On Location’s “TCM Classic Film Tour”: The First-Ever New York City Classic Film Tour

New York, New York, it’s a Wonderful Town…

I can’t even begin to tell you how many times this native New Yorker promised herself that she would take her ‘hit list’ of New York City classic film sites and visit them one by one, memorializing them in photos and adding them to her ever growing collection of ‘conquered’ classic movie travel sites. But, being a native New Yorker, I find myself taking this city way too much for granted, always putting off this type of fun excursion until ‘next month’, ‘next spring’ or even ‘next year…when I can find the time.’  And, of course, it’s all very ironic because, in the day-to-day, I find myself hustling past these historic sites without even a second glance and certainly without even a smidgen of thought about their iconic roles in classic film history.

That said, you can probably imagine my thrill when On Location Tours invited me to take their “TCM Classic Film Tour” of New York City! I was finally going to be able to cross New York City off my classic movie ‘to do’ list — and best of all, TCM was going to essentially be my guide! No need for me to do any research, compile any notes, or map out any travel plans. This promised to be a very turn-key and fun experience for any classic movie buff — and it was.

TCM Turner Classic Movies On Location NYC Classic Film Tour

Now, I don’t want to ruin anything for you, so I’m only going give you a relatively small sampling of what’s covered on the tour — but suffice it to say that the tour was quite robust and covered more sites than I’d be able to see on my own in a week! We traversed the city from Columbus Circle, the Upper West Side and Central Park, continuing down through the Upper East Side and Midtown Manhattan — seeing iconic landmarks, big and small, from classic films (old and new) including On The Town, It Should Happen to You, Breakfast at Tiffany’s, The Seven Year Itch, The Out of Towners, Barefoot in the Park, King Kong, North by Northwest, Spellbound, Ghostbusters, Marathon Man and You’ve Got Mail, plus we caught a glimpse of sites long-gone from movies such as West Side Story and The Apartment.

Overall, the tour was well-thought out and well-planned, and moved along at a good quick pace with plenty of time to enjoy our pit stops.  Our Tour Guide, Jason, was pleasant, informative, well-prepared and patient – and always ready to lend a hand in taking pictures. And kudos to our bus diver who navigated New York City traffic so smoothly!  

TCM On Location NYC Bus Tour Bus

The tour covered more ‘modern’ classics than I anticipated but, notwithstanding, it’s still a good, solid ‘classic’ tour and a fun way for any classic movie fan to spend an afternoon in New York City.

What I loved most about the tour:

The Film Clips: The bus was equipped with numerous television monitors on which we watched classic film clips that included the iconic sites we were preparing to see. Bravo to TCM and On Location Tours for doing this, as this was the perfect way to ‘refresh our memories’ and add some good solid context to the tour.

The Pit Stops:  Bravo again to TCM and On Location Tours for their choice of dedicated pit stops which enabled us to leave the bus and see the sites up close: Zabars (You’ve Got Mail, Manhattan), the Dakota (Rosemary’s Baby), Holly Golightly’s brownstone (Breakfast at Tiffany’s), the Queensboro Bridge (Manhattan), the ‘Marilyn Monroe’ Subway Grate (The Seven-Year Itch) and Grand Central Station (North by Northwest, Spellbound).  I must add here that I think I fell in love with New York City all over again by simply gazing out over the East River from our stop under the Queensboro Bridge where Woody Allen and Diane Keaton so famously sat in the film Manhattan.

The Classic Nuances: And, yes, another Bravo here… I particularly enjoyed seeing the more ‘granular’ classic film sites (for lack of a better term) — for example the subway station from On The Town, the apartment building from How to Marry a Millionaire, and the street where Elizabeth Taylor hailed a cab in BUtterfield 8. These little ‘nuances’ were the perfect treat for me, helping to round out the many ‘newer’ classics covered on the tour.

