Classic Movie Countdown: Best Picture # 7 — Lawrence of Arabia (1962)

7. Lawrence of Arabia (1962)

Other Nominated Films:
The Longest Day, The Music Man, Mutiny on the Bounty, To Kill a Mockingbird

Before I go on to talk about this film, I would just like to say one thing: David Lean is one of the finest directors of all time. Lean doesn’t have just one film in my Top 10, but two, one of which is ranked in my Top 5. Lawrence of Arabia is undoubtedly one of the greatest films ever made, and if that isn’t enough, it also revealed the greatness of actor Peter O’Toole to the world. The film opens with the death of Lawrence (Peter O’Toole) by a motorcycle accident. At his memorial service, reporters try to better understand who this remarkable and complicated man really was. From here, we flashback into the life of Lawrence and where his military career begins…Lawrence is a British Army lieutenant stationed in Cairo during World War I. Mr. Dryden of the Arab Bureau (Claude Rains) sends Lawrence to evaluate the progress of Prince Faisal (Alec Guinness) in his revolt against the Turks. The journey is not an easy one but I won’t go into detail here so that you can see it for yourself — but I’ll continue talking about what happens next…At the end of this journey, Lawrence meets Colonel Brighton (Anthony Quayle), who tells him to be quiet, assess Faisal’s camp, and leave at once. Lawrence instead ignores Brighton’s orders and advises Faisal to attack Aqaba — and thus begins Lawrence’s exploits as he leads the Arab revolt against the Turks. Again, I don’t want to ruin the movie for you by going into any great detail here, but suffice to say that Lawrence uses guerilla warfare tactics and performs heroic feats but also experiences emotional struggles with acts of violence and his personal identityLawrence of Arabia was a huge success both critically and financially, and is still popular among viewers today. Critics have repeatedly cited the film’s impressive visuals, music and screenplay, as well as the magnificent performance of Peter O’Toole. O’Toole was nominated for the Best Actor Oscar, but would wind up losing to Gregory Peck who played Atticus Finch in To Kill a Mockingbird (which is also one of the best films in the history of cinema). It’s interesting to compare O’Toole’s performance as Lawrence and Peck’s performance as Finch since they’re both ranked on the American Film Institute’s 100 Heroes and Villains list; O’Toole would be ranked as the 10th Hero, while Peck would be ranked as the #1 Hero. Both excellent performances; both iconic roles; and yet both very different types of heroes.  Lawrence of Arabia would be producer Sam Spiegel’s third Academy Award for Best Picture (the first two are #4 and #2 on this list),and David Lean’s second Academy Award for Best Director (the other being #4 on this list). O’Toole would go on to be nominated for another seven Academy Awards, but would not win any – however he was the recipient of an Honorary Academy Award for his remarkable talents that “provided cinema with some of its most memorable characters.

Nominated for 10 Oscars, Winner of 7
Best Art Direction – Set Decoration, Color – John Box, John Stoll, Dario Simoni (WON)
Best Cinematography, Color – Freddie Young (WON)
Best Director – David Lean (WON)
Best Film Editing – Anne V. Coates (WON)
Best Music, Score – Substantially Original – Maurice Jarre (WON)
Best Picture – Sam Spiegel (WON)
Best Sound – John Cox (Shepperton SSD) (WON)
Best Actor in a Leading Role – Peter O’Toole
Best Actor in a Supporting Role – Omar Sharif
Best Writing, Screenplay Based on Material from Another Medium – Robert Bolt, Michael Wilson

Prince Feisal: But you know, Lieutenant, in the Arab city of Cordoba were two miles of public lighting in the streets when London was a village?
T.E. Lawrence: Yes, you were great.
Prince Feisal: Nine centuries ago.
T.E. Lawrence: Time to be great again, my lord.

