John Wayne: The Life and the Legend Qualifying Entry Task (for Twitter Contest, Wk of Mar 31)

John Wayne: The Life and the Legend — Qualifying Entry Task for this week’s  Twitter Contest

In order to qualify for this week’s John Wayne Book Giveaway on Twitter, you must complete the following task by Friday, April 4 at 5PM EST (i.e. any time between now and April 4 at 5PM EST):

John Wayne: The Life and Legend by Scott Eyman

1) CREATE your own list of “Favorite John Wayne Films” (pre-1970**) via Classic Movie Hub’s ‘Create a List Tool” (click here)

2) TWEET (not DM) the Link to your “Favorite John Wayne Films” List:
TO @classicmoviehub
WITH the two hashtags #JohnWayne #QualifyingTask
BY Friday, April 4,  5PM EST

NEXT STEP: Once you have successfully completed the above Qualifying Entry Task, you will be eligible to win a copy of the book. Your next step will be to wait for my Trivia Question Tweet* which will be sent on Friday evening, April 4, at exactly 10PM EST — and correctly tweet the answer to the Trivia Question.  The FIRST PERSON to correctly Tweet the Answer to that Trivia Question wins the book (assuming they’re already eligible because they’ve successfully completed the above-referenced Qualifying Entry Task).

In other words, the first person who successfully completes this Qualifying Entry Task AND correctly answers the Friday night 10PM EST Trivia Question wins the book.

*Here’s my twitter handle @classicmoviehub

**If the CMH database is missing any of your Essentials, pre-1970, please let me know and I will be happy to add it to the database

If you have any questions, please feel free to DM me on Twitter @classicmoviehub.

Contest Information and Rules.

And if you don’t want to wait to win a copy of the book, you can purchase it at amazon:

Good Luck!

–Annmarie Gatti from Classic Movie Hub

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John Wayne: The Life and the Legend — Book Giveaway Starts Tomorrow!

JOHN WAYNE: THE LIFE AND LEGEND
Book Giveaway starts tomorrow!

During the month of April, Classic Movie Hub will be giving away copies of the latest biography from acclaimed author Scott Eyman — John Wayne: The Life and Legend, courtesy of Simon & Schuster.

We have a total of SIX BOOKS to give away — four books via Twitter and two books via Facebook and this blog.  Click here to find out how you can enter and win!

John Wayne: The Life and Legend by Scott Eyman

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In the meantime, if you want to learn more about the book, here’s a quick promotional video for your viewing pleasure 🙂

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Please note that only CONTINENTAL United States (excluding Alaska, Hawaii, and the territory of Puerto Rico) are eligible.

And — BlogHub members ARE eligible to win if they live within the Continental United States (as noted above).

See our exclusive interview with author, Scott Eyman here.

And if you can’t wait to win the book, you can buy it right now on amazon:

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–Annmarie Gatti for Classic Movie Hub

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John Wayne: The Life and Legend – Exclusive Interview with Author Scott Eyman

John Wayne: The Life and Legend – Exclusive Interview with Acclaimed Biographer Scott Eyman

Even 30+ years after his death, John Wayne is still ‘larger than life’ —  a cultural icon whose impressive on-screen persona evokes dignity, integrity and courage, epitomizing the American West and American ideals and values.  CMH is very happy to announce that Scott Eyman’s latest biography, John Wayne: The Life and Legend, will be in stores Tuesday, April 1.  And — CMH is even happier to say that Scott has honored us with an exclusive interview about the book!

Before we start the interview, I just want to say that the book is a thoroughly enjoyable and informative read, taking us through Wayne’s childhood and college years, his transition into the film industry, his rise to stardom — and beyond. We learn about his relentless work ethic, his profound relationship with John Ford, his political views, his failed marriages — and so much more.  All in all, John Wayne: The Life and Legend gives us great insight into the life and legend of a true American icon.

A big Thank You to Scott Eyman for taking the time to do this interview — and to Simon and Schuster for supplying CMH with exclusive photos to use in this blog post plus SIX copies of  John Wayne: The Life and Legend to give away during the month of April! Contest details here.

John Wayne: The Life and Legend by Scott Eyman

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CMH: You’ve written an impressive number of film-related books including biographies of Hollywood legends John Ford, Ernst Lubitsch, Cecil B. DeMille and Louis B. Mayer. What compelled you to write John Wayne’s biography – was it a natural progression from your John Ford work or was there another driving force behind it? 

