TCM Star of the Month: Mary Astor

 

TCM Star of the Month

Mary Astortop

This month Turner Classic Movies is celebrating Mary Astor as its Star of the Month. Although with someone like Astor, I’m not quite sure I would call her a star. Instead, I would use the term actress. And just to clarify, I mean no disrespect by this. You see, and this is only my opinion, but to be a star means having amassed such a level of popularity that the movie-going public no longer sees the actor as playing a part but rather sees the star playing the part. By becoming a genuine Hollywood movie star, an actor’s screen persona becomes almost more paramount than the part they are playing. When I sit down to watch a Cary Grant movie, it’s because I want to see Cary Grant. With Astor, however, it is different. I rarely ever think, “Man, I just want to watch a Mary Astor movie, today.” However, when I watch a film that features Mary Astor, I am never left disappointed in her performance. And more importantly, every time I see her, she is different.

This is what I mean by saying I don’t necessary see Astor as a star. I never crave her screen persona because she simply doesn’t have one. She is an actress, constantly changing her appearance, her persona, and her parts, elevating each film to its highest level of quality. Heck, even the clunkers she appeared in were somehow better because of her. And now that I think about it, perhaps that is her key to stardom. No matter what type or level of film she appeared in over her 45-year, 156-role career, she always shined. So, to celebrate this star, do yourself a favor and watch the following films airing Wednesdays on Turner Classic Movies.

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Dodsworth-011Mary Astor with Walter Huston in Dodsworth (1936, William Wyler director) airing March 5th at 8:00PM on TCM.

….Annex - Bogart, Humphrey (Maltese Falcon, The)_16

Mary Astor with Humphrey Bogart in The Maltese Falcon ( 1941, John Huston director) airing Marth 12th at 8:00Pm on TCM

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meet me in st louisMary Astor with Judy Garland in Meet Me in St. Louis (1944, Vincente Minnelli director) airing March 26th at 10:15PM on TCM

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Minoo Allen for Classic Movie Hub

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31 Days of Oscar Blogathon: You Can’t Take It With You

“Maybe it’ll stop you trying to be so desperate about making more money than you can ever use . You can’t take it with you, Mr. Kirby. So what good is it? As near as I can see, the only thing you can take with you is the love of your friends.”  -Grandpa Vanderhoff

you cant take it with you box shot

You Can’t Take It With You — How do I love thee, let me count the ways…

I can’t tell you how much I LOVE this movie.  And although it’s always simply ‘listed’ as a romantic screwball comedy, I find it to be a profoundly moving film that is as relevant today as it was over 75 years ago when it first hit the big screen.

But…I didn’t always feel that way. I distinctly remember seeing it at a revival theater when I was young, and, although I liked it, I certainly didn’t love it. It seemed a little too zany and ‘loud’ for me at the time, and quite frankly all that ‘stuff’ about power and money and work, well I just couldn’t relate to it…at least not yet…

However fast forward ‘a few’ years to now, and I will say that, without-a-doubt, You Can’t Take It With You is one of my all-time favorite movies — yes, it’s even in my Top Ten. So, what is it that I truly love about this film???  Well, really, it’s so many things — Frank Capra’s ‘common man triumphs’ signature direction, Robert Riskin’s touching screenplay (adapted from the 1936 Pulitzer Prize-winning play of the same name), the stellar cast of veteran and character actors and their simple yet heartfelt scenes — and at the very top of my list — the messages and themes throughout the film.  In a nutshell, this film makes me think about life, about my life and what’s really important… the love of family and friends over the love of power and money, the idea that you should love your work, enjoy the little things in life, trust in the Almighty, and be thankful for everything you have — some pretty profound ‘stuff’ for a zany screwball comedy!

But not to get too serious here, I mean it is a screwball comedy after all, there’s also lots of fun in the way the messages are delivered — imagine the idea of going to work and deciding that, since you’re not having fun anymore, you’re just going to hit that elevator ‘down’ button and go home, never to return to that office again.  Oh, if only!!! Or being able to grill the IRS Man about how your money is being spent by the government! I mean, why shouldn’t you, it is your money isn’t it?

So, that said, let’s celebrate the profound messaging from You Can’t Take It With You, with a mix of serious and fun quotes from the film…

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You Can't Take It With You Edward Arnold as Anthony P. Kirby

Business mogul Anthony P. Kirby (Edward Arnold) aka AP

AP: We’re going ahead exactly as we planned. It’ll be the largest individual monopoly in the world gentlemen, if we’re smart.

