Canyon,” “The Sights of Paris and the Exposition,” “Around the World in 80 Minutes,” or even timely subjects like “The Slums of New York” or “The Battle of Manila.” Presentations of Passion Plays and other Biblical stories were also popular. There were also illustrated songs slides and comic slides which were often, shall we say, “of their time.”

And as far as films, the amount and variety to choose from was almost bewildering–everything from travelogues to short comedies to one-shot dramas to documentaries on just about any subject. Titles could be charmingly old-timey: A Pastry Cook’s Jokes, Fat and Lean Wrestling Match, How Buttons Got Even With the Butler, A Mysterious Portrait, A Fatal Attempt to Loop-the-Loop on a Bicycle. Most were under two minutes in length, and only cost exhibitors a few dollars apiece. The longest films–the epics of their day–ran about ten minutes long and might cost as much as $100 dollars. These included such titles as A Trip to the Moon and Life of an American Policeman.

Barre Evening Telegraph, Barre VT, March 19, 1902.Barre Evening Telegraph, Barre VT, March 19, 1902.

Beginner exhibitors usually stuck to small towns at first, since the lack of competition made it easier to establish a successful show. They were responsible for all their own publicity–sometimes an “advance man” would travel ahead to put out newspaper ads and put up eye-catching posters. Such a poster might say, for instance:

A Trip to the Holy Land
ILLUSTRATED PANORAMIC LECTURE ENTERTAINMENT
To be given in the Interest and for the Benefit of the Church.
61 PANORAMIC VIEWS 61
Will be Illuminated by Powerful Condensed Light, produced by a recently patented apparatus.
A MOST INTERESTING DESCRIPTION OF EACH VIEW
Will be given as it is shown, and considering the interest of all mankind
in this the oldest inhabited spot on earth, this exhibition is something which
EVERY ONE SHOULD SEE.

While it depended on the exhibitor, many shows were advertised as educational or else touted as “beautiful effects” that were “suitable for all.” Sleepy rural areas and mining towns were often good business since traveling shows were the only way residents could experience the novelty of films.

Morning Appeal, Carson City NV, Oct. 8 1902.Morning Appeal, Carson City NV, Oct. 8, 1902.

By about 1908 the heyday of the traveling moving picture show was over, although in some areas they persisted into the 1910s. They were replaced by the wildly popular nickelodeons, which of course eventually evolved into the big theaters we’re familiar with today. But I’m sure back in the 1920s some people still reminisced about the “olden days,” when folks would come from miles around to experience the wonder of moving pictures in humble churches, little schools, and makeshift tents.

I am much indebted to my main source material, Darren Nemeth’s 1907 Chicago Projecting Co’s Entertainer’s Supplies Catalog No. 122, a reprint of an extremely rare catalog specifically aimed at traveling exhibitors. Nemeth also includes background information on traveling motion picture shows and other supplemental materials. Highly recommended for silent era researchers!

…..

–Lea Stans for Classic Movie Hub

You can read all of Lea’s Silents are Golden articles here.

Lea Stans is a born-and-raised Minnesotan with a degree in English and an obsessive interest in the silent film era (which she largely blames on Buster Keaton). In addition to blogging about her passion at her site Silent-ology, she is a columnist for the Silent Film Quarterly and has also written for The Keaton Chronicle.

Posted in Posts by Lea Stans, Silents are Golden | Tagged , , , , | 2 Comments

Vitaphone View: Talkies For The Home

Vitaphone View: Talkies For The Home

With the silent-to-sound revolution in full swing in 1928, it was only a matter of time before talkies for home consumption were developed. Many Americans were enjoying the fruits of a vibrant and growing economy. And with that came more disposable income and buying things on credit.

Home Talkie Disc in Sleeve and LabelHome Talkie disc, disc sleeve, and label.

In movie theatres nationwide, sound films were shown in two formats: Vitaphone (sound-on-disk) and Movietone (sound-on-film). The latter format for the home would not come along until 1932 when RCA Victor introduced their optical sound 16mm projector for non-theatrical use.

By late 1928, a number of companies began offering sound-on-disk talkie systems for the home. In all cases, the system utilized a 16mm silent projector (which used only the required safety film mandated for home use) synchronized mechanically to a 16-inch phonograph turntable. Adapters to connect existing 16mm projector to talkies were also sold.