Scott Eyman: It was both. Spending years on Ford naturally led me to give a lot of serious thought to Wayne, but, with the exception of Randy Roberts’ book and Aissa Wayne’s memoir, I thought the books on Wayne were just terrible,  either cheaply taking his word for everything or cheaply denying his importance, mostly for political reasons.

CMH: You were able to interview John Wayne before his death – over 30 years ago.  What stands out in your mind today about that meeting?

Scott Eyman: He was both John Wayne and someone else, someone I hadn’t expected to meet. He was calmer, more reflective, almost contemplative about all sorts of things, especially the art and craft of moviemaking. Smart. Gentle.

CMH: “I was a carpenter. I was a juicer. I rigged lights. I helped build sets. Carried props. Hauled furniture. I got to know the nuts and bolts of making pictures.” –- such a telling quote from the book.  John Wayne had a difficult childhood, yet he grew to be an excellent student, star athlete and quite a popular ‘man on campus’ at USC before getting his start in show business.  What was it about his childhood that laid the foundation for his relentless drive and ultimate success?

Scott Eyman: Mostly, I think it was deprivation. He had very little; the family would be characterized as lower middle class at best. I think his early near-poverty gave him a drive, a compulsion, to succeed, and I believe he would have succeeded no matter what profession he had turned to. Between his attractive personality and will, nothing was going to derail his efforts.

ohn Wayne Young from Life and Legend Bio by Scott Eyman

John Wayne, with the customized, sawed-off Winchester he
twirls in his introductory shot in Stagecoach

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CMH: Wayne claimed that he ‘backed into the movie business simply by being eager and young’ and that ‘acting was the furthest thing from his mind.’ How did he transition from college football to show business?

Scott Eyman: The claim is not remotely true. He wanted to be in the movies, he wanted to be an actor. Otherwise, why join the drama club in high school, why pester producers for acting jobs when he was working a summer job at Fox? Because of his blue-collar and athletic background, acting was not something he could proudly claim was a continuing ambition – but it was. He did everything that was asked of him and more at Fox, for Ford and other directors. Eventually, his good looks, added to his willingness to work hard, got him noticed and he was cast in “The Big Trail.” 

CMH: “I simply owe to him every mouthful I eat, every dollar I’ve got, and practically every bit of happiness I know, that’s all.” –a fitting tribute from Wayne about John Ford’s profound influence on his life. What was it about the Wayne/Ford dynamic that yielded such an impressive array of work – and a life-long friendship?

Scott Eyman: They had something very rare in this world – absolute trust in each other, as men, as friends, as artists. Despite the verbal abuse Ford would throw in Wayne’s direction, Ford’s letters to Wayne are very warm and loving, and vice versa. They were devoted to each other.

John Wayne from Life and Legend by Scott Eyman

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CMH: It is interesting that Wayne is considered an American icon and patriot, and even a movie war hero, yet he did not enlist during World War II. Can you shed some light on that for us?

Scott Eyman: Wayne tried to enlist in the OSS, but was turned down by Wild Bill Donovan. I think Wayne wanted to work for Ford – who had his own unit in the OSS – and no one else. With that off the table, he simply decided to keep working and allow the studio to file exemptions for him, which was their right under the broad exemption FDR had granted the movie industry for reasons of propaganda during the war. Basically, if you worked in the movies and you wanted to go to war, you were going to have to enlist – as a lot of people did: Gable, Fonda, Stewart, Power, Rooney, Fairbanks, etc.

CMH: You did exhaustive research for this book, drawing on unpublished materials and conducting over 100 interviews with Wayne’s family, co-stars and close associates. Was there anything that you learned from these exclusive sources that truly surprised you about Wayne?

Scott Eyman: His ease in domestic matters; his appreciation of shopping for antiques, and decorating houses and buying clothes for other people. As I mentioned earlier, there were many aspects of his character that were dissimilar from his screen character.

John Wayne and Barbra Streisand at Oscars from The Life and Legend by Scott Eyman

Barbra Streisand presented the 1970 Best Actor Oscar to John Wayne
for his role as Rooster Cogburn in the 1969 film, True Grit

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CMH: What are your favorite three John Wayne films and why?

Scott Eyman:  She Wore a Yellow Ribbon – for his gentleness.
Red River and The Searchers – for his harshness, verging on savagery.

CMH: If you had to sum up ‘The Life and Legend” of John Wayne in just a few sentences, what would they be?