AP: $10,000 a year for doctors and I’m still taking this stuff. (bicarbonate of soda)

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You Can't Take It With You, Edward Arnold and Jimmy Stewart

AP with his son Tony (James Stewart), who he just made his new VP

AP: Say, Tony, do you realize there won’t be a bullet, gun or cannon
made in this country without us?
Tony: Dad, now don’t tell me you’ve forgotten the sling shot market.

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You cant take it with you Clarence Wilson

AP’s Real Estate Agent, John Blakeley (Clarence Wilson), who has run into some trouble securing 12 blocks of real estate that AP MUST HAVE to further his big business deal.. 

Blakeley: I’ll make him sell if I have to drive him out with stink bombs. Listen, a fortune’s been invested in those 12 blocks, and behind us is one of the most powerful men in the country — and a silly old man with that silly little house is holding up the whole business…

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You Can't Take It With You, Mr. Poppins, Donald Meeks and Lionel Barrymor

Meanwhile, lovable Grandpa Vanderhof (Lionel Barrymore) tries to persuade Blakeley’s nervous worker-bee accountant Mr. Poppins (Donald Meek) to follow his passion…

Grandpa Vanderhof: You like this?
Mr. Poppins: Like it?
Grandpa Vanderhof: This work you’re doing?
Mr. Poppins: Oh no, my goodness, no. Landsakes, what am I saying?
Grandpa Vanderhof: Then why do you do it?… Isn’t there something else you’d rather be doing than this? 

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You Cant Take It With You Mr Poppins inventor, Donald Meek and Lionel Barrymore

Mr. Poppins likes to invent things!

Grandpa Vanderhoff: What do you mean, fooling around with all these dull figures? Seems to me Mr. Poppins, that THIS is the kind of work
you ought to be doing (inventing things).
Mr. Poppins: Someday I’m going to do nothing else,
someday…when my ship comes in…

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you cant take it with you jean arthur, james stewart

Tony Kirby with secretary and soon-to-be fiancee, Alice Sycamore (Jean Arthur)

Tony: Sometimes you’re so beautiful it just gags me. Maybe you’re not real, maybe you’re a phantom or something. I keep expecting you to vanish.

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you cant take it with you jean arthur, proposal

A tender proposal…

Tony: I talked about you so much that she (mother) finally said ‘well now the next thing I expect to hear from you is that you’re going to marry the girl’
and I said ‘yah, that’s it exactly!’
Alice: What’d she say?
Tony: Nothing, nothing.
Alice: Just fainted dead away?
Tony: No, no, no she took it standing up…
Tony: You know if you scratch under the surface here
you’ll find a proposal lying around…

 …..

you cant take it with you, mary forbes

 A worried Mrs. Anthony Kirby (Mary Forbes)…

Mrs. Kirby: I wouldn’t mind his carrying on right in the office but he’s getting serious about her… He talked to me for hours about her last night…
AP: The girl’s a stenographer. Boys like Tony don’t marry stenographers.
Mrs. Kirby: Anthony, we’ve got to do something about this girl!

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you cant take it with you, lionel barrymore and neighbors

Grandpa comforts his neighbors, who are all worried about getting thrown out of their homes

Grandpa Vanderhof: Now wait just a minute, don’t get excited… If they’re buying this property up for a factory, they’ll need every foot of ground, won’t they?
Neighbor: I guess so.
Grandpa Vanderhof: Well now suppose I won’t sell them my place, what’re they going to do?… It’ll take more than money to make me sell my property. Now go on back to work, stop cluttering up the street, we’ll all be arrested.

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you cant take it with you, jean arthur, lionel barrymoreGrandpa and Granddaughter (Lionel Barrymore and Jean Arthur) share some heartfelt moments

Grandpa: In love, huh?
Alice: Well,uh… Well, I…
Grandpa: Well, I… My foot. Either you are or you aren’t. Let me look at your eyes. Oh yes, of course… Now, come on now, tell me all abut it. What kind of a boy is he?
You have fun together?

Grandpa: Can’t even talk about him, can you?
Alice: Not rationally.
Grandpa: Well, who’s asking you to be rational?

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you cant take it with you, jean arthur, lionel barrymore

Grandpa talks about Alice’s Grandmother…

Grandpa: Listen, when I was courting your Grandmother, it took me two years to propose. You know why? The moment she’d walk into a room, my knees buckled. Blood would rush up into my head and the walls would start to dance.
Twice I keeled over in a dead faint.