Gary Lacher Home Talkie Projector 1929Collector Gary Lacher’s 1929 home talkie projector as found in a Portland, Oregon library.

Sound-on-disk talkie systems were sold primarily by QRS (also a piano roll company), DeVry, Bell and Howell, and Home Talkie. The last named was the only company that also made their own talkie shorts for use on these systems (see ad). Customers could either rent or buy sound films. As with movie theatres, they would receive both the mute 16mm print and its accompanying 16-inch soundtrack disk. Also as for theatres, the disks were exactly the same as were used theatrically.

Home Talkie Advertisement 1929 & 1930Advertisements for DeVry home talkie setup and Home Talkie Machine Corp.

These disks systems were operated in a similar way to 35mm Vitaphone disk type projectors used in theatres. The operator would place the marked starting frame of the 16mm print in the projector’s film gate. Then the needle would be positioned at the precise starting spot on the disk, as marked by a large arrow etched into the disk’s surface near the label. As in theatres, starting the unit meant the picture and sound would begin at the exact same time and in synchronization.

Home Talkie Films and DiscsAd for available Home Talkie  films and accompanying disks, made especially for the home market.

As to the films themselves, most were supplied by three Hollywood studios: Columbia, Pathe, and Universal. It’s important to note that the releases were concurrent with those in theatres, so a film playing at the local Loews or Publix movie palace could also be seen — and heard — in a customer’s home. The majority of films were one reel cartoons and shorts. If more than one reel, as in the case of many Pathe two-reel musical and comedy shorts, the projector and turntable would have to be stopped after the first reel, and the second reel and disk cued up before the show could resume. There were even a few feature-length sound films released to the home market, such as Paris Bound (Pathe ’29) starring Frederic March and Ann Harding. But these forays into home talkie features was limited, as, in this example, the projector would have to be stopped and started seven times.

Gary Lacher Home Talkie Complete CollectionShot of Gary Lacher’s acquisition of an entire home talkie collection, including 30 films and disks and the projector and turntable unit.

While most of the sound-on-disk home talkie systems were just projectors and turntables that would be set up on a dining room table, there were more attractive set-ups too. The Visionola encased the mechanics of the system into attractive cabinets that blended with a home’s furnishings. Its lid would be lifted and the film could either be viewed on it or, with a mirror, beam it onto a wall.

Visionola Deluxe Home Cabinet Talkie SetClose up of deluxe Visionola home talkie cabinet set and turntable.

There is at least one known case of a company allowing customers to go into their local studios to make their own home talkies. There were two approaches to this. One could lip synch to an existing commercial record, and use that disk as the sound portion of their film when they later showed it in their home; or they could make their own film with the sound recorded onto wax which was then made into a shellac disk.

Visionola Home TalkieFull view of a deluxe Visionola cabinet home talkie system.

Owning and operating a home talkie system entertained both family and neighbors, as happened two decades later with the emergence of television. But ownership was not cheap. Consider the costs to a just-before-the Crash customer:

1929 Cost to 2018 Equivalent Cost

100’ Home talkie film & disk: $12.00 = $175.00

200’ Home talkie film & disk: $20.00 = $292.00

DeVry 16mm Projector & turntable: $199.00 = $2904.00

Visionola Deluxe Cabinet Unit: $330.00 = $3648.00

DeVry Home Talkie AdvertisementDeVry Home Talkie Advertisement

1929 Home Talkie Advertisement

Home Talkie Advertisement 1929.
Pathe Home Talkie System Advertisement 19291929 advertisement for a Pathe home talkie system.

These home talkies systems enjoyed moderate success but it was very short-lived. Its heyday lasted less than a year, as the stock market crash destroyed the economy and with it, disposable income. Introduced in late 1928, sales barely lasted much into 1930. Of the surviving 16mm home talkie films and disks, none are releases later than that year.

Cineart Home TalkieFrame from a 1929 Cineart home talkie for which customer could go into their studio and lip synch to a current commercial 78rpm recording.