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Classic Movie Countdown: Best Picture # 8 — The Best Years of Our Lives (1946)

8. The Best Years of Our Lives (1946)

Other Nominated Films:
Henry V, It’s a Wonderful Life, The Razor’s Edge, The Yearling

There’s so much that I could say about The Best Years of Our Lives…and that’s even before I did some background research on it. The Best Years of Our Lives focuses on the lives of three men returning home after serving in WWII — Fred Derry (Dana Andrews) , Al Stephenson (Fredric March) and Homer Parrish (Harold Russell).  The three men meet on the plane coming home from the war, share a cab ride, and become friends.  As each man tries his best to readjust to his old life, he must deal with new personal battles:  Fred Derry’s wife Marie (Virginia Mayo) wants to live a more lavish lifestyle that he simply cannot afford; Al Stephenson struggles with family life and job integrity, and starts showing signs of alcoholism; Homer Parrish, who lost both his hands in the war and now uses hook prostheses, is well aware that his appearance makes others uncomfortable.  One night, Homer goes out to avoid the awkwardness of being around his fiancée Wilma (Cathy O’Donnell) and their families after he is unable to properly hold a cup in his hooks.  That same night, Fred roams around the neighborhood, going from nightclub to nightclub in search of his wife, and Al decides to go out with his wife Milly (Myrna Loy) and daughter Peggy (Teresa Wright).  And, as luck would have it, all three end up meeting in the same bar. I won’t divulge the plot any further because I would be depriving you of some key moments that you really should witness for yourself. While I was watching the movie, I found it extraordinary that Harold Russell was so skilled with his hooks. The thought then entered my mind that it was entirely possible those hooks were real — so I looked into the life of Harold Russell, and he did lose both of his hands in the Army. Everything that I saw on-screen was completely authentic, and I was left speechless. Harold Russell wasn’t an actor — he was as real as any person could be. During the Academy Awards ceremony of 1947, Harold Russell was awarded an honorary Oscar for “bringing hope and courage to his fellow veterans.” This special award was created because the Board of Governors assumed that Russell had little-to-no chance of winning a competitive award, and they wanted to salute him in some way. Little did they know however that Russell would go on to win the Best Supporting Actor Oscar, and to this day, he is the only actor in history to win two Oscars for the same performance.

Nominated for 8 Oscars, Winner of 7
Honorary Award – Harold Russell – For bringing hope and courage to his fellow veterans through his appearance in The Best Years of Our Lives.
Best Actor in a Leading Role – Fredric March (WON)
Best Actor in a Supporting Role – Harold Russell (WON)
Best Director – William Wyler (WON)
Best Film Editing – Daniel Mandell (WON)
Best Music, Scoring of a Dramatic or Comedy Picture – Hugo Friedhofer (WON)
Best Picture – Samuel Goldwyn Productions (WON)
Best Writing, Screenplay – Robert E. Sherwood (WON)
Best Sound, Recording – Gordon Sawyer (Samuel Goldwyn SSD)

Fred Derry: You gotta hand it to the Navy; they sure trained that kid how to use those hooks.
Al Stephenson: They couldn’t train him to put his arms around his girl, or to stroke her hair.

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Classic Movie Countdown: Best Picture # 9 — The Apartment (1960)