Grandpa: Nothing phenomenal about it. I just had it bad, that’s all. I never got over it either. Right up to the very last, she couldn’t walk into a room without my heart going thump, thump, thump.

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you cant take it with you, jean arthur, lionel barrymore 3

Grandpa and Granddaughter loving Grandma and their home…

Alice: I wish I’d known her. What was she like?
Grandpa: Look in there (points to mirror).

Grandpa Vanderhoff: I can still hear the tinkle of her thin little voice, see her eyes laughing. That’s the reason I’ve lived in this house so many years — could never move out — would be like moving out on grandma.

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you cant talk it with you, lionel barrymore and irs man charles lane

Grandpa Vanderhof having some fun with IRS Agent Wilbur G. Henderson (Charles Lane)

Henderson: Now Mr. Vanderhoff, that’s a very serious thing,
not filing an income tax return.
Grandpa Vanderhof: Well, now suppose I do pay you this money? Mind you, I don’t say that I’m going to, but just for the sake of argument — what’s the
government going to do with it?
Henderson: What do you mean?
Grandpa Vanderhoff: Well, what do I get for MY money? For instance, if I go into a dept store and buy something, why there it is, I can see it.
What are they going to give me?

 …..

you cant take it with you family in living room

Alice’s free-spirited family and friends — including her mom Penny Sycamore (Spring Byington) painting a portrait, her married sister Essie Carmichael (Ann Miller) dancing in her ballerina costume, and dancing teacher Kolenkhov (Mischa Auer), among others… 

Grandpa Vanderhof: How’s Essie doing?
Boris Kolenkhov: Confidentially, she stinks.
Grandpa Vanderhof: Oh well, as long as she’s happy.

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you cant take it with you prayer

Grandpa being thankful..

Grandpa: Well, Sir, here we are again. We’ve been getting along pretty good for quite a while now – we’re certainly much obliged. Remember all we ask is just to go along the way we are, keep our health; as far as anything else is concerned, we leave that up to you. Thank you.

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you cant take it with you, jean arthur, jimmy stewart talking about grandpa

Alice talking to Tony about Grandpa…

Alice: He (Grandpa) just suddenly left business one day. He started up in the elevator, turned around and came right down again — and never went back. He could have been a rich man, but said he wasn’t having any fun.

Alice Sycamore: You know he (Grandpa) says most people nowadays are run by fear. Fear of what they eat, fear of what they drink, fear of their jobs, their future, fear of their health. They’re scared to save money, and they’re scared to spend it. You know what his pet aversion is? The people who commercialize on fear, you know they scare you to death so they can sell you something you don’t need.

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you cant take it with you, the kirbys come to visit

The Kirbys come to visit the Sycamores… on the wrong night…

Grandpa Vanderhof: How are business conditions?
AP: Well, it depends what side of the fence you’re on.

 …..

you cant take it with you, mrs kirby and alice in jail

Won’t tell you why — but the Kirbys and Sycamores end up in jail together…

Mrs. Anthony Kirby: You needn’t waste your time trying to protect me. That won’t help. If you had any sense, young woman, you’d stay where you belong
and stop being ambitious!

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you cant take it with you, james stewart and edward arnold in jail

Father and Son… in jail…

AP: Well, I’ve got you to thank for this. I hope it’ll teach you a lesson,
fooling around with stenographers…
Tony: Now listen Dad, I intend to marry that girl.
AP: Yeah, I know, I know, I was going to marry a waitress once. Fortunately
my father knocked it out of me.

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you cant take it with you, edward arnold and lionel barrymore in jail

AP and Grandpa… in jail…

AP: You know what’ll happen if the newspapers get a hold of this. It’ll jeopardize the biggest deal of my career!

Grandpa Vanderhof: And what if it does fall through? What if all your deals fall through? Might be a good thing for you.
Anthony P. Kirby: Man, you’re crazy.
Grandpa Vanderhof: Well, maybe I am. I used to be just like you once. Then one morning, when I was going up in the elevator… it struck me I wasn’t having any fun. So I came right down and I never went back. Yes, sir. That was 35 years ago.
Anthony P. Kirby: Admirable. And you haven’t done anything since huh?
Grandpa Vanderhof: Oh yes, yes, yes… Oh just the things I wanted to do… collected stamps, went to the zoo when I got the notion, took up the harmonica, and even found time to notice when spring came around…

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you cant take it with you, lionel barrymore and edward arnold, speech