Home talkies have great significance today in the film restoration arena. In some cases, a film’s 35mm nitrate theatrical print is long lost, but since 16mm for the home was always safety film, it may survive. Such is the case with a large cache of home talkie films, disks and even the projector/disk equipment found at a Portland, Oregon library sale c. 1992 by collector Gary Lacher. While it is unknown how the library acquired this trove of 30+ films and disks, Gary snapped them up and contacted The Vitaphone Project. Among the films were many Aesop’s Fables cartoons, Pathe musical and comedy two-reelers, and Universal sports shorts. Most important among these was a 1930 two-reel Pathe short long-considered lost, Two Plus Fours. This was a major discovery as it stars Bing Crosby and the Rhythm Boys, only recently having finished working on Universal’s King of Jazz. Eventually, a restoration and bump up to 35 mm was made by the UCLA Film and Television Archive, with funding by Crosby fan, Hugh Hefner. More recently, UCLA acquired two Home Talkie brand films and the Project assisted in locating their accompanying soundtrack disks. In the collection of Magic Castle owner Milt Larson. These starred recording artist Isabella Patricola and vaudevillian Phil Baker, respectively. Both films are now being restored by the University of California Santa Barbara.

Home Talkie Phil Baker & AccodionFrame from 1929 Home Talkie short starring comedian Phil Baker. Now being restored.

Today, this first home sound film revolution is little remembered because of its brevity. Little did the manufacturers and studios involved realize that their efforts would be paying restoration dividends nine decades later.

….

– Ron Hutchinson, Founder of The Vitaphone Project, for Classic Movie Hub

You can read all of Ron’s Vitaphone View articles here.

Ron is widely recognized as one of the country’s foremost film historians, with special emphasis on the period covering the transition to sound (1925-30) and early attempts to add sound to film. As the founder of The Vitaphone Project, he has worked with Warner Brothers, UCLA, LOC and private collectors worldwide to find previously lost soundtrack discs and restore early sound shorts. Ron’s unique knowledge has  been sourced in over 25 books as well as documentaries for PBS and TCM, and commentary for “The Jazz Singer” DVD boxed set. He was awarded the National Society of Film Critics “Film Heritage Honor” for his work in film preservation and discoveries, and was the presenter of rare Vitaphone shorts at the 2016 TCM Film Festival. For more information you can visit the Vitaphone Project website or Facebook Group.

And, if you’re interested in exploring some of these newly discovered shorts and rarities, you can pick them up on DVD via amazon:

               

 

Posted in Posts by Ron Hutchinson, Vitaphone View | Tagged | 4 Comments

Noir Nook: The Ends of Noir

Noir Nook: The Ends of Noir

In my first several Noir Nook posts of this year, I focused on beginnings – how some of our favorite noir actors and actresses got their big breaks in Hollywood. This month, I’m looking at endings.

As you know, films noir are characterized by a tone of cynicism and hopelessness, of circumstances that spiral irrevocably out of control. And some of my favorites are those noirs that carry that downbeat tone straight to the end of the film – no cop-outs, no tacked-on happy endings, no rainbows at the end of the clouds. Here are a few of my favorite noirs with what I view as perfect endings (and I’m offering a fair warning if you haven’t seen these – there are major spoilers ahead!):

Double Indemnity (1944)

Double Indemnity Fred MacMurray and Barbara StanwyckBarbara Stanwyck and Fred MacMurray in Double Indemnity.

This feature – my favorite noir of all time, incidentally – tells the story of Phyllis Dietrichson (Barbara Stanwyck), an unhappily married housewife who uses her considerable wiles to convince her insurance salesman lover Walter Neff (Fred MacMurray) to help her murder her husband. (Not that he needs all that much convincing.) After successfully knocking off Mr. Dietrichson, Phyllis and Walter don’t exactly live happily ever after. Instead, their relationship is torpedoed by their mutual mistrust and paranoia, not to mention Phyllis fooling around with her stepdaughter’s boyfriend. Ultimately, Phyllis shoots Walter, Walter shoots Phyllis, Phyllis dies on the spot, and Walter’s injury ultimately prevents his desperate attempt to take it on the lam.

Gun Crazy (1950)

Gun Crazy John Dall Peggy Cummins 1950Peggy Cummins and John Dall in Gun Crazy.

This first-rate feature centers on Annie Laurie Starr (Peggy Cummins) and Bart Tare (John Dall), two sharpshooters whose first encounter takes place at the traveling carnival where Annie works and Bart bests Annie in a shooting contest. (Talk about a meet-cute!) Before you can say “Bob’s your uncle,” the two kids get hitched, but when they lose their meager savings in Las Vegas, Annie talks her straitlaced hubby into teaming with her in a series of small-time robberies. They snag a big payday when they steal the payroll in a meat-packing plant, but they also leave two dead bodies in their wake, thanks to Laurie’s trigger-happy tendencies. On the run from a state-wide manhunt, the couple holes up at Bart’s boyhood home, but they’re tracked into the mountains and surrounded by cops. When Laurie announces her plans to shoot it out with the law, Bart shoots her, just seconds before he himself is gunned down.