9. The Apartment (1960)

Other Nominated Films:
The Alamo, Elmer Gantry, Suns and Lovers, The Sundowners

Billy Wilder’s follow-up to Some Like It HotThe Apartment, is a witty, sardonic, and touching film about corporate politics, adultery, integrity and love. Jack Lemmon plays C.C. Baxter, a lowly office clerk who works for a New York City insurance company. When Baxter starts lending out his apartment to his philandering bosses for their romantic trysts, things start getting complicated — especially when Baxter’s big boss, Mr. Sheldrake (Fred MacMurray), takes notice and wants to start using the apartment himself.  Meanwhile Baxter finds himself climbing nicely up the corporate ladder, and also takes a liking to sweet elevator operator Miss Fran Kubelik (Shirley MacLaine). When Baxter finds out that Fran is Sheldrake’s girlfriend — it makes for sticky situations, romantic problems and more serious trouble (that shall remain nameless) — and ultimately Baxter must decide between his integrity and his career. The on-screen chemistry between Lemmon and MacLaine is great to watch as they’re both extremely quick with their deliveries and are just terrific when they’re together. MacMurray is pitch-perfect, playing against type, as the cheating, low-life Sheldrake. Jack Kruschen, who plays Dr. Dreyfuss, is the doctor-neighbor who mistakenly thinks Baxter is a ladies’ man and advises Baxter to “Be a mensch!” (human being). Ray Walston and David Lewis are amusing as slightly sordid office wolves. Kruschen was nominated for Best Supporting Actor, while Lemmon and MacLaine were nominated for Best Actor and Actress respectively. The Apartment would end up being a critical and a financial success, grossing $25 million at the box office. Wilder would go on to win Academy Awards for Best Picture, Best Director and Best Screenplay (co-written with longtime collaborator I.A.L. Diamond), joining an elite ‘club’ that consists of only four others (Francis Ford Coppola for The Godfather Part II, James L. Brooks for Terms of Endearment, Peter Jackson for The Lord of the Rings: The Return of the King, and Joel and Ethan Coen for No Country for Old Men.)  The Apartment would also end up being the last completely black-and-white film to win Best Picture (which actually could change this year…wow.)  I would also like to say one more thing before I close: Alfred Hitchcock’s Psycho was nominated for four Oscars this year, winning none. If Psycho would have won for Best Picture (which it was not nominated for), then Psycho would have been the #2 film on my countdown.

Nominated for 10 Oscars, Winner of 5
Best Art Direction – Set Decoration, Black-and-White – Alexandre Trauner, Edward G. Boyle (WON)
Best Director – Billy Wilder (WON)
Best Film Editing – Daniel Mandell (WON)
Best Picture – Billy Wilder (WON)
Best Writing, Story and Screenplay – Written Directly for the Screen – Billy Wilder, I.A.L Diamond (WON)
Best Actor in a Leading Role – Jack Lemmon
Best Actor in a Supporting Role – Jack Kruschen
Best Actress in a Leading Role – Shirley MacLaine
Best Cinematography, Black-and-White – Joseph LaShelle

C.C. Baxter: Ya know, I used to live like Robinson Crusoe; I mean, shipwrecked among 8 million people. And then one day I saw a footprint in the sand, and there you were.

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Classic Movie Countdown: Best Picture # 10 — It Happened One Night (1934)

10. It Happened One Night (1934)

Other Nominated Films:
The Barretts of Wimpole Street, Cleopatra, Flirtation Walk, The Gay Divorcee, Here Comes the Navy, The House of Rothschild, Imitation of Life, One Night of Love, The Thin Man, Viva Villa!, The White Parade