Turner Classic Movies TCM On Location NYC Tour inside bus with On The Town video clip playing

A nice touch: Jason, our Tour Guide, hands out TCM's Now Playing guide, as we are treated to a video clip of Frank Sinatra, Gene Kelly and Jules Munshin singing "New York New York" from On The Town (1949)

If I had to make one small recommendation for the tour going forward (full disclosure: I am a diehard ‘classic-era’ movie fan), it would be to pay even greater homage to the ‘older’ classics (TCM is our lifeline to them, so why not) as well as to New York City’s role in pre-Hollywood film history. That said, even though this classic movie buff would be over-the-top thrilled to see these nuances folded in, this tour is still, without-a-doubt, a very worthwhile tour by any account.

All-in, On Location’s “TCM Classic Film Tour” is a wonderful way to see a ‘wonderful town’ and I would recommend it to any classic film buff, whether native New Yorker or tourist.

One last Bravo for TCM — Thank you for extending your brand into the heart of New York City, giving us classic movie fans a chance to revel in our passions here as well as in Hollywood (TCM Film Festival) and the ‘islands’ (TCM Cruise).

Now for some fun photos:

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The On the Town Subway Station near Columbus Circle:

TCM On Location Tour NYC On the Town film clip

TCM On Location Film Tour Subway from On The Town

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The Dakota apartment building on 72nd Street (Rosemary’s Baby, home of Lauren Bacall, and tragically where John Lennon was shot):

TCM NYC On Location Tour film clip of Dakota from Rosemary's Baby

TCM On Location NYC Film Tour Dakota Building from Rosemary's Baby and John Lennon

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Holly Golightly’s brownstone in Breakfast at Tiffany’s:

TCM On Location NYC Tour Breakfast at Tiffany's Holly Golightly house film clip

TCM On Location NYC Classic Film Tour Holly Golightly Breakfast at Tiffany's House

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Sutton Place under the Queensboro Bridge from Woody Allen’s Manhattan:

TCM On Location NYC Queensborough Bridge scene from Woody Allen's Manhattan film clip

TCM On Location NYC Classic Film Tour Queensboro Bridge site from Woody Allen film Manhattan

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The ‘Marilyn Monroe’ Seven-Year Itch Subway Grate on Lexington Avenue:

TCM On Location NYC Tour Marilyn Monroe Subway Grate film clip

TCM On Location NYC Tour Marilyn Monroe Subway Grate from Seven Year Itch

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Grand Central Station, famous for several on location shots, including one from North by Northwest with Cary Grant

CM On Location NYC Tour North by Northwest Grand Central Terminal Scene film clip

TCM On Location Tour NYC Grand Central Terminal

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The “TCM Classic Film Tour” is one of several initiatives that TCM is launching as it prepares to celebrate its 20th anniversary in April 2014.

The three-hour “TCM Classic Film Tour” currently runs on Tuesdays, Thursdays and Saturdays, at 11:30 AM; $40 per adult and $24 per child; plus a $3 ticket fee; there is a bathroom on the bus.  Click here to purchase tickets: On Location Tours or TCM.com/tours.

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–Annmarie Gatti for Classic Movie Hub

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Mini Tribute: Donald Pleasence

Born October 5, 1919 Character Actor Donald Pleasence

Donald Pleasence appeared in over 220 film and television roles, playing lots of menacing villains to great effect! Some of his most notable roles include POW forger Colin Blythe in The Great Escape (1963), a vindictive market inspector in Look Back in Anger (1959), “The Dark Hermit” in The Greatest Story Ever Told (1965), Dr. Michaels in Fantastic Voyage (1966) — and Bond arch-villain Ernst Stavro Blofeld in You Only Live Twice (1967) which served as the ‘inspiration’ for Mike Myer’s Dr. Evil in the Austin Powers’ films.  Later in his career, Pleasence appeared as psychiatrist Sam Loomis in the Halloween franchise films and as President of the United States in Escape from New York.