The Killing (1956)

The Killing (1956) Sterling Hayden & Coleen GraySterling Hayden stars in The Killing.

In a classic case of best-laid plans going awry, The Killing depicts an intricately planned race track theft by a motley crew that includes Johnny Clay (Sterling Hayden), a small-time hood and recently released ex-con; beat cop Randy Kennan (Ted de Corsia), who owes a gambling debt to some shady and none-too-patient characters; and George Peatty (Elisha Cook Jr.), a mild-mannered clerk who’s desperate to give his sexy but disdainful wife, Sherry (Marie Windsor), the lavish lifestyle he promised when they married. The heist comes off without a single hitch, but a massive monkey wrench is thrown into the plan when Sherry’s young lover (Vince Edwards) tries to rip off the cash, only to kick off a gun battle that results in the deaths of all concerned – except Johnny, who almost makes a clean getaway with the suitcase full of money, until he’s caught by police at the airport. Oh, and the suitcase falls off a baggage cart, scattering the bills to the four winds. Bummer.

What are some of your favorite noir endings?

…..

– Karen Burroughs Hannsberry for Classic Movie Hub

You can read all of Karen’s Noir Nook articles here.

Karen Burroughs Hannsberry is the author of the Shadows and Satin blog, which focuses on movies and performers from the film noir and pre-Code eras, and the editor-in-chief of The Dark Pages, a bimonthly newsletter devoted to all things film noir. Karen is also the author of two books on film noir – Femme Noir: The Bad Girls of Film and Bad Boys: The Actors of Film Noir. You can follow Karen on Twitter at @TheDarkPages.
If you’re interested in learning more about Karen’s books, you can read more about them on amazon here:

 

Posted in Noir Nook, Posts by Karen Burroughs Hannsberry | Tagged | 18 Comments

Classic Movie Travels: Robert Young

Classic Movie Travels: Robert Young – Chicago, Seattle, Pasadena, Los Angeles

Robert Young HeadshotRobert Young

The 1950s were an era in which television flourished as a competitor to film. Audiences could welcome actors into their living rooms by merely turning on the television and enjoying the latest shows. While many shows were in vogue, Father Knows Best was certainly among them, featuring actor Robert Young.

Robert George Young was born in Chicago, Illinois, on February 22, 1907. His father was Irish immigrant Thomas E. Young, while his mother, Margaret Fyfe, was American. Though he was born in Chicago, by the time he turned three years old, he and his family had moved to Seattle. The family would relocate once again to Pasadena, where young attended Abraham Lincoln High School.

While attending Lincoln High School, he met his future wife Elizabeth “Betty” Henderson. She encouraged a shy Robert into trying acting at the Pasadena Community Playhouse after graduation. According to the 1926 yearbook for Lincoln High School, Robert was active in school in multiple extracurricular activities and leadership roles, including Head Yell Leader, Commissioner (Boys’ Sports), Playcrafters, carrying out one of the lead roles in Taming of the Shrew and Pals and Sherwood, as well as performing a leading role in the opera Briar Rose.

Upon his high school graduation, Robert performed at the Pasadena Playhouse. He also worked several odd jobs, including brief stints as a bank clerk and reporter. At the same time, he appeared in silent films, carrying out bit-part roles. While touring with a stock company, Robert was soon discovered by a Metro-Goldwyn Mayer talent scout and was signed to a contract. He made his film debut for MGM in the Charlie Chan film, Black Camel (1931).

Robert Young Black Camel Charlie ChanRobert Young’s film debut Black Camel

Robert soon signed a contract with MGM and appeared mostly in B movies, working on roughly six to eight films per year. Between 1931 and 1952, Robert worked on over 100 films. Moreover, he also worked with alongside several notable actresses, including Katharine Hepburn, Norma Shearer, Joan Crawford, Luise Rainer, and Hedy Lamarr. While Robert took on whatever roles were offered to him to avoid being placed on suspension, one of his most notable roles was as Marvin Myles Ransome in H.M. Pulham, Esq. (1941).