After reviewing 32 movies, we’re finally down to the Top 10. What better way to begin the Top 10 than with the Frank Capra classic, It Happened One Night. It Happened One Night is one of the best romantic comedies ever to hit the Silver Screen, and one of the last romantic comedies to be filmed before the enforcement of the Hays Code in 1934. It Happened One Night features Claudette Colbert as spoiled heiress, Ellen Andrews, who runs away from her father (Walter Connolly) because he wants to annul her brand-new marriage to gold digger aviator King Westley (Jameson Thomas).  Ellie attempts to reach New York City to meet up with husband Westley, and, on the way, crosses paths with Peter Warne (Clark Gable), an out-of-work street-wise newspaper reporter.  Peter discovers Ellie’s true identity and, seeing this as a golden opportunity to get his job back, Peter tells Ellie that he will get her to Westley in exchange for her exclusive story.  Along the way, Peter teaches Ellie a few “facts” of life, such as how to properly dunk a donut, how to hitch hike correctly (Peter actually learns something from Ellie here instead!), and how to give someone a proper piggyback ride. Also, along the way, we meet some fabulous character actors, including Roscoe Karns who plays Oscar Shapeley (“Shapeley’s the name, and that’s the way I like ’em”) and Alan Hale Sr. who plays Danker (singing “Young people in LOVE are very seldom hungry…”). The historical context of It Happened One Night is also something to note. It Happened One Night was released in 1934, in the midst of The Great Depression – and although the movie is not about the Depression, the Depression’s impact on the story is prevalent. Ellie has to pawn her wristwatch to buy her clothes, Peter and Ellie spend the night in a cheap autocamp (sharing a room and rationing food), a lady bus passenger faints from hunger, Peter and Ellie are hungry and have no money left to buy food or pay for their lodging…And yet, among all of this hardship, Ellie finds true love and happiness! It is interesting to note that several actors and actresses turned down the lead roles, and Gable and Colbert were also reluctant and quite weary about participating. It has even been said that, after filming was complete, Colbert complained to her friend, “I just finished the worst picture in the world.” That being said, there is a bit of a ‘story’ behind Claudette Colbert winning Best Actress for her role as Ellie. Colbert was so certain that she wasn’t going to win the award, she decided to take a cross-country railroad trip. When she won the award, studio chief Harry Cohn sent someone to drag her off the train (which luckily hadn’t left the station yet) to take her to the awards ceremony. It Happened One Night would go on to win all the Academy Awards it was nominated for, and would become the first film ever to win the “Big Five” (Best Picture, Best Director, Best Actor, Best Actress, and Best Writing; this would happen only twice afterwards (to date).

 

Nominated and Won 5 Oscars
Best Actor in a Leading Role – Clark Gable
Best Actress in a Leading Role – Claudette Colbert
Best Director – Frank Capra
Best Picture – Columbia
Best Writing, Adaptation – Robert Riskin

Peter Warne: Behold the walls of Jericho! Uh, maybe not as thick as the ones that Joshua blew down with his trumpet, but a lot safer. You see, uh, I have no trumpet.

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Classic Movie Countdown: Best Picture #’s 12 and 11 — In the Heat of the Night (1967) and My Fair Lady (1964)

12. In the Heat of the Night (1967)

Other Nominated Films:
Bonnie and Clyde, Doctor Dolittle, The Graduate, Guess Who’s Coming to Dinner

Prior to compiling this countdown list, I’d never seen a Sidney Poitier movie. I knew who he was, and I knew about the profound effect he had on movie history — but I never had the opportunity to see one of his films.  You could say that Poitier was the first major black movie star — he was the first black actor to be nominated for a competitive Academy Award (The Defiant Ones); he was the first black actor to win the Best Actor award (Lilies of the Field); he played roles that defied previous racial stereotypes; and by 1967 he was a MAJOR box office draw.  With that being said, I’m glad In the Heat of the Night was my first Poitier film. And I’m glad that my first two memories of Poitier will be his delivery of the iconic line, “They call me MISTER Tibbs!”, and his performance, as Mr. Tibbs, reacting to being slapped by a white man — by slapping the white man right back. Wow. While Poitier gives one of the most powerful performances I’ve ever seen, in my opinion he’s actually topped by his co-star, Rod Steiger (and that’s saying a lot). Steiger is just so convincing and so stinging in his portrayal of the arrogant and prejudiced Police Chief Bill Gillespie. In a way, In the Heat of the Night could be considered a character study of two men, of different races, who are on the same mission with the same goal. And although Tibbs and Gillespie start out on the wrong foot and use different methods to solve crime, they eventually put their differences aside and work together. Steiger would go on to win the Academy Award for Best Actor, while Virgin Tibbs would go on to be ranked as one of the top 50 heroes by the American Film Institute.

Nominated for 7 Oscars, Winner of 5

Best Actor in a Leading Role – Rod Steiger (WON)
Best Film Editing – Hal Ashby (WON)
Best Picture – Walter Mirisch (WON)
Best Sound – Samuel Goldwyn SSD (WON)
Best Writing, Screenplay Based on Material from Another Medium – Stirling Silliphant (WON)
Best Director – Norman Jewison
Best Effects, Sounds Effects – James Richards

Virgil Tibbs: They call me MISTER Tibbs!

