Preserving History: The Essanay Studios Indiegogo Campaign

Preserving History: The Restoration of Iconic Essanay Studios

The Famous terracotta entrance to present-day Essanay Studios.

History is such a beautiful thing. Like a giant puzzle with endless pieces, History provides us with context for concepts and events as infinite in scope as Humanities’ past. History provides us with the many legends that help us understand who we are as human beings and how we have evolved over time. By studying history, by studying its patterns and cycles; its glories and its atrocities, we can create a blue print for our future because, as the famous saying goes, “Those who cannot remember the past are condemned to repeat it.”

And of course, another beautiful thing about history is that it does not just live in books. It lives in the paintings at the MET, the peaks of The Selimiye Mosque; in the fields of Gettysburg and the ruins of The Colosseums. History is all around us like an all-encompassing reminder of our collective culture: of our humanity. However, for history to survive, for us to remember where we came from, it sometimes takes a little effort.

Restoration is an important part of historical preservation. It offers us a new link to our collective past, giving us a fresh perspective and appreciation of our history. And that is just what the Indiegogo Campaign for the Restoration of Essanay Studios is trying to do.

Essanay Studios at the turn of the century.

Essanay Studios has an interesting history. Founded in 1907 by George K. Spoor and Gilbert M. “Broncho Billy” Anderson, Essanay had an important role as one of the top film studios during narrative films’ formative years. The film studio boasted some of silent films’ greatest stars such as Bebe Daniels, Wallace BeeryEdward Arnold, Gloria Swanson, Francis X. Bushman — and its most famous player, Charlie Chaplin. In fact, it was while under contract at Essanay Studios that Chaplin filmed The Tramp and crafted his now signature character into the lovable, pathos-riddled character that won the hearts of the entire world.

Charlie Chaplin with Ben Turpin and Charlotte Mineau in His New Job (1915, Charlie Chaplin director)

The Studio, however, would only enjoy a short time atop the silent film studio totem pole. Thanks to Chicago’s relentless winds and unpredictable weather, filmmakers sought locations that offered more control over their projects and within a decade nearly every major studio either went west or went broke. Although Essanay did open up a California branch of their studio (the Essanay-West studio in Niles), by 1920 the company ceased production all together.

However brief their reign as champion of the Silent Era, Essanay undoubtedly remains an important contributor to film development, having released over 1,400 films including the first American Sherlock Holmes (1916), the first American A Christmas Carol (1908), the hugely popular Broncho Billy westerns, and 14 Charlie Chaplin comedy shorts.

By donating just five dollars, you can help preserve film history, by helping to restore Chicago’s rightful place in the lexicon of American Film History. But don’t just take my work for it. Check out the Video below and see for yourself.

Help to Restore Essanay Studios

…..

Minoo Allen for Classsic Movie Hub

Posted in Articles, Posts by Minoo Allen, Silent Films | Tagged , , , , , , , , , , , , , , , , , | Leave a comment

Mini Tribute: Mark Sandrich at Work

Born October 26, 1901 (?) Director Mark Sandrich!

Director Mark Sandrich began his film career working in the prop department, then moved on to directing shorts, and finally to directing feature length films.  During his 20-year film career, he directed over 75 shorts and films but he is probably best known for his work with Fred Astaire, Ginger Rogers and Bing Crosby: The Gay Divorcee, Top Hat, Follow the Fleet, Shall We Dance, Carefree, Holiday Inn, Blue Skies.

So, to celebrate his successful musical career, let’s take a look at some fun behind-the-scenes photos…

Mark Sandrich, Ginger Rogers, Jerome Cowan, Shall We Dance Behind the ScenesGinger Rogers, Jerome Cowan and Mark Sandrich on the set of Shall We Dance (Mark Sandrich director, 1937)

…..

Mark Sandrich and Ginger Rogers Behind the Scenes Top Hat

Mark Sandrich and Ginger Rogers, Behind the Scenes at Top Hat (1935)

…..