Grandpa loses his cool…

Grandpa Vanderhof: Scum, are we? What makes you think you’re such a superior human being? Your money? If you do, you’re a dull-witted fool, Mr. Kirby. And a poor one at that. You’re poorer than any of these people you call scum, because I’ll guarantee at least they’ve got some friends. While you with your jungle and your long claws, as you call ’em, you’ll wind up your miserable existence without anything you can call friend. You may be a high mogul to yourself, Mr. Kirby, but to me you’re a failure – failure as a man, failure as a human being, even a failure as a father. When your time comes, I doubt if a single tear will be shed over you. The world will probably cry, “Good riddance.” That’s a nice prospect, Mr. Kirby. I hope you’ll enjoy it. I hope you’ll get some comfort out of all this coin you’ve been sweating over then!

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you cant take it with you, harry davenport

Grandpa’s friends pay his fine… 

Judge: Mr. Vanderhof, you’re a very lucky man to have so many friends.

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you cant take it with you, mary forbes, before judge 2

Not so easy, for the Kirbys…

Mrs. Anthony Kirby: Haven’t we been embarrassed enough? Seems to me a little more respect should be shown for our position!

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you cant take it with you, lionel barrymore before the judge

Grandpa tries to save the day…

Grandpa Vanderhof: Your Honor, please… Mr. Kirby came to see me
about buying my house…
Judge: About buying your house?
Grandpa Vanderhof: Yes, you see, he’s been interested in the property for some time now and, well he just came there to talk the deal over, that’s all.

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you cant take it with you, jean arthur gets angryAlice has had enough!

Grandpa, I won’t stand for it! I won’t stand for our being humiliated like this! They’re ashamed to say why they were there. They’re ashamed to admit they came to look my family over to see if I was good enough to marry their precious son!

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you cant take it with you, jean arthur gets mad 2

And…

Alice: You know I’ve decided it’s your family that isn’t good enough! Why I wouldn’t be related to a bunch of snobs like that for anything in the world. Your mother’s all in a dither because of her social reputation.
The Crowd: That’s telling them Alice. Who do they think they are!
Alice: Your reputation’s safe as far as I’m concerned – and so is your son’s — and so is your old man’s!

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you cant take it with you, cinderella spurns prince charming headine

Well, Tony Pleads, Alice Spurns, AP Fumes and Mrs. Kirby Faints… Then Cinderella (Alice) flees the city, leaving Tony and her beloved family behind…

Alice is gone now, and her family is struggling to recover…  Will they ever be free-spirited and happy again? Will Grandpa decide to sell the house after all, leaving his wonderful memories behind? Will all the neighbors lose their homes too? Will AP’s big business deal get inked? Will Tony ever be able to find Alice and win her back?

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Now, I don’t want to ruin absolutely everything for you, so I will essentially stop here with the storyline, except for one more scene near the end of the film which just breaks my heart…

you cant take it with you, jimmy stewart and edward arnold, goodbye 2Father and Son, a heartfelt goodbye…

Tony Kirby: I came in here to say goodbye.
Anthony P. Kirby: Goodbye? Are you serious?
Tony Kirby: Yes I’m serious. I don’t want any part of this, Dad. I never did.
Anthony P. Kirby: You can’t do this — after all the plans I made for you…
Tony Kirby: Dad, if I can just make you understand this… I think this business is great — it’s good for you because you like it. I don’t and I never will. Oh, I… I’ve tried to talk to you so many times about it, but I… I just couldn’t get it out. I… I used to be able to talk to you dad, but lately… (he’s at a loss for words) I’ll probably be gone before you get home tonight. Goodbye Dad.

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Okay, I lied, but I can’t help it. So here I am, ruining the ending for you. But, this is a Frank Capra film, so we all know that somehow love will triumph…

you cant take it with you, jean arthur, james stewart, happy ending

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you cant take it with you, jean arthur, edward arnold, ending

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ou cant take it with you, edward arnold and lionel barrymore, ending

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you cant take it with you, happy ending

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you cant take it with you, last scene

And Grandpa says one Final Thank You…

Grandpa Vanderhof: Well, sir, here we are again. We’ve had quite a time of it lately, but it seems that the worst of it is over… Anyway, everything’s turned out fine, as it usually does. Alice is going to marry Tony; Mr. Kirby, who’s turned out to be a very good egg, sold us back our house – he’ll probably forget all about big deals for a while. Nobody on our block has to move; and, with the right handling, I think we can even thaw out Mrs. Kirby here. We’ve all got our health; as far as anything else is concerned, we still leave that up to you. Thank you…

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A big Thank You to Kellee (@IrishJayhawk66) of Outspoken & Freckled, Paula (@Paula_Guthat) of Paula’s Cinema Club and Aurora (@CitizenScreen) of Once Upon a Screen for hosting this fun 31 Days of Oscar event! There are so many more wonderful Classic Bloggers participating in this event so please be sure to check out the other entries.