Donald Pleasence as Blofeld in You Only Live Twice and Mike Myers as Dr. Evil in Austin Powers

Donald Pleasence as Ernst Stavro Blofeld in You Only Live Twice  and Mike Myers as Dr. Evil in Austin Powers

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–Annmarie Gatti for Classic Movie Hub

 

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Musicals 101 (Part Three): Analyze the Dance, Part 1: Progression Integrated

Musicals 101: Analyze the Dance.

Part 1: Progression Integrated.

As I mentioned before, not all musicals are made the same. Although housed under the genre’s umbrella, the integrated musical and backstage musical evolved into very different creatures in relation to their form and presentation of the dance number. Because the integrated musical number exists as part of the film’s narrative, it is used as form of progression and thus must take into consideration all that happened before the number and all that will come after. The dance number must live in the plotted world created by the filmmaker.

They didn’t choose Swing Time, Swing Time chose them. (1936, director George Stevens)

Take, for example, the classic Fred and Ginger film Swing Time. The plot itself, like most Fred and Ginger movies, is simple. Mistaken identity this. Farcical comedy that. Let’s be honest here, we’re not watching a Fred and Ginger movie to be wowed by the plot. We are, however, watching it to be wowed by the dancing and it is through said dancing that we see the characters slowly fall in love. In Swing Time, the audience can follow the rise and fall of the Astaire/Rogers romance in three simple songs by paying attention to the most important plot point in the film, a dance move called the partnered hop-step.

The first steps. Swing Time (1936, director George Stevens)

The first song to introduce the move is also the first number in the film “Pick Yourself Up.” Right away, we are introduced to the partnered hop-step. When Astaire initiates the step, Rogers is caught off guard but intrigued. Her first reaction is to do as Astaire does, thus following him into the hop-step. Here, the hop-step is new and exciting, light and bubbly. He is maybe “holding” Rogers, but he is doing so with restraint. He pulls her in, but not too tight. It is the proverbial first date, after all. However, by the time “Waltz in Swing Time” begins, it becomes obvious their feelings for one another have progressed.

Fred Astaire, Swingtime, classic movie actor, george stevens

Falling in love. Swing Time (1936, director George Stevens)

Their movements are freer as the two have obviously become incredibly comfortable around one another. And the hop-step of “Pick Yourself Up” is a thing of the past. In its place is something new, something sensual, something almost violent but in the best passion-filled way possible. Although in a room filled with people, they move as if they are the only two people there. Simply put, they have fallen in love.

In “Never Gonna Dance” the hop-step is introduced during a reprise of “Waltz in Swing Time,” an obvious attempt to capture feelings of that particular time. Here, the step is performed with what can only be called desperate abandon. Everything the two feel for each other is thrown into this step and what was once a gesture of friendship has now become a gesture of longing: longing for the past, longing for one another, and most of all, longing for the relationship the two had when they last performed the step.

The Break up. Swing Time (1936, director George Stevens)

In three dance numbers the entire progression of Fred and Gingers relationship has been laid out for the audience.  By living in the logic of the narrative, by using elements of previous dance numbers, the audience sees an entire relationship progress in front of their eyes.  The integrated musical at its very best.

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Minoo Allen for Classic Movie Hub

 

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National Coffee Day: A Classic Movie Tribute

Happy National Coffee Day!

Well, well, well today, September 29, is National Coffee Day. Who would have ever dunk it — I mean thunk it!  And what better way to celebrate my love of coffee AND my love of classic movies than by sharing some classic movie quotes about coffee!