Choreographer Hermes Pan, Director Mark Sandrich, Ira Gershwin, musical director Nat Shilkret, Fred Astaire, Ginger Rogers, George Gershwin at the piano Production Still from Shall We Dance

How much talent can fit in one room???  Back row (left to right): Choreographer Hermes Pan, Director Mark Sandrich, Ira Gershwin, Musical Director Nat Shilkret; Front Row Seated (left to right): Fred Astaire, Ginger Rogers, George Gershwin (at the piano); on the set of Shall We Dance (1937)

…..

Mark Sandrich, Ginger Rogers, Fred Astaire and Irving Berlin

Mark Sandrich, Ginger Rogers, Fred Astaire and Irving Berlin

…..

Mark Sandrich and Fred Astaire

Couldn’t believe my eyes on this one, but yes indeedy, Mark Sandrich is dancing with Fred Astaire!

…..

–Annmarie Gatti for Classic Movie Hub

 

 

Posted in Behind the Scenes, Directors, Posts by Annmarie Gatti | Tagged , , , , , , , , , | Leave a comment

All in the Family: Joan Bennett and Constance Bennett


Sisters Joan Bennett and Constance Bennett…

Constance Bennett was born Constance Campbell Bennett on October 22, 1904 in New York City. Her elder sister, actress Joan Bennett, was born Joan Geraldine Bennett on in Palisades, New Jersey.  Middle sister, actress Barbara Bennett was a little-known silent film actress, born on August 13, in 1906, also in Palisades, New Jersey. Their father was silent film star and matinee idol Richard Bennett and their mother was stage actress and literary agent Adrienne Morrison whose father was the stage actor Lewis Morrison.

Sisters Joan Bennett and Constance Bennett

Sisters Joan Bennett and Constance Bennett

…..

Barbara Bennett actressMiddle sister Barbara Bennett

…..

–Annmarie Gatti for Classic Movie Hub

 

Posted in All in the Family (Family Connections), Posts by Annmarie Gatti | Tagged , , , | Leave a comment

All in the Family: Joan Fontaine and Olivia de Havilland

Sisters Joan Fontaine and Olivia de Havilland…

Joan Fontaine was born Joan de Beauvoir de Havilland on October 22, 1917 to British parents Walter Augustus de Havilland (patent attorney) and Lilian Augusta (former stage actress). Olivia de Havilland, her elder sister,was born Olivia Mary de Havilland on 1 July 1916. Both sisters were in born in Toyko, Japan.  Their mother returned to acting  as Lillian Fontaine in 1945 (after both daughters achieved fame) debuting in the film The Lost Weekend as Mrs. St. James. 

Sisters Olivia de Havilland and Joan Fontaine

Sisters: Olivia de Havilland and Joan Fontaine

To date, Olivia de Havilland and Joan Fontaine are the only siblings to have ever won a ‘Leading Role’ Academy Award.  Fontaine won the Best Actress Oscar in 1942 for her role as Lina in Alfred Hitchcock’s Suspicion (1941), and de Havilland won Best Actress in 1947 for her role as Jody Norris in Mitchell Leisen’s To Each His Own (1946), followed by a second Best Actress Oscar in 1950 for her role as Catherine Sloper in William Wyler’s The Heiress (1949).

…..

Lillian Fontaine: Olivia de Havilland and Joan Fontaine's mother

And their mother, Lillian, who later returned to work as an actress under the stage name Lillian Fontaine

…..

–Annmarie Gatti for Classic Movie Hub

Posted in All in the Family (Family Connections), Posts by Annmarie Gatti | Tagged , , , , , , , | Leave a comment

Classic Movie Coincidence: Bela Lugosi and Arlene Francis

Bela Lugosi and Arlene Francis share a birthday and a film:

Both Bela Lugosi & Arlene Francis appeared in Murders in the Rue Morgue — and both were born today October 20 (25 yrs apart!).  Murders in the Rue Morgue was Arlene Francis’ debut film role.