Scott Eyman: He was that man on the screen in many ways, but he was also self-aware enough to realize all the ways in which he was far from that man.

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Thanks again to Scott Eyman and Simon and Schuster for this interview and exclusive photos, and for books to giveaway in April.  For those of you who can’t wait to win the book, you can purchase it here:

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–Annmarie Gatti for Classic Movie Hub

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How many Films did Elizabeth Taylor and Richard Burton Star in Together?

 

How many Films did Elizabeth Taylor and Richard Burton Star in Together?

Elizabeth Taylor and Richard Burton in Cleopatra

Richard Burton and Elizabeth Taylor and  as Antony and Cleopatra in Cleopatra (1963, directors Joseph L. Mankiewicz,  Rouben Mamoulian [uncredited] and Darryl F. Zanuck [uncredited])

Elizabeth Taylor and Richard Burton made ELEVEN films together (ten theatrical films and one TV movie):

  1. The V.I.P.s (1963) On DVD and Instant Video (Warner Bros.)
  2. Cleopatra (1963) On DVD, Blu-Ray and Instant Video (20th Century Fox
  3. The Sandpiper (1965) On DVD (studio n/a) and Instant Video
  4. Who’s Afraid of Virginia Woolf? (1966) On DVD and Instant Video (Warner Bros.)
  5. The Taming of the Shrew (1967) On DVD  and Instant Video (Sony Pictures)
  6. Doctor Faustus (1967) On DVD and Instant Video (Sony Pictures)
  7. The Comedians (1967) On DVD and Instant Video (Warner Bros.)
  8. Boom! (1968) On DVD (IMPORT)
  9. Under Milk Wood (1972) On DVD (Sundance Channel Home Entertainment)
  10. Hammersmith is Out (1972) (not available on DVD yet)
  11. Divorce His – Divorce Hers (TV Movie 1973) On DVD and Instant Video (Cobra Entertainment)


       

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–Annmarie Gatti for Classic Movie Hub

 

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Silent Chicago: Before there was Hollywood, there was Chicago: The Chicago Silent Era (Part 1)

 

Before there was Hollywood, there was Chicago

AnnabelleDancing Annabelle Whitford

The city of Chicago and the film industry have shared a connection since the days of Thomas Edison. Chicago-based dancer Annabelle Whitford was chosen as one of Edison’s first film subjects, Gloria Swanson and Colleen Moore were born and discovered by Chicago-based studios, and the city was home to three of the biggest studios of the early silent period. During the 1910s, the Windy City itself was a major player in the film world, and was responsible for 20% of the total film output of the US.

Over the next several weeks, we’ll be exploring Chicago’s ties to the film industry and the studios, producers and players that helped make the Midwest a movie hub.  So stay tuned…

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Janelle Vreeland for Classic Movie Hub

Thank you to Janelle for this wonderful Silent Film Series.  You can read more of Janelle’s articles about Silent Film and Chicago history-related topics at Chicago Nitrate or Curtains, or you can follow Janelle on Twitter at @SpookyJanelle .

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Classic Movie Coincidence: Steve McQueen, Norman Fell, Murray Hamilton and Harry Houdini!

A String of Classic Movie Coincidences for March 24…

Murray Hamilton appeared in The Graduate with Norman Fell, who appeared in Bullitt with Steve McQueen, who appeared in the Blob which featured scenes shot at the Colonial Theater in Phoenixville, PA, the same theater where The Great Houdini performed, freeing himself from a burglar-proof safe in front of 300 people.  Murray Hamilton, Norman Fell, Steve McQueen and Harry Houdini were all born today, March 24, in 1923, 1924, 1930 and 1874 respectively.

Steve McQueen, Murray Hamilton, Norman Fell, Harry Houdini, all born on same day March 24

Steve McQueen, Murray Hamilton, Norman Fell, Harry Houdini, all born on same day March 24

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The Blob Theater

The historic Colonial Theater in Phoenixville, PA

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Richard Conte, Normal Feld

Noman Fell and Ricard Conte, again born on the same day

And if that’s not enough, Norman Fell and Richard Conte both appeared in Ocean’s Eleven 1960, and Richard Conte was also born March 24, 14 years before Norman Fell, in 1910.