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Shadow of a Doubt Joseph Cotten

I can’t face the world in the morning. I must have coffee before I can speak.
– Joseph Cotten as Uncle Charlie Oakley in Shadow of a Doubt

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Jean Arthur in Only Angels Have Wings

Oh, I just thought I’d like to have a nice cup of coffee. It’s so cold and rainy outside and nice and cozy in here.
– Jean Arthur as Bonnie Lee in Only Angels Have Wings (1939)

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Ernest Borgnine in Jubal

I like my coffee strong enough to float a pistol.
Ernest Borgnine as Shep Horgan in Jubal (1956)

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Gracie Allen

I really shouldn’t drink coffee in the morning. It keeps me awake all day.
Gracie Allen as Gracie in Here Comes Cookie (1953)

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Dorothy Provine in That Darn Cat

Be careful Gregory, be extremely careful about what you say! I haven’t had my coffee yet, and I’m in no mood for stupid, irresponsible remarks.
Dorothy Provine as Ingrid Randall in That Darn Cat! (1965)

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Paul McCartney in A Hard Day's Night

Let’s go have some coffee and leave the kennel to Lassie!
Paul McCartney as Paul in A Hard Day’s Night (1964)

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–Annmarie Gatti for Classic Movie Hub

 

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Mini Tribute: Arnold Stang

Born September 28, 1918 Character Actor Arnold Stang

With thick black glasses and inimitable squawky voice, Arnold Stang‘s career spans radio, Broadway, television and film. His film and TV appearances include My Sister Eileen (uncredited debut role), The Man with the Golden Arm (Sinatra’s seedy friend Sparrow), Dondi (Peewee), It’s a Mad, Mad, Mad, Mad World (gas station owner Ray) — and, most famously, the voice of “the indisputable leader of the gang” Top Cat!

“I’ve worked with practically every star in the business and I’ve had all the excitement without any of the crushing responsibilities.”
-Arnold Stang

Arnold Stang and Top Cat

Arnold Stang as himself and as Top Cat

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Top Cat, the most effectual
Top Cat, who’s intellectual
Close friends get to call him T.C.
Providing it’s with dignity
Top Cat – the indisputable leader of the gang

He’s the boss, he’s the pip
He’s the championship
He’s the most tip top
Top Cat

Yes he’s the chief, he’s the king
But above everything
He’s the most tip top
Top Cat

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–Annmarie for Classic Movie Hub

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Calling all Classic Movie Fans: 2014 TCM Film Festival Dates Announced

It’s that time of year again! TCM summons Classic Movie Fandom to Hollywood for its Annual Cinematic Celebration..

Well, what can I say — except that I can hardly contain my excitement! Not a minute after arriving home from the 2013 TCM Film Festival last April, I was already hankering to make my plans for the 2014 Festival! That said, today was a very happy day indeed…

Turner Classic Movies TCM Film Festival 2014

Turner Classic Movies announced today that the 2014 TCM Film Festival is set for April 10-13, marking the 5th consecutive year of the event and coinciding with the 20th anniversary of TCM as a leading authority in classic film.

The Festival’s central theme will be Family in the Movies: The Ties that Bind and will celebrate families of all types — “big and small, happy and imperfect, musical and dramatic”, as well as “the first families of Hollywood and the filmmaking dynasties that have entertained generations.”

TCM's Robert Osborne and Ben Mankiewicz

Passes will go on sale in November through the TCM Classic Film Festival website  at TCM.com, and will range in price from $249 to $1,599 for various levels of access to screenings and events.  TCM’s beloved host and film historian, Robert Osborne, will officially host the festival with TCM’s Ben Mankiewicz introducing various events. The historic Hollywood Roosevelt Hotel will serve as the festival’s official hotel and headquarters, with screenings and events held at the TCL Chinese Theater, the Chinese 6 Theaters, and the Egyptian Theatre.

Click here for Festival Website
Follow TCM FF on Twitter

See CMH Coverage about TCM’s 2013 Film Festival here:
TCM FF 2013 Day One: Hello Gorgeous!
TCM FF 2013 Day Two: Am I on My Feet?
TCM FF 2013 Day Three: But in my Mind I know they still will live on and on…

–Annmarie Gatti for Classic Movie Hub

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Guest Post: The Birth of a Classic Film Buff

The Birth of a Classic Film Buff

Classic films have been a big part of my life for many years. They have been my friend when I have had a bad day, my companion when it was storming outside, and my date on New Year’s Eve.  The love I have for these films started when I was young, and as a result I have acquired a large collection of films.  Along with the films, I have also collected movie memorabilia that comes in the forms of such things as books, posters, pictures, plates, and dolls.  This collection didn’t just happen, and all of it is very near and dear to me because it all represents a thirty year relationship.  When thinking back to how it started I also have to think about why it started. What put me on this path?  I know exactly when it started, and also what the original reason was for it.  It was a film.  Many people might consider it odd that a film should hold such importance, but for me this film changed my life.  The year was 1982, and the film was Gone With the Wind.