Bela Lugosi and Arlene Francis in Murders in the Rue Morgue 1932

Bela Lugosi as diabolical mad scientist Dr. Mirakle and Arlene Francis as the ‘Woman of the Streets’ who falls prey to him in Murders in the Rue Morgue (1932, Robert Florey director). Lugosi was born on October 20, 1882 in Lugos, Hungary (now Lugoj, Romania) and Francis was born on October 20, 1907 in  Boston, Massachusetts.

…..

–Annmarie Gatti for Classic Movie Hub

Posted in Classic Movie Coincidence, Posts by Annmarie Gatti | Tagged , , | 1 Comment

TCM’s October Star of the Month: Vincent Price – Master of Horror

Vincent Price: Master of Horror

The reasons to love Vincent Price are too plentiful to count. He was a master of acting and a collector of art, a gourmet chef and a published author, a lover of poetry and a political activist. Yes, Vincent Price can be counted amongst the great renaissance men of the twentieth century but that’s not what we’re here to talk about today. Although Price is a man of many, many titles, one title remains his most remembered and most beloved: Master of Horror.

The dastardly and debonaire Vincent Price

Although he may have started his film career as a debonair character actor, Price’s legacy will forever be linked to his impressive resume of horror films. Believe it or not, his first leading role in a horror movie did not even occur until almost 20 years into his acting career. After years of playing the vengeful anti-hero or villainous cad, Price solidified his legacy in 1953 with his starring role in House of Wax.

 

Warning, there are some spoilers ahead for House of Wax (1953 director Andre De Toth)

In House of Wax, Price plays ambitious museum owner/artist, Henry Jarrod, driven to madness and murder by a societal force not within his control. Not inherently an evil or cruel man, Jarrod’s evolution from a man of culture to a man of murder stems from when his years of work as a wax sculpture artist are stolen away from him as his business partner sets fire to their museum for the insurance money. Although Price’s transformation is violent, it is not entirely unsympathetic.  With this portrayal of culture and madness, of vulnerability and menace, Price molded the prototype that would lead him to silver screen immortality.

Very fittingly, Turner Classic Movies has chosen Vincent Price as their October Star of the Month. So, if you have not had the chance to engage yourself with Mr. Price yet then this is your chance. The last Thursdays in the month are entirely dedicated to his status as Horror Icon, starting with House of Wax, The Tingler, and House on Haunted Hill among others on October 24th. And of course, Halloween falls on Thursday this year, so if you’re like me and are finally ready to admit that you are too old for trick or treating, then just stay home, and join Robert Osborne to watch Pit and the PendulumThe Masque of the Red Death, The Abominable Dr. Phibes, and more.


Vincent Price in The Abominable Dr. Phibes, airing 1:00a.m Halloween night on Turner Classic Movies. For the rest of the schedule check out http://www.tcm.com/schedule/

…..

Minoo Allen for Classic Movie Hub

Posted in Articles, Horror, TCM | Tagged , , , , , , , , , , , , , , | Leave a comment

Classic Movie Coincidence: Jean Arthur and Rita Hayworth

Jean Arthur and Rita Hayworth share a birthday and a film:

Both Jean Arthur and Rita Hayworth starred in Only Angels Have Wings — and both were born today October 17 (18 years apart!).

Rita Hayworth, Cary Grant and Jean Arthur in Only Angels Have Wings

Rita Hayworth as Judy MacPherson (left) and Jean Arthur as Bonnie Lee (right) opposite Cary Grant as Geoff Carter and in Howard Hawks‘ Only Angels Have Wings.  Hayworth was born on October 17, 1918 in Brooklyn, NY and Arthur was born on October 17, 1900 in Plattsburgh, NY.

…..

–Annmarie Gatti for Classic Movie Hub

Posted in Classic Movie Coincidence, Posts by Annmarie Gatti | Tagged , , , , | Leave a comment

Musicals 101 (Part Four): Analyze the Dance. Part 2: The Spectacle

 

Musicals 101: Analyze the Dance.