–Annmarie Gatti for Classic Movie Hub

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Majestic Hollywood: Interview with Mark A. Viera

 

Majestic Hollywood: The Greatest Films of 1939
(Running Press)

 An Interview with author Mark A.Vieira

Maj Holl jacket final mech.indd

As pretty much every classic movie fan knows, the year 1939 is considered special, well, extraordinary really. Film historians refer to it as the greatest year in the history of Hollywood due to both the high quality and high attendance of the films that came out. With World War Two as an ever-looming threat and the economic pressures of the Great Depression almost at an end, it’s no wonder people flocked to the theaters in droves. Whether you wanted to escape down the yellow brick road with Dorothy, never go hungry again with Scarlett, or say goodbye to Mr. Chips, there was no shortage of great films for audiences to go and see. In celebration of the Golden-Era’s most Golden year, Mark A. Vieira has penned the book Majestic Hollywood: The Greatest Films of 1939. The book chronicles 50 of the year’s greatest films, including behind-the-scenes information, production highlights and stunning photographs that tell the stories of 1939.

I would like to extend my gratitude to Mark A. Vieira for taking the time to do this interview as well as to Running Press Publishers for supplying CMH with a copy of the book as well as the photos accompanying this post!

Vivien Leigh Clark Gable Gone With the WindVivien Leigh and Clark Gable in Gone With the Wind (Victor Fleming director)

[photo: Majestic Hollywood: The Greatest films of 1939 (Running Press)]

1.) With so much already written about Hollywood’s Golden Year, what inspired you to write Majestic Hollywood: The Greatest Films of 1939?

I wrote Majestic Hollywood for Running Press so you can celebrate the 75th Anniversary of these great films.

The book is full of tidbits that will help you enjoy them even more. Just reading the reviews is a treat. The film critic in 1939 had to review the film with its first-night audience; we can go back in time and feel what it was like to see a familiar classic for the first time.

Most importantly, I can finally answer the question “Why were so many great films made in one year?” Just because some company in 1989 said this was so doesn’t mean it was. I had to find out for myself.

nino 39 1

Garbo Laughs for the first time in 1939 with Melvyn Douglas in Ninotchka (director Ernst Lubitsch)

[photo: Majestic Hollywood: The Greatest films of 1939 (Running Press)]

2.) You clearly did your research for this book, covering the history and production of 50 classic films. Where did you begin your research? Did you start with individual films or simply the year itself?

When I write a book, I’m telling a story. To do that, I create a timeline. I started in 1938. I looked in the Los Angeles Times. And that’s where I found the answers to my big question. There were five reasons for the proliferation of quality films. The reasons were cultural, financial, and political. But you’ll have to read the Introduction to find out exactly what they were!

3.) Your book is filled with interesting facts and anecdotes about the films’ productions. While in the researching process, what was your favorite or most interesting discovery?

The Cowardly Lion costume in The Wizard of Oz had a zipper on its back, not buttons or another type of fastener.

wiza 39 5Flying Away with Jack Haley, Ray BolgerFrank Morgan, Judy Garland and Bert Lahr in The Wizard of Oz (Victor Fleming director)

 4.) In the book, you mentioned the social/political conditions surrounding Hollywood that allowed for such a “Big Film” year in 1939. How much of your research centered on those conditions that created Hollywood’s Golden Year?

World politics was one of the reasons that the Hollywood studios pushed quality projects. They knew they were about to lose Europe to a major war, which meant a third of their revenue, so they planned big movies that could open with road shows and bring in big money right away.

priv 39 2

Bette Davis is not only Queen Elizabeth but also Queen of 1939, appearing more times in the book than any other leading actor. Here she is in The Private Lives of Elizabeth and Essex. (Michael Curtiz, director)

 5.) In 1939, Hollywood released hundreds of films. In you book you managed to narrow the list down to 50. What was the criterion for making the cut?

The list created itself; there wasn’t a lot of agonizing. The only one we found it hard to cut was Made for Each Other.

It was a pleasure working with an editor who knows so much about classic films and has a true enthusiasm for them. Cindy De La Hoz has, of course, written a number of landmark books of her own, so I’m lucky to have her as my editor.