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Classic Movie Countdown: Best Picture #’s 14 and 13 — The Sound of Music (1965) and Marty (1955)

14. The Sound of Music (1965)

Other Nominated Films:
Darling, Doctor Zhivago, Ship of Fools, A Thousand Clowns

Now this is one of the weeks I’ve been looking forward to writing about! There are a lot of movies I’ve enjoyed watching, but these next two films are definitely up there as far as my all-time favorites go. Let’s begin with what the hills are alive of (I just couldn’t resist.) Nominated for ten Academy Awards, The Sound of Music became the highest-grossing film of all time in 1966, overtaking the top spot from the #3 film on my countdown list — which would again jump back to the #1 spot in 1971 usurping The Sound of Music…just a bit of trivia here. Anywho! Until about a month ago, I’d only seen clips and tidbits from The Sound of Music…sorry to say. But, after watching the whole film for the first time, I was completely blown away.  From the iconic opening scene when we see Maria twirling around on the beautiful mountainside amid the snow-capped Alps, to the suspenseful ending as the Von Trapp family tries to escape the Nazis — I was captivated in every way.  Not only was the film fun and romantic, and at times quite serious due to the historical implications — the Rogers and Hammerstein songs were simply magnificent and unforgettable!  Julie Andrews was so charismatic as the free-spirited Maria — truly phenomenal and easy to love.  And, although it’s no secret that Christopher Plummer (who played Captain Georg von Trapp) absolutely hated this movie, it doesn’t change the fact that this is one of his most memorable roles. Ranked as the #4 musical of all time by the American Film Institute, The Sound of Music is an experience you will never forget.

Nominated for 10 Oscars, Winner of 5

Best Director – Robert Wise (WON)
Best Film Editing – William Reynolds (WON)
Best Music, Scoring of Music, Adaptation or Treatment – Irwin Kostal (WON)
Best Picture – Robert Wise (WON)
Best Sound – James Corcoran (20th Century-Fox SSD), Fred Hynes (Todd-AO SSD) (WON)
Best Actress in a Leading Role – Julie Andrews
Best Actress in a Supporting Role – Peggy Wood
Best Art Direction – Set Decoration, Color – Borin Leven, Walter M. Scott, Ruby R. Levitt
Best Cinematography, Color – Ted D. McCord
Best Costume Design, Color – Dorothy Jeakins

Captain von Trapp: Fraulein, is it to be at every meal, or merely at dinnertime, that you intend on leading us all through this rare and wonderful new world of… indigestion?

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Classic Movie Countdown: Best Picture #’s 16 and 15 — You Can’t Take It with You (1938) and All Quiet on the Western Front (1930)

16. You Can’t Take It with You (1938)

Other Nominated Films:
The Adventures of Robin Hood, Alexander’s Ragtime Band, Boys Town, The Citadel, Four Daughters, Grand Illusion, Jezebel, Pygmalion, Test Pilot

My first exposure to You Can’t Take It With You was during high school in the form of a school play. I can’t say that I was much impressed with the performance, but then again, it was a high school play. In any event, when I discovered that You Can’t Take It With You was a Best Picture winner, I was, well,…not so excited about having to watch it (I’ll admit, this wasn’t one of my brighter moments.) This is a great film on every level, and while it may be loud at times and somewhat zany, You Can’t Take It With You is a charming, uplifting film with a powerful and wonderful message: you don’t need money or luxuries to be happy; all you need is the love of your family and friends.  The film, with its uplifting message, was very well received upon its release in 1938, a time when the country was struggling through the tail end of the Great Depression (as a matter of fact, it was the highest-grossing film of the year). But I also find that the film is relevant in today’s world: a time when people are struggling with high unemployment, an uncertain stock market, bad mortgages and the ever widening gap between the rich and the poor.  You Can’t Take It With You was the first of two collaborations between Frank Capra, Jean Arthur and James Stewart, as they would all work together again in Mr. Smith Goes to Washington.  It was also the first Best Picture winner to be adapted from a Pulitzer Prize winning play.  One last observation:  Lionel Barrymore’s character, Grandpa Vanderhof, is the ultimate good-natured, anti-materialist, compassionate, family-loving man — the exact opposite of the character (Mr. Potter) he played in yet another Frank Capra classic – It’s a Wonderful Life.