Part 2: The Spectacle.

The backstage musical is a beautiful thing. While it is true that all musical numbers are ripe for spectacle, it is in the backstage musical where spectacle reigns supreme. The marriage of storyline to the musical number typified by the integrated musical is innately limiting to spectacle (in order to favor plot and character progression). In the integrated musical – when, where, and how the musical number takes place is dependent on how the the rest of the film will unfold. In short, the musical number must take place in the same world created by the plot. If “Follow the Yellow Brick Road” all of a sudden took place on the Brooklyn Bridge, it wouldn’t make much sense because New York City is not the world created by plot – Oz is.

Unless you are watching The Wiz. If you are watching The Wiz, disregard everything I have said.

The backstage musical, on the other hand, has no responsibly to the plotted world of character and story development.  Absent is the need to recall and incorporate previous numbers, for the backstage musical number exists in its own bubble of time. Isolated from the rules that dictate the rest of the film, the backstage musical number can transport the audience, well, anywhere it pleases. Let’s look at two numbers from Gold Diggers of 1933. “We’re in the Money” and “Remember My Forgotten Man.”

We’re in the Money. Gold Diggers of 1933 (1933, director Melvyn LeRoy )

Both songs were choreographed by Busby Berkeley and share a similar theme to the film as a whole: Life during the depression. “We’re in the Money” takes place on the fantasy world of a stage. In this fantasy realm Ginger Rogers sings directly to the audience, informing them their troubles are over because, well, she is quite literally in the money. Rogers, along with her fellow dancers, is outfitted in a costume made almost entirely of coins, of money. Giant 30-foot coins act as background décor and the only props used by the dancers are, you guessed it, more coins. There are no subtleties here, only spectacle and since money is the theme of this song, it is money is you will get. This is the fantasy, the dream: a life outside of the poverty stricken depression the performers and its audience must live. A place where you can let go of your troubles and surround yourself with gold. “Remember my Forgotten Man”, however, is just the opposite.

Remember My Forgotten Man. Gold Diggers of 1933 (1933, director Melvyn LeRoy )

“Remember My Forgotten Man” is the antithesis of “We’re in the Money.” The lyrics tell the tale of a war veteran who, upon returning home from war, is thrust into economic depression. The number begins on the streets, as a woman sings to the audience about her forgotten man, her wartime veteran. We then see the man, slumped on the ground, looking world weary and defeated. He’s almost arrested for loitering, his military metal acting as his only savior, the only proof of his personal sacrifice. Then, we’re whisked away to the past, watching lines of soldiers march in time, gleaming with pride as they parade down the street, saying goodbye to their wives and lovers. They continue to march as they are transported to the rainy aftermath of a wartime battle, forced to carry the wounded and the dying.  And we follow them as they march to their final destination, the breadlines, as rows and rows of veterans are now forced to live in poverty for the country they sacrificed so much for. Below is a link to the number.

Remember My Forgotten Man Number

If you were to follow the logic set forth by the plot, the musical number is literally impossible. The set changes, the time jumps and the sheer number of people could never happen in what I shall call “the real world.” But that doesn’t matter because the backstage musical number isn’t about “the real world.” It’s about creating spectacle, and if the musical number just happens to make a comment on the real world in the process, well that’s just a big ol’ plus.

…..

Minoo Allen for Classic Move Hub

Posted in Musicals 101, Posts by Minoo Allen | Tagged , , , , , , , , , , | 1 Comment

On Location’s “TCM Classic Film Tour”: The First-Ever New York City Classic Film Tour

New York, New York, it’s a Wonderful Town…

I can’t even begin to tell you how many times this native New Yorker promised herself that she would take her ‘hit list’ of New York City classic film sites and visit them one by one, memorializing them in photos and adding them to her ever growing collection of ‘conquered’ classic movie travel sites. But, being a native New Yorker, I find myself taking this city way too much for granted, always putting off this type of fun excursion until ‘next month’, ‘next spring’ or even ‘next year…when I can find the time.’  And, of course, it’s all very ironic because, in the day-to-day, I find myself hustling past these historic sites without even a second glance and certainly without even a smidgen of thought about their iconic roles in classic film history.