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–Annmarie Gatti for Classic Movie Hub

 

http://www.classicmoviehub.com/travel-site/blob-theater-pennnsylvania/

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Mini Tribute: Paula Winslowe


Born March 23, 1910 Actress Paula Winslowe

Paula Winslowe appeared in over 30 roles, mostly on TV — including Mrs. Martha Conklin in Our Miss Brooks (radio and TV), Mary Dunkle / Mrs. Peabody on  The Adventures of Ozzie & Harriet (TV) and Mrs. Netwick in My Mother the Car (TV). She was also the voice of Greta Gravel on The Flintstones.

Winslowe’s Feature Film ‘Claim-to-Fame’ was her Debut Film role as Bambi’s Mother in the 1942 Disney film classic, Bambi.

Paula Winslowe as Bambi's mother in 1942 Disney Film BambiPaula Winslowe as ‘herself’ and as Bambi’s mother in the 1942 Disney Film Bambi

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–Annmarie Gatti for Classic Movie Hub

Visit CMH’s BlogHub for more posts about Paula Winslowe by Veteran and Emerging Classic Movie Bloggers.

 

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Big Stars on the Small Screen Blogathon: Murder She Wrote and Representing the Ladies

 

Murder She Wrote and Representing the Ladies

Like any other child with a busy parent and no babysitter, I spent a lot time getting to know my favorite television and book characters. Unlike most other children, however, my taste was TV-skewed, well, older. That isn’t to say I wasn’t taken in by the world of animation and cartoons; I can still recall the Captain Planet theme song despite not seeing the show for years. But in between episodes of The Rugrats and Arthur, I found myself growing a strong attachment to another television show, Murder, She Wrote.

Murder She Wrote 1And, boy, did she write many.

Yes, six-year old me would spend a couple hours each week watching the trials, tribulations, and, now that I think about it, truly alarming amount of homicides that took place in that little New England town of Cabot Cove. As a child, I probably could not tell you why I enjoyed the show so much. I mean, think about it. Why would a six-year old whose life revolved around getting her hands on pizza bagels and candy be interested in a show about this older retired woman, solving crime in her spare time? It’s not like I had an affinity for sleuth-style televsion. I certainly wasn’t fighting my brother for the remote control to watch Matlock or Law and Order. But now that I’m almost two decades older with the ability to buy my own pizza bagels, candy, and remote control (well, online streaming service), I can say why this show meant so much to me as a little girl. And that reason is the marvelous representation of women in the form Jessica Fletcher.

What I didn’t understand at six years of age was how revolutionary this television show was in terms of women and representation. Throughout film and television history, the detective has always been a staunchly masculine role. Just think of the famed old film-noir detectives: Philip Marlow, Sam Spade, Jeff Bailey, and Mike Hammer. Or even the 70’s detective series such as The Rockford Files or Kojak. All masculine, all cynical, and all more than just a little bit misogynistic in the handling of their cases. But when Fletcher hit the scene in 1984, all of that changed.

Jessica Fletcher 2

I mean this, with dogmatic intensity, when I say this woman is perfection.

Much like her masculine counterparts, Fletcher is above all, a survivor. In her early 50’s she lost her husband and became a childless widow. While an event like that could cause someone to break, Fletcher did the only thing she could do and created a new life for herself. She stayed in her small hometown in Maine, wrote a couple of murder mystery novels and, in the process, became well-respected author. By the age of 60, she was new woman, as spritely and spirited as any 20-year I’ve ever met. And most of this is before the series even started!

With Fletcher, we didn’t get the same old, worn-out private detective just looking to get by in the world. Instead, we got an intelligent, kindly woman looking to do right in this world. When it came to Fletcher’s actual sleuthing, her methods were quite detached from the traditionally masculine methods audiences were used to. She never forced her way into situations with a heavy hand or cruel jape but would instead spark up an innocuous conversation with the police force, witnesses or persons possibly involved with the murder. By doing something as simple as offering a potential witness a lift in taxicab, Fletcher would gain more information in a 12-block car ride than the police could do in a 12-hour interrogation. By using her feminine charms and generally light-hearted attitude, Fletcher was able to gain pertinent information that would have otherwise been lost in the larger scope of a police investigation. Through the strength of her kindness and due diligence, this unassuming 60-year old woman solved murders with more wit, pizzazz, and know-how than her local police department. And in the process, showed a six-year old girl that you can be a woman, act like a woman, and still be as good as any boy.

Jessica Fletcher 3Jessica Fletcher being boss

Looking back, it’s so obvious. Although I most certainly didn’t realize it at the time, I wasn’t watching Murder, She Wrote for its sheer entertainment value or its intricately plotted stories. No, I was watching it because I needed a role model in my life and who better than Jessica Fletcher.