During this time, Robert married in 1933, with whom he had four daughters: Carol, Barbara, Kathy, and Betty Lou. He and Betty would remain married for 61 years until her passing in 1994.

Once his contract with MGM came to an end, Robert appeared in a mixture of light comedies and dramas for various studios, including 20th Century Fox, United Artists, and RKO Radio Pictures. However, after 1943, Robert fulfilled roles that were more challenging, often portraying callous characters. As the 1940s continued on, however, Robert’s career began to decline. Because of the disappointing roles, he was receiving as a studio player, he decided to work independently of the studio. He was initially off to a strong start as a freelance actor and found roles as a leading man, but the films in which he appeared continued to be largely mediocre.

Robert Young 1930'sRobert Young in the 1930’s

While his career on the screen came to an end, Robert focused his efforts on the radio. However, he would find even more success on the small screen: television.
Young is best remembered for his portrayal of Jim Anderson, the family patriarch and insurance salesman in the Father Knows Best Series. The show was a sitcom that chronicled the lives of the fictitious Andersons, a middle-class family living in the Midwestern town of Springfield. The show started off as a radio series, which ran from 1949 to 1954. When the series transitioned to television, Robert continued on in the same role from 1954 to 1960. Robert’s co-star on the show was Jane Wyatt, while Elinor Donahue, Billy Gray, and Lauren Chapin played their children. Both Robert and Jane earned several Emmy awards throughout the duration of the program. At the height of the show’s success, Robert grew tired of the character and left to take on new opportunities.

Robert Young Father Knows BestRobert Young as Jim Anderson in Father Knows Best.

After Father Knows Best, Robert starred in the comedy series Window on Main Street, which he also created and produced. Unfortunately, the series was short-lived and came to an end within six months. Next, Robert took on his final television series, which was Marcus Welby, M.D., for which he earned an Emmy as the best leading actor in a drama series. Afterward, he spent several years working in television commercials to advertise Sanka coffee.

While Robert portrayed happy and level-headed characters throughout his career, his personal life was quite different. Disappointed and bitter about his mediocre career in the studio system, Robert suffered greatly from depression and alcoholism. Robert was dealing with depression since 1946, and his wife was also depressed. By 1991, he attempted suicide by attaching a hose to the exhaust pipe of his car and intended to have the fumes released in the interior of the vehicle. However, Robert’s car broke down, leading him to call for a tow truck. The tow truck driver noticed the hose and called the police. Robert had been drinking and admitted that he planned to end his life. As a result, he was admitted voluntarily for a 24-hour observation period at Charter Hospital in Thousand Oaks. According to his wife, Robert had tried to form a suicide pact with her, but she did not think he was being serious.

Over the years, Robert spoke openly of his struggles with alcohol and depression. He attributes his negative feelings to the fact that he was portraying characters that were constantly content and positive, while Robert was deeply unhappy inside.
Robert passed away from respiratory failure on July 21, 1998, in his Westlake Village, California, home.

Because Robert and his family moved quite a bit during his early years, there are places of relevance to him both in his home state and beyond. According to the 1910 census, Robert and his family were living at 4730 19th Ave. NE in Seattle, Washington, when he was three years old. Here a picture of the property today:

Robert Young 4730 19th Ave. NE in Seattle, WashingtonYoung’s Residence at 4730 19th Ave. NE in Seattle, Washington.

By 1920, Robert and his family had moved to 26 S Michigan Ave. in Pasadena, California. This is what the property looks like currently:

Robert Young 26 S Michigan AveRobert Young’s Pasadena residence at 26 S Michigan Ave.

Robert’s alma mater, Abraham Lincoln High School, continues to operate as a high school. It is located at 3501 N Broadway in Los Angeles, California.

Robert Young Lincoln High SchoolRobert Young’s alma mater, Lincoln High School.

The Pasadena Playhouse, where Robert participated in live theater, continues to operate as a theater today, producing cultural and artistic events, professional shows, and also hosting community engagements. It is located at 39 S. El Molino Ave. in Pasadena, California.

Robert Young Pasadena ResidenceThe Pasadena Playhouse at 39 S. El Molino Ave. in Pasadena, California.