That said, you can probably imagine my thrill when On Location Tours invited me to take their “TCM Classic Film Tour” of New York City! I was finally going to be able to cross New York City off my classic movie ‘to do’ list — and best of all, TCM was going to essentially be my guide! No need for me to do any research, compile any notes, or map out any travel plans. This promised to be a very turn-key and fun experience for any classic movie buff — and it was.

TCM Turner Classic Movies On Location NYC Classic Film Tour

Now, I don’t want to ruin anything for you, so I’m only going give you a relatively small sampling of what’s covered on the tour — but suffice it to say that the tour was quite robust and covered more sites than I’d be able to see on my own in a week! We traversed the city from Columbus Circle, the Upper West Side and Central Park, continuing down through the Upper East Side and Midtown Manhattan — seeing iconic landmarks, big and small, from classic films (old and new) including On The Town, It Should Happen to You, Breakfast at Tiffany’s, The Seven Year Itch, The Out of Towners, Barefoot in the Park, King Kong, North by Northwest, Spellbound, Ghostbusters, Marathon Man and You’ve Got Mail, plus we caught a glimpse of sites long-gone from movies such as West Side Story and The Apartment.

Overall, the tour was well-thought out and well-planned, and moved along at a good quick pace with plenty of time to enjoy our pit stops.  Our Tour Guide, Jason, was pleasant, informative, well-prepared and patient – and always ready to lend a hand in taking pictures. And kudos to our bus diver who navigated New York City traffic so smoothly!  

TCM On Location NYC Bus Tour Bus

The tour covered more ‘modern’ classics than I anticipated but, notwithstanding, it’s still a good, solid ‘classic’ tour and a fun way for any classic movie fan to spend an afternoon in New York City.

What I loved most about the tour:

The Film Clips: The bus was equipped with numerous television monitors on which we watched classic film clips that included the iconic sites we were preparing to see. Bravo to TCM and On Location Tours for doing this, as this was the perfect way to ‘refresh our memories’ and add some good solid context to the tour.

The Pit Stops:  Bravo again to TCM and On Location Tours for their choice of dedicated pit stops which enabled us to leave the bus and see the sites up close: Zabars (You’ve Got Mail, Manhattan), the Dakota (Rosemary’s Baby), Holly Golightly’s brownstone (Breakfast at Tiffany’s), the Queensboro Bridge (Manhattan), the ‘Marilyn Monroe’ Subway Grate (The Seven-Year Itch) and Grand Central Station (North by Northwest, Spellbound).  I must add here that I think I fell in love with New York City all over again by simply gazing out over the East River from our stop under the Queensboro Bridge where Woody Allen and Diane Keaton so famously sat in the film Manhattan.

The Classic Nuances: And, yes, another Bravo here… I particularly enjoyed seeing the more ‘granular’ classic film sites (for lack of a better term) — for example the subway station from On The Town, the apartment building from How to Marry a Millionaire, and the street where Elizabeth Taylor hailed a cab in BUtterfield 8. These little ‘nuances’ were the perfect treat for me, helping to round out the many ‘newer’ classics covered on the tour.

Turner Classic Movies TCM On Location NYC Tour inside bus with On The Town video clip playing

A nice touch: Jason, our Tour Guide, hands out TCM's Now Playing guide, as we are treated to a video clip of Frank Sinatra, Gene Kelly and Jules Munshin singing "New York New York" from On The Town (1949)

If I had to make one small recommendation for the tour going forward (full disclosure: I am a diehard ‘classic-era’ movie fan), it would be to pay even greater homage to the ‘older’ classics (TCM is our lifeline to them, so why not) as well as to New York City’s role in pre-Hollywood film history. That said, even though this classic movie buff would be over-the-top thrilled to see these nuances folded in, this tour is still, without-a-doubt, a very worthwhile tour by any account.