6.) What would you consider Hollywood’s greatest achievement of 1939?

Trusting its audience with intelligent fare. Most of these films couldn’t be greenlighted in 2014. Watching them requires thought.

gwtw 2Beind the scenes with Davis O. Selznick, Victor Fleming, Vivien Leigh and Clark Gable in Gone With the Wind (Victor Fleming director)

[photo: Majestic Hollywood: The Greatest films of 1939 (Running Press)]

7.) What is your personal favorite film (or films) from 1939?

The Rains Came has become my favorite. From childhood both Union Pacific and The Wizard of Oz were real favorites. I didn’t see Gone With the Wind until I was sixteen, but it quickly joined my personal pantheon (My favorite non-1939 films are King Kong, Grand Hotel, The Scarlet Empress, The Sign of the Cross, and Portrait of Jennie.)

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Minoo Allen for Classic Movie Hub

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Classic Movie Coincidence: Elizabeth Taylor and Joan Bennett

 

Elizabeth Taylor and Joan Bennett share a birthday and two films:

Elizabeth Taylor and Joan Bennett starred in Father of the Bride and Father’s Little Dividend — and both were born today February 27 (22 yrs apart!).

Elizabeth Taylor as Kay Banks  and Joan Bennett as Ellie Banks (Kay's mother) in Vincente Minnelli's Father of the Bride (1950)

Elizabeth Taylor as Kay Banks (left/front) and Joan Bennett as Ellie Banks (Kay’s mother) in Vincente Minnelli’s Father of the Bride (1950). Taylor was born Elizabeth Rosemond Taylor  on in Hampstead, London, England* and Bennett was born Joan Geraldine Bennett on in Palisades, New Jersey. 

*Elizabeth Taylor was born to American parents on British soil, giving her dual citizenship. In 1965, after her marriage to British citizen Richard Burton, she renounced her US citizenship (and again in 1966 after the first time was declared invalid), and in 1977 she applied for restoration of her US citizenship when her husband John Warner was running for the US Senate.

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–Annmarie Gatti for Classic Movie Hub

Posted in Classic Movie Coincidence, Posts by Annmarie Gatti | 1 Comment

TCM’s 31 Days of Oscar: CMH Picks for Week Four (Feb 22)

 

Turner Classic Movies: 31 Days of Oscar

CMH Picks: Week Four

Saturday February 22: The Red Shoes at 8:00PM
2 Wins: Best Art Direction-Set Decoration Color, Best Music-Scoring of a Dramatic or Comedy Picture; 3 Nominations: Best Picture, Best Writing-Motion Picture Story, Best Film Editing 1949

THE RED SHOES

But really, just LOOK at those colors

This is one of the most visually stunning movies you will ever see. In fact, I can say, with no reserve, that this film possesses the best use of Technicolor ever. The ballet sequence, which lasts an entire 15 minutes, is one of the most breathtaking visuals ever put on screen.

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Sunday February 23: You Can’t Take it With You at 10:00PM
2 Wins: Best Picture, Best Director; 5 Nominations: Best Actress, Best Writing-Screenplay, Best Cinematography, Best Sound-Recording, Best Film Editing 1939

you cant take it with you

Basically a typical day in my apartment!

Most of the time, a story of star-crossed lovers is a tragic tale that details the failure of society to accept love over greed and the status quo. Thanks, Shakespeare. But sometimes it’s a zany romp where people realize that love is far more important than money. Thankfully, You Can’t Take it with You is the latter.

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Monday February  24: The Grand Illusion at 10:00AM
1 Nomination: Best Picture 1939

Grande-Illusion-21

This man bleeds majestic

In terms of war films, WWI really gets the shaft, but this film more than makes up for it. I consider it to be one of the best war films ever made because the war is in the background — even though the story takes place in a German P.O.W camp. The film analyzes how class differences affect the relationship between the characters, rather than their actual countries of origin, and how a German officer of the dying aristocracy can relate more to a fellow aristocrat who is prison, than his own men.  The film also features one of my favorite performances of all time: Eric von Stroheim as the crippled Captain von Rauffenstein.  

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Tuesday February 25: Lifeboat at 8:30AM
3 Nominations: Best Director, Best Writing-Original Story, Best Cinematography-Black-and-White 1945

Twentieth Century Fox-Inside the Photo Archive

Tallulah Bankhead. The only person who can shock Hitchcock

I’m recommending this film because, well, I know that not very many people have seen it. In my humble opinion, it ranks along with The Trouble with Harry as one of Hitchcock’s most underrated films and features what I consider to be the best cast ensemble of any Hitchcock film.  So please, if you have to work at 8:30PM, DVR it. It’s worth the hard drive space.

