42nd Street (1933) was a Comedy - Musical Film directed by Lloyd Bacon and produced by Darryl F. Zanuck.
42nd Street was inducted into the National Film Registry in 1998.
Academy Awards 1932/33 --- Ceremony Number 6 (source: AMPAS)
|Best Picture||Warner Bros.||Nominated|
42nd Street (1933)By 4 Star Film Fan on Mar 24, 2019 From 4 Star Films
“Sawyer, you’re going out a youngster but you’ve got to come back a star!” – Warner Baxter to Ruby Keeler 42nd Street essentially feels like hallowed ground even today because it single-handedly gave an entire generation of films plentiful ammunition for tropes while ju... Read full article
Re-watching 42nd Street (1933)By Carol Martinheira on Jan 24, 2018 From The Old Hollywood Garden
Re-watching 42nd Street (1933) On January 24, 2018 By CarolIn Uncategorized So, I?ve been trying to re-watch a lot of films lately. And for some?reason, this was one?of those films that I kept forgetting to re-watch. I saw it millions of years ago, probably 2009 or 201... Read full article
Pre-Code Crazy: 42nd Street (1933)By shadowsandsatin on Feb 7, 2017 From Shadows and Satin
Okay, y?all. By now, you probably know that I?m not the world?s biggest fan of musicals. But there are some musicals that I simply adore, and I have to admit that 42nd Street is one of them. In fact, until I popped in my DVD to watch the film for this post, I?d actually forgotten just how much I lov... Read full article
Warner Archive: 42nd Street (1933) Sparkles on Blu-rayBy KC on May 6, 2015 From Classic Movies
The Warner Archive Blu-ray edition of 42nd Street glimmers from the first frame. Even the title card looks magnificent. The credit "Silks by the Cheney Brothers" never looked more glamorous. To see the film that I watched dozens of times as a teenager on a VHS copy recorded from TV this way is almos... Read full article
TCM Classic Film Festival Day 3: WHY BE GOOD? 42nd STREET, EARTHQUAKE!By Lara on Mar 30, 2015 From Backlots
Day 3 was one filled with favorites and laughs. I started off the day with Why Be Good? (1929), a movie I had seen a few months ago when a new restoration was screened at the Los Angeles County Museum of Art. This same restoration was shown here, and I loved the movie so much the first time that I h... Read full article
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Billy Lawler: [to Peggy Sawyer] Hey, I've been for you ever since you walked in on me in my BVD's.
Julian Marsh: Sawyer, you listen to me, and you listen hard. Two hundred people, two hundred jobs, two hundred thousand dollars, five weeks of grind and blood and sweat depend upon you. It's the lives of all these people who've worked with you. You've got to go on, and you've got to give and give and give. They've got to like you. Got to. Do you understand? You can't fall down. You can't because your future's in it, my future and everything all of us have is staked on you. All right, now I'm through, but you keep your feet on the ground and your head on those shoulders of yours and go out, and Sawyer, you're going out a youngster but you've got to come back a star!
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Ginger Rogers took the role of Anytime Annie at the urging of director Mervyn LeRoy, whom she was dating at the time.
Henry B. Walthall originally had a large role including a key scene in which he died on stage during rehearsals. Almost all of his scenes ended up on the cutting room floor.
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