Gone with the Wind (1939) was a Drama - Romance Film directed by George Cukor and Sam Wood and produced by David O. Selznick.
The film was based on the novel of the same name written by Margaret Mitchell published in 1936.
Gone with the Wind was inducted into the National Film Registry in 1989.
Academy Awards 1939 --- Ceremony Number 12 (source: AMPAS)
|Best Actor||Clark Gable||Nominated|
|Best Actress||Vivien Leigh||Won|
|Best Supporting Actress||Olivia de Havilland||Nominated|
|Best Supporting Actress||Hattie McDaniel||Won|
|Best Art Direction||Lyle Wheeler||Won|
|Best Cinematography||Ernest Haller, Ray Rennahan||Won|
|Best Director||Victor Fleming||Won|
|Best Film Editing||Hal C. Kern, James E. Newcom||Won|
|Best Picture||Selznick International Pictures||Won|
|Best Writing||Sidney Howard||Won|
|Special Award||To William Cameron Menzies for outstanding achievement in the use of color for the enhancement of dramatic mood in the production of Gone with the Wind.||Won|
Ticklish Business: Episode #19 – Gone With the Wind (1939)on Mar 30, 2017 From Journeys in Classic Film
After several weeks of hype pop culture writer Terence Johnson joins me to talk about Rhett and Scarlett (and how much we hate Leslie Howard as Ashley) in 1939’s Gone With the Wind. Please consider leaving the podcast a rating and review on iTunes, or visit my Patreon page to find out more abo... Read full article
Gone with the Wind: Missed OpportunityBy Franchot Tone Fan on Jan 5, 2017 From Finding Franchot: Exploring the Life and Career of Franchot Tone
Like Old Acquaintance, here's another one of those "what might've been" posts for you. Did you know that Franchot was considered for the two male lead roles in Gone With the Wind? Clark, Joan, Leslie, and Franchot in one photo. Source: https://inafferrabileleslie.wordpress.com On Novemb... Read full article
The Costumes of Gone With the Wind: Scarlett O'Hara's Red BallgownBy Amanda Garrett on Aug 3, 2016 From Old Hollywood Films
Today, I'm taking a behind the scenes look a the red ballgown Scarlett O'Hara wears in Gone With the Wind (1939). This article is the fourth in a four-part series. Go here for part one, part two, and part three. One of Gone With the Wind costume designer Walter Plunkett's greatest challenges ... Read full article
The Costumes of Gone With the Wind: Scarlett O'Hara's Curtain DressBy Amanda Garrett on Jul 27, 2016 From Old Hollywood Films
Today, I'm taking a behind the scenes look at the dress made of curtains that Scarlett O'Hara (Vivien Leigh) wears in Gone With the Wind (1939). This article is the third in a four-part series. Go here for part one and part two. The curtain dress that Scarlett O'Hara (Vivien Leigh) wears to vis... Read full article
The Costumes of Gone With the Wind: Scarlett's Barbecue DressBy Amanda Garrett on Jul 12, 2016 From Old Hollywood Films
Today, I'm taking a behind the scenes look at the green-sprigged muslin dress Scarlett O'Hara (Vivien Leigh) wears to the barbecue at the Twelve Oaks plantation in Gone With the Wind (1939). This article is the second in a four-part series. For part one, go here. The green-sprigged muslin dre... Read full article
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Rhett Butler: So, you see I shall have to marry you.
Scarlett: I've never heard of such bad taste.
Rhett Butler: Would you be more convinced if I fell to my knees?
Scarlett: Turn me loose, you varmint, and get out of here!
Rhett Butler: Forgive me for startling you with the impetuosity of my sentiments, my dear Scarlett. I mean, my dear Mrs. Kennedy. But it cannot have escaped your notice that for some time past the friendship I have felt for you has ripened into a deeper feeling. A feeling more beautiful, more pure, more sacred. Dare I name it? Can it be love?
Scarlett: Get up off your knees! I don't like your common jokes!
Rhett Butler: This is an honorable proposal of marriage made at what I consider a most opportune moment. I can't go all my life waiting to catch you between husbands.
Scarlett: You're coarse, and you're conceited. And I think this conversation has gone far enough.
Rhett Butler: Frankly, my dear, I don't give a damn.
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In 2004, the movie was completely restored from the original three Technicolor negatives. This time, digital technology was employed to create results impossible to achieve with traditional methods. The negatives were scanned in at 2K resolution and digitally combined to remove all previous alignment problems and achieve perfect registration despite different amounts of shrinkage in the masters. The resulting digital master is of higher quality than any prints available so far - including the original prints from 1939. The color was timed to be identical to that of the surviving answer print of David O. Selznick, which is the color reference for the film. Reportedly, Selznick's original answer print was lost but it turned up five weeks into the 2004 digital restoration process. The color timing of the new digital master was subsequently stopped and started all over again from scratch. This 2004 digitally restored version looks truly astonishing, particularly when projected with a digital projector. An improved version, this time working at 4K resolution is already approved and should be finished in 2005. The 2009 Blu Ray Release comes from a new improved version 8K resolution scan and that is maximum possible limit for 70mm format.
Contrary to popular belief, this is not the first film to use the word "damn". The expletive was used in numerous silent intertitles and in several talkies, including Cavalcade and Pygmalion.
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