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Minoo Allen for Classic Movie Hub

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Sleuthathon: A Classic Mystery Blogathon – A Shot in the Dark’s Inspector Clouseau

“I believe everything and I believe nothing.
I suspect everyone and I suspect no one. I gather the facts, examine the clues, and before you know it, the case is solved.”

– Inspector Jacques Clouseau

Inspector Clouseau A Shot in the Dark

The original Inspector Clouseau played by the inimitable Peter Sellers, of course!

So, why did I pick Inspector Jacques Clouseau of the French Sûreté as my Sleuthathon sleuth??? He’s certainly not brilliantly astute like ‘master-of-deduction’ Sherlock Holmes; he’s certainly not calm, cool and collected like hard-boiled detective Sam Spade; and he’s certainly not a great legal mind like defense attorney Perry Mason. As a matter of fact, he’s quite the opposite — incompetent, clumsy, inept — and he pretty much causes chaos and confusion wherever he goes.  So, again, why did I pick him?  Well, despite all of his flaws and shortcomings, he’s sincere about his work, passionate about the law, unflinchingly determined, and although seemingly clueless, always shows great instinct for solving crimes (in spite of himself!). But, enough of all this silly rhetoric and rationalization. In all honesty, I really picked him because he makes me laugh…and I like to laugh 🙂

Inspector Clouseau cartoon from A Shot in the Dark

Inspector Clouseau in the opening credits

I can’t even count how many times I’ve seen A Shot in the Dark, and yet I still looked forward to watching it again in preparation for this Sleuthathon. And, as always, from the moment the fabulous opening credits appeared on the screen (complete with iconic cartoon and marvelous Henry Mancini score), I sat in eager anticipation of watching poor, bumbling Inspector Clouseau bungle his way through murder, mystery and mayhem, in his attempt to prove that beautiful housemaid Maria Gambrelli (Elke Sommer) is innocent of the murder of chauffeur Miguel (and incidentally her lover).

For me, what’s truly funny about this film is Seller’s incredible straight-man seriousness and inimitable slapstick timing.

So, that said, let’s celebrate Inspector Clouseau, with a mix of videos, pictures and quotes from the film…

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It was difficult to find videos of some of his funniest moments, but I did find a few good ones…

Movie Trailer: My favorite scenes are about 42 seconds in (when Clouseau gets his hand caught in the globe), followed by about 1:20 in (when he attempts to break down a door)….

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A ‘buemp in the head’ clip:  Some good all-around clumsiness here…

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And, now, for lack of more videos, I will have to try to capture Clouseau’s sleuthy-ness via photos and quotes…

Inspector Clouseau, Peter Sellers, with Maria Gambrelli, Elke Sommer, coat on fireHe helps damsels in distress… Inspector Clouseau explains his methodology to Maria Gambrelli (Elke Sommer)… (I won’t tell you what that smoke is in the background) 🙂

“First we presume, after, we find out. That is the way we work, we always work that way because if we work the other way, you see… is it stuffy in here?” 

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Inspector Clouseau, Peter Sellers, with  Kato, Burt Kwouk, A Shot in the Dark

His hands are lethal weapons… Inspector Clouseau ‘spars’ with man-servant, Kato (Burt Kwouk)…

“You must learn to attack me whenever and wherever I least expect it. And you, you must give no quarter.”

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Inspector Clouseau, Peter Sellers, with Hercule LaJoy, Graham Stark, A Shot in the Dark, Just the facts scene

He’s a firm believer in sticking to the facts, just the facts… Inspector Clouseau gives assistant Hercule LaJoy (Graham Stark) a lesson in sleuthing…

“Facts, Hercule, facts! Nothing matters but the facts. Without them the science of criminal investigation is nothing more than a guessing game.”

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Inspector Clouseau, Peter Sellers, A Shot in the Dark

He is confident… no doubt about it…

“I will apprehend this culprit within 24 hours”

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Inspector Clouseau, Peter Sellers, master of disguise, balloons

He’s a master of disguise… Inspector Clouseau goes ‘undercover’…

Policeman: “Do you have a license to sell these balloons?”

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Inspector Clouseau, Peter Sellers, with Benjamin Ballon, George Sanders, A Shot in the Dark

He’s determined and passionate about solving crime… Inspector Clouseau accuses Benjamin Ballon (George Sanders) of the hideous crime…

“And I submit, Inspector Ballon, that you arrived home, found Miguel with Maria Gambrelli, and killed him in a rit of fealous jage!”