While many places of relevance to Robert are focused in California, his home state of Illinois does possess one building that recognizes his work towards the passage of the 708 Illinois Tax Referendum. The Referendum established a property tax in order to support mental health programs in the state of Illinois. The Robert Young Community Mental Health Center is named after Young in honor of his work. It was started in Rock Island, Illinois, but has since opened additional locations in Iowa and Illinois, as part of the Quad-City Metro Area. The original location is at 2200 3rd Ave. in Rock Island, Illinois.

The Robert Young Community Mental Health CenterThe Robert Young Community Mental Health Center at 2200 3rd Ave. in Rock Island, Illinois.

Though Robert’s life had its ups and downs, it is comforting to know that the staff at the Robert Young Community Mental Health Centers continue to assist individuals with similar struggles and provide them with the help they need.

 …..

–Annette Bochenek for Classic Movie Hub

You can read all of Annette’s Classic Movie Travel articles here.

Annette Bochenek of Chicago, Illinois, is a PhD student at Dominican University and an independent scholar of Hollywood’s Golden Age. She manages the Hometowns to Hollywood blog, in which she writes about her trips exploring the legacies and hometowns of Golden Age stars. Annette also hosts the “Hometowns to Hollywood” film series throughout the Chicago area. She has been featured on Turner Classic Movies and is the president of TCM Backlot’s Chicago chapter. In addition to writing for Classic Movie Hub, she also writes for Silent Film Quarterly, Nostalgia Digest, and Chicago Art Deco SocietyMagazine.

Posted in Classic Movie Travels, Posts by Annette Bochenek | Tagged | 13 Comments

Douglas Fairbanks: The Half Breed / The Good Bad Man DVD/Blu-Ray Giveaway

Douglas Fairbanks Double Feature DVD/Blu-Ray Giveaway

Thanks to our fine friends at Kino Lorber, we have another cool giveaway this month…  This time, we’ll be giving away FIVE copies of a Douglas Fairbanks silent movie double feature: The Half Breed and The Good Bad Man

In order to qualify to win one of these prizes via this contest giveaway, you must complete the below entry task by Saturday, June 9 at 10PM EST. However, the sooner you enter, the better chance you have of winning, because we will pick a winner on five different days within the contest period, via random drawings, as listed below… So if you don’t win the first week that you enter, you will still be eligible to win during the following weeks until the contest is over.

  • May 12: One Winner
  • May 19: One Winner
  • May 26: One Winner
  • June 2: One Winner
  • June 9: One Winner

We will announce each week’s winner on Twitter @ClassicMovieHub (or this blog, depending how you entered), the day after each winner is picked at 10PM EST  for example, we will announce our first week’s winners on Sunday May 13 at 10PM EST.

douglas fairbanks double feature the half breed and the good bad man

…..

ENTRY TASK (2-parts) to be completed by Saturday, June 9 at 10PM EST— BUT remember, the sooner you enter, the more chances you have to win…

1) Answer the below question via the comment section at the bottom of this blog post

2) Then TWEET (not DM) the following message:
Just entered to win “The Half-Breed / The Good Bad Man” Douglas Fairbanks double feature #Giveaway courtesy of @KinoLorber and @ClassicMovieHub contest link: http://ow.ly/Y4Jz30jRsiA

THE QUESTION:
What do you love best about Douglas Fairbanks (Sr)? And if you’re not familiar with his work, why do you want to win this double feature? 

*If you do not have a Twitter account, you can still enter the contest by simply answering the above question via the comment section at the bottom of this blog — BUT PLEASE ENSURE THAT YOU ADD THIS VERBIAGE TO YOUR ANSWER: I do not have a Twitter account, so I am posting here to enter but cannot tweet the message.

ALSO: Please allow us 48 hours to approve your comments. Sorry about that, but we are being overwhelmed with spam, and must sort through 100s of comments…

…..

About The Films: In an attempt to brand himself as a serious actor, the smiling swashbuckler Douglas Fairbanks starred in The Half-Breed (1916), a Western melodrama written by Anita Loos and directed with flair by Allan Dwan. Fairbanks stars as Lo Dorman, who has been ostracized from society because of his mixed ethnicity – his Native American mother was abandoned by his white father. When Lo catches the eye of the rich white debutante Nellie (Jewel Carmen), he becomes a target for the racist Sheriff Dunn (Sam De Grasse), who wants to break them up and take Nellie for his own. This love triangle becomes a quadrangle with the arrival of Teresa (Alma Rubens), who is on the run from the law. Through fire and fury Lo must decide who and what he truly loves. The Good Bad Man (1916), starring Douglas Fairbanks was directed by Allan Dwan (50 minutes). Special Features include: Amazing Tales from the Archives: Restoring The Half-Breed (1916),  Audio commentaries for The Half-Breed and The Bad Good Man by Tracey Goessel and Robert Byrne and more.