All-in, On Location’s “TCM Classic Film Tour” is a wonderful way to see a ‘wonderful town’ and I would recommend it to any classic film buff, whether native New Yorker or tourist.

One last Bravo for TCM — Thank you for extending your brand into the heart of New York City, giving us classic movie fans a chance to revel in our passions here as well as in Hollywood (TCM Film Festival) and the ‘islands’ (TCM Cruise).

Now for some fun photos:

______________________________________________________________

The On the Town Subway Station near Columbus Circle:

TCM On Location Tour NYC On the Town film clip

TCM On Location Film Tour Subway from On The Town

______________________________________________________________

The Dakota apartment building on 72nd Street (Rosemary’s Baby, home of Lauren Bacall, and tragically where John Lennon was shot):

TCM NYC On Location Tour film clip of Dakota from Rosemary's Baby

TCM On Location NYC Film Tour Dakota Building from Rosemary's Baby and John Lennon

______________________________________________________________

Holly Golightly’s brownstone in Breakfast at Tiffany’s:

TCM On Location NYC Tour Breakfast at Tiffany's Holly Golightly house film clip

TCM On Location NYC Classic Film Tour Holly Golightly Breakfast at Tiffany's House

______________________________________________________________

Sutton Place under the Queensboro Bridge from Woody Allen’s Manhattan:

TCM On Location NYC Queensborough Bridge scene from Woody Allen's Manhattan film clip

TCM On Location NYC Classic Film Tour Queensboro Bridge site from Woody Allen film Manhattan

______________________________________________________________

The ‘Marilyn Monroe’ Seven-Year Itch Subway Grate on Lexington Avenue:

TCM On Location NYC Tour Marilyn Monroe Subway Grate film clip

TCM On Location NYC Tour Marilyn Monroe Subway Grate from Seven Year Itch

______________________________________________________________

Grand Central Station, famous for several on location shots, including one from North by Northwest with Cary Grant

CM On Location NYC Tour North by Northwest Grand Central Terminal Scene film clip

TCM On Location Tour NYC Grand Central Terminal

______________________________________________________________

The “TCM Classic Film Tour” is one of several initiatives that TCM is launching as it prepares to celebrate its 20th anniversary in April 2014.

The three-hour “TCM Classic Film Tour” currently runs on Tuesdays, Thursdays and Saturdays, at 11:30 AM; $40 per adult and $24 per child; plus a $3 ticket fee; there is a bathroom on the bus.  Click here to purchase tickets: On Location Tours or TCM.com/tours.

…..

–Annmarie Gatti for Classic Movie Hub

Posted in Classic Movie Travels, TCM | Tagged , , , , , , , , , , , | 3 Comments

Mini Tribute: Donald Pleasence

Born October 5, 1919 Character Actor Donald Pleasence

Donald Pleasence appeared in over 220 film and television roles, playing lots of menacing villains to great effect! Some of his most notable roles include POW forger Colin Blythe in The Great Escape (1963), a vindictive market inspector in Look Back in Anger (1959), “The Dark Hermit” in The Greatest Story Ever Told (1965), Dr. Michaels in Fantastic Voyage (1966) — and Bond arch-villain Ernst Stavro Blofeld in You Only Live Twice (1967) which served as the ‘inspiration’ for Mike Myer’s Dr. Evil in the Austin Powers’ films.  Later in his career, Pleasence appeared as psychiatrist Sam Loomis in the Halloween franchise films and as President of the United States in Escape from New York.

Donald Pleasence as Blofeld in You Only Live Twice and Mike Myers as Dr. Evil in Austin Powers

Donald Pleasence as Ernst Stavro Blofeld in You Only Live Twice  and Mike Myers as Dr. Evil in Austin Powers

…..

–Annmarie Gatti for Classic Movie Hub

 

Posted in Character Actors, Mini Tributes, Posts by Annmarie Gatti | Tagged , , , , , , | Leave a comment