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Inspector Clouseau, Peter Sellers, Nudist ColonyHe always has a keen eye for detail… Inspector Clouseau stumbles upon Camp Sunshine and makes a sleuthy deduction 🙂

“Can I ask you something? Have you been…swimming???” 

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 Inspector Clouseau, Peter Sellers, with Charles Dreyfus, Herbert Lom, in A Shot in the Dark

He fights for what he believes in, even the lost causes… Inspector Clouseau getting kicked off the case by boss, Commissioner Dreyfus (Herbert Lom)…

“But that is not fair. I was only doing my duty. And I am right, you will see. Maria Gambrelli is not a murderer!”

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Inspector Clouseau, Peter Sellers, A Shot in the Dark, dodging bullet

He lives in constant danger… Clouseau is back on the case, dodging bullets like any good sleuth…

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Inspector Clouseau ending, Peter Sellers

And, like all good detectives, he reveals the killer in one dramatic moment of truth… Clouseau reveals his suspicions, but not without some surprises that I won’t reveal…

“Now, I will tell you why I called you all here tonight… One of you is a murderer.”

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So, although Inspector Clouseau is your ‘typical’ sleuth, he certainly does his share of ‘smart’ sleuthing, albeit in his own clumsy, quirky and clueless way… and, in A Shot in the Dark, he even gets the girl in the end 🙂

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A Shot in the Dark: just the facts…

  • Directed by Blake Edwards.
  • Tthe second installment in The Pink Panther series, the first being The Pink Panther starring David Niven, also directed by Blake Edwards.
  • The first film where Sellers used his exaggerated French accent
  • Introduced Herbert Lom as Clouseau’s ‘driven-to-madness’ boss Commissioner Dreyfus
  • Introduced Burt Kwouk as Clouseau’s long-suffering servant, Kato (later Cato)
  • The film was based on the stage play by Harry Kurnitz which was adapted from the French play L’Idiote by Marcel Achard
  • The film did not originally include the character of Clouseau. Clouseau was written in later by Blake Edwards and William Peter Blatty (who incidentally wrote the novel and the screen play for The Exorcist).
  • The film was released only about three months after The Pink Panther (June 23 and March 20, respectively)
  • Sellers said in interviews that the secret of Clouseau’s character was his tremendous ego, making his klutziness funnier because of his quest to remain elegant and refined while causing chaos everywhere he turned.
  • The role of Maria Gambrelli was originally given to Sophia Loren but she became ill and couldn’t do it.
  • The play, A Shot in the Dark, ran for 389 performances at the Booth Theater from October 18, 1961 to September 22, 1962. The original cast included Walter Matthau (Tony Award 1962 for Best Featured Actor), Julie Harris, William Shatner and Gene Saks.

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This was the perfect excuse to watch A Shot in the Dark again (like I really needed an excuse?).  A Big Thank You to the marvelous Movies Silently for hosting this very special Sleuthathon event!

—Annmarie Gatti for Classic Movie Hub

 

 

 

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How many Alfred Hitchcock Films did James Stewart star in?

How many Alfred Hitchcock Films did
James Stewart star in?

James Stewart & Alfred Hitchcock
James Stewart and Alfred Hitchcock

All we need is you. –James Stewart to Alfred Hitchcock
at the AFI Life Achievement Award (1979)

James Stewart starred in FOUR films directed by Master of Suspense, Alfred Hitchcock:

  1. Rope (1948), also starring John Dall and Farley Granger, on DVD, Blu-Ray and Prime Video
  2. Rear Window (1954), opposite Grace Kelly, on DVD, Blu-Ray and Prime Video
  3. The Man Who Knew Too Much (1956), opposite Doris Day, on DVD, Blu-Ray and Prime Video
  4. Vertigo (1958), opposite Kim Novak, on DVD and Blu-Ray

My Favorites? The Man Who Knew Too Much and Rear Window. What are yours?

james stewart doris day the man who knew too much 2
Doris Day and James Stewart in The Man Who Knew Too Much
James Stewart Rear Window
James Stewart in Rear Window

James Stewart speaks at the 1979 AFI Life Achievement Award: A Tribute to Alfred Hitchcock:

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–Annmarie Gatti for Classic Movie Hub

Read more “How Many Films Did They Star In” blog articles here.

In all their glory:

           
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