Nominated for 7 Oscars, Winner of 2
Best Director – Frank Capra (WON)
Best Picture – Columbia (WON)
Best Actress in a Supporting Role – Spring Byington
Best Cinematography – Joseph Walker
Best Film Editing – Gene Havlick
Best Sound, Recording – John P. Livadary (Columbia SSD)
Best Writing, Screenplay – Robert Riskin

Grandpa Martin Vanderhoff: Maybe it’ll stop you trying to be so desperate about making more money than you can ever use? You can’t take it with you, Mr. Kirby. So what good is it? As near as I can see, the only thing you can take with you is the love of your friends.

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Classic Movie Countdown: Best Picture #’s 18 and 17 — Grand Hotel (1932) and Midnight Cowboy (1969)

18. Grand Hotel (1932)

Other Nominated Films:
Arrowsmith, Bad Girl, The Champ, Five Star Final, One Hour with You, Shanghai Express, The Smiling Lieutenant

One of the first films to feature an ensemble cast in the history of cinema, Grand Hotel succeeds on all levels. Grand Hotel features Greta Garbo, John Barrymore, Joan Crawford, Wallace Beery, Lionel Barrymore, and Lewis Stone — and, as you would expect, none of them disappoint. In a way, this could also be considered one of the earliest anthology films since there are numerous stories taking place at the same time. So, you could say that Grand Hotel is a movie of a grand scale (I was getting that phrase in here one way or another.) The film begins and ends in the same way: with Doctor Otternschlag (Stone) saying, “Grand Hotel. People come and go. Nothing ever happens.”  But, in between the two times this statement is made, a whole bunch does go on in the Grand Hotel: love, friendship, thieving, murdering, but most of all, laughing. Let’s see now…there is Baron Felix von Geigern (John Barrymore), who lost his fortune gambling and supports himself by playing cards and stealing jewelry, who befriends Otto Kringelein (Lionel Barrymore), who discovers he’s dying and decides to spend his remaining days having fun, who used to work for industrialist General Director Preysing (Wallace Beery), who is at the hotel to close an important deal, who hires stenographer Flaemmchen (Joan Crawford) to assist him in doing so. Oh! And then there’s Russian ballerina Grusinskaya (Greta Garbo), whose career is slowly declining and who is on the verge of a breakdown when she utters one of the most famous lines in movie history, “I want to be alone.” Whew! Now, that’s a lot! And that’s only the first 20 minutes or so. Grand Hotel is the only film to win Best Picture without it, or anyone involved with it, being nominated in any other category.

Nominated and Won 1 Oscar
Best Picture – M-G-M

Baron Felix von Geigern: [looking down from the sixth-floor balcony over the front desk] You know, I’ve often wondered what’d happen to that old porter if somebody jumped on him from here.
Flaemmchen: I’m sure I don’t know. Why don’t you try it and find out?

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Classic Movie Countdown: Best Picture #’s 20 and 19 — All The King’s Men (1949) and From Here to Eternity (1953)

20. All The King’s Men (1949)

Other Nominated Films:
Battleground, The Heiress, A Letter to Three Wives, Twelve O’Clock High