Clark Gable and Vivien Leigh in Gone with the Wind Vivien Leigh and Clark Gable in Gone With the Wind (1939, director Victor Fleming)

To set the stage I must make it clear that the situation of my first viewing of Gone With the Wind was less than ideal.  It didn’t take place at a theatre where on a big screen I could truly experience its grandeur.  No, this first encounter occurred with the help of my grandmother’s discarded ancient black and white television set that my sister and I took turns keeping in our room. It was a model that still had a picture tube so although it had a small screen it still took up a great deal of space.  It took fifteen minutes after turning it on for the picture to even appear, the glass was curved which distorted the images, and it had a waviness to the picture that made it such that looking too close was not recommended.  This was a television that’s only real redeeming quality for the longest time was that it allowed me the ability to sneakily watch old Rawhide episodes in the summer when I couldn’t sleep. This demonstrates the power of Gone With the Wind because it still managed to rise above these factors, and allow me to see its true beauty.

Watching an old TV

As stated before, this all happened in 1982; a fact checker would point out that Gone With the Wind came out in 1939 — but for me it didn’t exist until 1982. Truly, before that time I really didn’t know anything about it.  That year CBC television broadcasted it from 7pm to 9pm over the course of two nights, and during those two nights I escaped into a world I never wanted to leave.  I am not going to go into great detail about the difference scenes that I loved, because the only way to truly understand is to watch it yourself.  The important thing is to understand the effect the film had on me, and when the film did end, I was in disbelief that Scarlett and Rhett were not going to be together.  Really, I even checked to see if there was a third part on the next night where the film had a chance to end happily ever after.  I was beside myself, because frankly I did give a damn, and tomorrow might be another day, but for me it wasn’t going to include another installment of Gone With the Wind. I was a fourteen year old girl that always felt a little lost in the outside world, and this beautiful encounter opened my eyes and made things happier. The way to explain it was that I felt at home.

Gone With the Wind book by Margaret Mitchell

Gone With the Wind, the novel, written by Margaret Mitchell (first published in 1936)

I needed a way to keep contact with these characters.  The first thing I did was get a copy of the book, and I can thank my Great Aunt Mary for allowing me not only to borrow her copy, but to keep it.  The reading of this novel was a big undertaking for a girl that before this had only read the Anne of Green Gables and Nancy Drew series of books.  I will admit that I started out slowly, but once I got past the first few chapters I was yet again lost in this wonderful world.  There was one weekend I don’t think I moved from my room.  After I closed the novel for the last time I still needed more.  For the time being, I felt that I knew all I could about the characters, but now I was obsessed in learning everything I could about the film, and about the cast.  In those days there wasn’t any such thing as the internet to help aid a person with research.  No, back then research involved books, and now my job was to find all the books I could.   There wasn’t a bookstore in town that I didn’t check out for some scrap of information. I actually found out that Clark Gable was dead from the Encyclopedias we had in the basement, not a happy day. Through my first purchased book, I found out that the movie was in colour. That piece of news made me long to watch the film again. I didn’t actually get to see the movie again for another year when the CBS channel broadcasted it. I remember one of my teachers mentioning how people should make a point of watching it, and if I was the type of person to talk in class, I would have said, “of course I am going to watch it”.  This time I was going to watch it in COLOUR!!!