You can visit Kino Lorber on their website, on Twitter at @KinoLorber or on Facebook.

Please note that only residents of the Continental United States (excluding Alaska, Hawaii, and the territory of Puerto Rico) entrants are eligible to win.

For complete rules, click here.

And if you can’t wait to win, you can click on the image below to purchase on amazon:

…..

Good Luck!

–Annmarie Gatti for Classic Movie Hub

Posted in Contests & Giveaways, Posts by Annmarie Gatti | 23 Comments

The Maze 3D Blu-Ray Giveaway (May-June9)

The Maze 3D Blu-Ray Giveaway

It’s time for our next giveaway, courtesy of Kino Lorber. This time, we’ll be giving away FIVE copies of the 1953 horror classic The Maze in 3D on Blu-Ray, directed  by William Cameron Menzies…

In order to qualify to win one of these Blu-Rays via this contest giveaway, you must complete the below entry task by Saturday, June 9 at 10PM EST. However, the sooner you enter, the better chance you have of winning, because we will pick a winner on five different days within the contest period, via random drawings, as listed below… So if you don’t win the first week that you enter, you will still be eligible to win during the following weeks until the contest is over.

  • May 12: One Winner
  • May 19: One Winner
  • May 26: One Winner
  • June 2: One Winner
  • June 9: One Winner

We will announce each week’s winner on Twitter @ClassicMovieHub (or this blog, depending how you entered), the day after each winner is picked at 10PM EST  for example, we will announce our first week’s winners on Sunday May 13 at 10PM EST.

the maze 3d kino blu ray

…..

ENTRY TASK (2-parts) to be completed by Saturday, June 9 at 10PM EST— BUT remember, the sooner you enter, the more chances you have to win…

1) Answer the below question via the comment section at the bottom of this blog post

2) Then TWEET (not DM) the following message:
Just entered to win “The Maze” 1953 horror classic 3D Blu-Ray #Giveaway courtesy of @KinoLorber and @ClassicMovieHub contest link: http://ow.ly/TNu730jRrLp

THE QUESTION:
Why do you want to win this Blu-ray? 

*If you do not have a Twitter account, you can still enter the contest by simply answering the above question via the comment section at the bottom of this blog — BUT PLEASE ENSURE THAT YOU ADD THIS VERBIAGE TO YOUR ANSWER: I do not have a Twitter account, so I am posting here to enter but cannot tweet the message.

ALSO: Please allow us 48 hours to approve your comments. Sorry about that, but we are being overwhelmed with spam, and must sort through 100s of comments…

…..

the maze 1953 horror film

…..

About The Film: Newly Restored in 3-D by 3-D Film Archive from 4K scans by Paramount Pictures Archives! The Maze is a 1953 atmospheric horror film in 3-D, directed by William Cameron Menzies (Invaders from Mars, Things to Come) and starring Richard Carlson (The Magnetic Monster) as Scotsman Gerald MacTeam (Carlson) who abruptly breaks off his engagement to pretty Kitty Murray (Veronica Hurst) after receiving word of his uncle’s death and inheriting a mysterious castle in the Scottish Highlands. Kitty refuses to accept the broken engagement and travels with her aunt (Katherine Emery) to the castle. When they arrive, they discover that Gerald has suddenly aged and his manner has changed significantly. After a series of mysterious events occur in both the castle and the hedge maze outside, they invite a group of friends, including a doctor, to the castle, hoping they can help Gerald with whatever ails him. Menzies was known for his very dimensional style, focusing many shots in layers – The Maze was his final film as production designer and director.

You can visit Kino Lorber on their website, on Twitter at @KinoLorber or on Facebook.

Please note that only residents of the Continental United States (excluding Alaska, Hawaii, and the territory of Puerto Rico) entrants are eligible to win.

For complete rules, click here.

And if you can’t wait to win, you can click on the image below to purchase on amazon :)

…..

Good Luck!

–Annmarie Gatti for Classic Movie Hub

Posted in Contests & Giveaways, Posts by Annmarie Gatti | 45 Comments