I’m not someone who is very knowledgeable when it comes to the world of politics. While I may watch a large amount of political movies, I don’t exactly understand a majority of the jargon that’s being spoken. But for the most part, they always make for good dramatic and suspenseful films, which is the case here for All the King’s Men. The film is loosely based on the life of 1930’s Louisana Governor Huey Long. Starting off as a self-taught lawyer who is aiming to do the right thing, Willie Stark (Broderick Crawford) fights a long, hard battle to reach the governor’s chair. But while fighting his way to the top, he loses his innocence and becomes even more corrupt than the politicians he fought so hard to conquer. All of this is seen through the eyes of Stark’s right-hand man Jack Burden (John Ireland), who sticks with Stark even when he knows the truth behind the monster. Crawford doesn’t just act as if he’s Stark; he lives and breathes the role. He’s like a flame that starts off extremely small, but in time just grows larger and larger until it is out of control. This film could have easily turned out very differently since director Robert Rossen originally offered the lead role to John Wayne. Wayne declined the role since he felt that the script was unpatriotic (he wasn’t wrong.) Ironically enough, Crawford would go on to beat Wayne for the Best Actor Oscar (Wayne was nominated for his role in Sands of Iwo Jima.) All The King’s Men, which was originally a novel written by Robert Penn Warren, was the last Best Picture winner to be based on a Pulitzer Prize-winning novel.

Nominated for 7 Awards, Winner of 3
Best Actor in a Leading Role – Broderick Crawford (WON)
Best Actress in a Supporting Role – Mercedes McCambridge (WON)
Best Picture – Robert Rossen Productions (WON)
Best Actor in a Supporting Role – John Ireland
Best Director – Robert Rossen
Best Film Editing – Robert Parrish, Al Clark
Best Writing, Screenplay – Robert Rossen

Jack Burden: I tell you there’s nothing on the judge.
Willie Stark: Jack, there’s something on everybody. Man is conceived in sin and born in corruption.

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Classic Movie Countdown: Best Picture #’s 22 and 21 — Mutiny on the Bounty (1935) and Hamlet (1948)

22. Mutiny on the Bounty (1935)

Other Nominated Films:
Alice Adams, Broadway Melody of 1936, Captain Blood, David Copperfield, The Informer, The Lives of a Bengal Lancer, A Midsummer’s Night Dream, Les Misérables, Naughty Marietta, Ruggles of Red Gap, Top Hat

It was a few years ago when I first watched Mutiny on the Bounty and I still remember the experience as if it was yesterday. In fact, it’s one of the films that got me interested in Classic films.  Mutiny on the Bounty is a magnificent and thrilling film that chronicles the real-life mutiny aboard the HMS Bounty and its aftermath. It features powerful performances by its three stars: Charles Laughton as the sadistic Captain Bligh, Clark Gable as the rebellious Fletcher Christian, and Franchot Tone as the humane Midshipman Byam. Interestingly, all three actors were nominated for the Best Actor Oscar, but lost to Victor McLaglen for his role in The Informer (the only nominee not from Mutiny on the Bounty). This helped spark the subsequent creation of the Best Supporting Actor Oscar. To date, Mutiny on the Bounty is the last film to win Best Picture without winning in any other category. It is also interesting to note that James Cagney, David Niven and Dick Haymes had uncredited roles as Extras in the film. Producer Irving Thalberg may have had an ulterior motive when casting both Gable and Laughton in the same film.  It’s been said that, Thalberg purposely cast Laughton, who was overtly gay, against Gable, a notorious homophobe, in the hopes that some ‘real life’ tension between the two actors would create an even more powerful and authentic on-screen intensity. Stacking the deck even further, it is also said that Thalberg thought Gable would be intimidated working with Laughton who was a classically trained British actor, and that Laughton believed that he, himself, should have been nominated in 1935 for his performance in The Barretts of Wimpole Street rather than Gable who won Best Actor for It Happened One Night.

Nominated for 8 Oscars, Winner of 1
Best Picture – M-G-M (WON)
Best Actor in a Leading Role – Clark Gable
Best Actor in a Leading Role – Charles Laughton
Best Actor in a Leading Role – Franchot Tone
Best Director – Frank Lloyd
Best Film Editing – Margaret Booth
Best Music, Score – Nat W. Finston (head of department)
Best Writing, Screenplay – Jules Furthman, Talbot Jennings, Carey Wilson

Lt. Fletcher Christian: When you’re back in England with the fleet again, you’ll hear the hue and cry against me. From now on they’ll spell mutiny with my name.

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