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Wednesday February 26: The Little Foxes at 10:00PM
9 Nominations: Best Picture, Best Actress, Best Supporting Actress (2), Best Director, Best Writing-Screenplay, Best Art Direction-Interior Decoration – Black-and-White, Best Film Editing, Best Music-Scoring of a Dramatic Picture 1942

Little Foxes (1941) - regina

William Wyler directing Bette Davis ans Teresa Wright

I won’t lie to you, faithful readers. I’ve been on a Teresa Wright kick for the past month and that is why I am recommending this film. I just want you to watch Wright. Isn’t she just the loveliest?

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Thursday February 27: Two Women at 4:00PM
1 Win: Best Actress 1962

sophia-loren-in-un-wallpaper-de-la-ciociara-149256

Sophia Loren in her only competitive Oscar winning performance

This film is very intense and, at times, hard to watch. Although the story takes place during WWII, it’s not about battles or soldiers, but rather about the innocent people that war effects and the tragedy that engulfs their lives.  Sophia Loren probably gives the best performance of her lifetime and, for it, was rewarded with a Best Actress Oscar – the first to go to a non-English speaking performance.

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Friday February 28: The Philadelphia Story at 9:15AM
2 Wins: Best Actor, Best Writing-Screenplay; 4 Nominations: Best Picture, Best Actress, Best Supporting Actress, Best Director 1941

Annex - Hepburn, Katharine (Philadelphia Story, The)_17

George Cukor directing Katharine Hepburn and Cary Grant

I know — you’ve seen this one a billion times and probably know every word by heart. But I ask you: Have you ever stopped laughing? I know I haven’t. So, if you just need a good, hardy guffaw, just watch the darn film. You won’t ever be disappointed.

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Saturday March 1: Grand Hotel at 7:30AM
1 Win: Best Picture 1932

the grand hotl

Dude, back off. She just wants to be alone.

What’s interesting about this film is that its ‘whole’ is truly greater than the sum of all its parts. Why do I say that? Well, the film won the 1932 Oscar for Best Picture. You know what else it was nominated for – nothing. That’s right, a Best Picture film with nothing else that is considered “best.” Do the math and you’ll see that I’m right.

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Sunday March 2: Lawrence of Arabia at 4:00PM
7 Wins: Best Picture, Best Director, Best Cinematography-Color, Best Art Direction-Set Decoration-Color, Best Sound, Best Film Editing, Best Music-Score – Substantially Original; 3 Nominations: Best Actor, Best Supporting Actor, Best Writing-Screenplay Based on Material from Another Medium 1963

lawrence-of-arabia-charge-on-aqaba

Seriously, watch the Blu ray. It’s worth your time.

This whole film is just brilliant. From the direction to the cinematography to the acting and I’m sure right down to the craft services on set, this film represents the very best of the filmic epic. I only hope that TCM shows the HD restoration. It is truly a different experience all together.

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Monday March 3: Alice Adams at 2:00PM
2 Nominations: Best Picture, Best Actress 1936

alice-adams-1935-01-g

The great Katharine Hepburn

And for my last recommendation, I give you Alice Adams. I chose it because Hepburn absolutely breaks my heart in this film. And there is nothing I like better than a film that breaks my heart.

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Minoo Allen for Classic Movie Hub

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All in the Family: Marni Nixon and Andrew Gold

A Musical Connection: Mother and Son, Marni Nixon and Andrew Gold

Soprano Marni Nixon, who dubbed the singing voices for some of the most iconic songs in musical film history — including My Fair Lady, West Side Story and The King and I — is the mother of  singer/songwriter Andrew Gold who penned the 1978 Billboard Hot 100 Hit and Golden Girls’ theme song “Thank You for Being a Friend”.

Marni Nixon And Andrew Gold Mother And Son

Marni Nixon and Andrew Gold, Mother And Son Songsters

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Marni Nixon, the singing voice behind My Fair Lady, West Side Story and The King and IMarni Nixon, the singing voice behind My Fair Lady, West Side Story and The King and I

In addition to dubbing the singing voices for Audrey Hepburn’s Eliza Doolittle (My Fair Lady), Natalie Wood’s Maria (West Side Story), and Deborah Kerr’s Anna (The King and I), Nixon was also, more recently, the singing voice of Grandmother Fa in Disney’s Mulan (1998).  If you want to catch a glimpse of Marni Nixon on screen, you can see her as Sister Sophia in the film The Sound of Music singing a few solo lines in “How Do You Solve a Problem Like Maria?”