Video Store Shelves

Not being made of money meant that I often had to rely on the library, or by having the desired books being purchased for me as birthday and Christmas presents.  Slowly a collection was started.  It was at this point, when I started to concentrate more on the actors and actresses, that the path I was on started to branch out a bit.  My main focus was still Gone With the Wind, but through many of my books I started to learn about other actors and actresses, and about other films. So this change in direction meant that, instead of the library, I was checking out the video stores. Unfortunately this was a time when the only video stores that were in our city were the little corner store type that barely had membership cards, let alone the laminated ones that later came along with the large chain stores. This type of store had a very small selection of films, and at this time Gone with the Wind was not available on video.  They did have other classic films however, and I gradually started to realize that this feeling of home wasn’t limited to only Gone With the Wind — and a classic film buff was born.

Some might see this as a cautionary tale of the controlling influence of cinema on young children, but I rather hope that people will read it and feel like they have a similar story to tell.  I would love to hear them.

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–Pam Fallon Thornley for Classic Movie Hub

A BIG THANK YOU to Pam for sharing her very special Classic Movie Memory with Classic Movie Hub.  You can follow Pam on Twitter at @FallonThornley ; Pam always shares such wonderful Classic Movie Facts and Quotes with CMH on Twitter!

 

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Mini Tribute: Paul Petersen

Born September 23, 1945 Child Actor Paul Petersen

Child star Paul Petersen started his acting career at age 10 as a Mouseketeer on the Mickey Mouse Club. His most notable film roles include playing Cary Grant’s son David in Houseboat (1958) and, much later (at age 22), playing Fred MacMurray’s son Tony in The Happiest Millionaire (1967) — but of course he is most famously known for his role as son, Jeff Stone, on The Donna Reed Show from 1958 to 1966!

paul petersen mickey mouse club

Paul Petersen as Mouseketeer

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Paul Petersen with Donna Reed Show Cast

Paul Petersen along with the cast of the Donna Reed Show: Petersen, Carl Betz as Dr. Alex Stone, Donna Reed as Donna Stone, Shelley Fabares as his sister Mary

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Paul Petersen then and now

Petersen as child and as adult

As an adult, Paul Petersen founded the support group “A Minor Consideration” to help child actors transition into adult life.

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–Annmarie Gatti for Classic Movie Hub

 

 

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Mini Tribute: June Foray

Born September 18, 1917 ‘Cartoon Queen’ June Foray!

You may not recognize her face, but you will undoubtedly be familiar with her work! Voice actress June Foray has ‘voiced’ her share of little girls, grannies, dowagers, witches and animals — most famously Granny (from Tweety and Sylvester), Lucifer the Cat (from Disney’s Cinderella), Cindy Lou Who (from How the Grinch Stole Christmas) and Rocky the Squirrel and Natasha Fatale (from the Rocky and Bullwinkle Show)!

June Foray, the voice of Lucifer the Cat, Cindy Lou Who, Rocky Squirrel, Natasha Fatale

June Foray, the voice of (clockwise) Rocky Squirrel, Lucifer the Cat and Cindy Lou Who and Natasha Fatale

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–Annmarie Gatti for Classic Movie Hub

 

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How Many Films did Lauren Bacall and Humphrey Bogart Star in Together?

How Many Films did Lauren Bacall and Humphrey Bogart Star in Together?

Humphrey Bogart and Lauren Bacall

Despite their iconic on-screen and off-screen chemistry Lauren Bacall and Humphrey Bogart only made FOUR films together — all currently available on DVD on Warner Home Video:

  1. To Have and Have Not (1944)   on DVD (Warner Home Video) and Instant Video
  2. The Big Sleep (1946)   on DVD (Warner Home Video) and Instant Video
  3. Dark Passage (1947)   on DVD (Warner Home Video) and Instant Video
  4. Key Largo (1948)   on DVD (Warner Home Video) and Instant Video

They also appeared in one television show together:
 1.   Producers’ Showcase:  Petrified Forest (1955)

                      

–Annmarie for Classic Movie Hub

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