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Andrew Gold singer songwriter

The Best of Andrew Gold album featuring “Thank You for Being a Friend”

Andrew Gold also wrote the 1977 Top Ten Billboard hit “Lonely Boy”,  as well as played and/or sang (on tracks or in live performances) with Carly Simon, Linda Ronstadt, Stephen Bishop, America, Maria Muldaur, Neil Diamond, Freddie Mercury, Karla Bonoff, Paul McCartney, Ringo Starr, John Lennon, Brian Wilson, James Taylor, Roy Orbison, Don Henley, Bette Midler, and more.

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–Annmarie Gatti for Classic Movie Hub

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TCM’s 31 Days of Oscar: CMH Picks for Week Three (Feb 15)

 

Turner Classic Movies: 31 Days of Oscar

CMH Picks: Week Two

Saturday February 15:  Talk of the Town at 8:00AM
7 Nominations: Best Picture, Best Writing Original Story, Best Writing Screenplay, Best Cinematography Black-and-White, Best Art Direction-Interior Decoration Black-and-White, Best Film Editing, Best Music, Scoring of a Dramatic or Comedy Picture 1943

TALK_OF_THE_TOWN_THE

I wouldn’t mind being Jean Arthur in this movie.

In all honestly, I don’t think you’ll find another film that mixes comedy, romance, drama, and social commentary quite like this one. Although the film features two of classic Hollywood’s most sophisticated leading men, Cary Grant and Ronald Coleman, I would say the film’s leading lady, Jean Arthur, is the reason you should watch. She gives a stellar performance.

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Sunday February 16: The Lion in Winter at 3:30PM
3 Wins: Best Actress, Best Writing Screenplay Based on Material from Another Medium, Best Music Original Score for a Motion Picture (not a Musical); 4 Nominations: Best Picture, Best Actor, Best Director, Best Costume Design 1969

the-lion-in-winter11

Keepin’ it classy, even in prison.

Medieval politics, plotting relatives and Katharine Hepburn as the Queen Regent of England: what more could you possibly want from a movie?  Well, if you need anymore convincing, just know that Peter O’Toole Plays King Henry II with a young Anthony Hopkins playing their rebellious son, Richard.

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Monday February 17:The Music Man at 10:00PM
1 Win: Best Music Scoring of Music Adaptation or Treatment; 5 Nominations: Best Art Direction-Set Decoration Color, Best Costume Design Color, Best Sound, Best Film Editing 1963

the music manCan we do this in my town please? Please, Brooklyn. Let’s do this.

Sometimes you just need a nice, feel-good movie to get you through the day. The Music Man is definitely one of those films. If the song “Pick-a-Little, Talk-a-Little” doesn’t brighten yours, then I’m sorry but we can’t be friends.

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Tuesday February 18: The Umbrellas of Cherbourg at 8:00AM
4 Nominations: Best Writing Story and Screenplay Written Directly for the Screen, Best Music Original Song, Best Music Score – Substantially Original, Best Music Scoring of Music Adaptation or Treatment 1966

umbrellas of cherbourg

Why can’t the world look like this?

This film is, to me, one of the most aesthetically beautiful, with the most visually popping Technicolor palette of the 1960’s. And there’s the fact that all of the film’s dialogue is sung. Mix that with a tragic story of wartime love, and you have yourself one of the best films to come out of France during the 1960’s. And France made some amazing films during the 60’s.

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Wednesday February 19: On the Beach at 8:00AM
2 Nominations: Best Film Editing, Best Music Scoring of a Dramatic or Comedy Picture 1960

Poster - On the Beach (1959)_11

You would think a movie about the nuclear apocalypse would sound less fun.

If you have work at 8 in the morning, do yourself a favor and DVR this film. The cast alone makes it worthwhile to watch. I mean, it has Gregory Peck, Ava Gardner, Fred Astaire and Anthony Perkins in some of the best dramatic roles of their careers. But don’t watch it if you need a pick-me-up, this one can be a downer.

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Thursday February 20: Of Human Bondage at 8:00PM
1 Nomination: Best Actress (write-in nomination)

Bette_davis_of_human_bondage

Bette Davis, channeling her best alternative rock girl.

The role that won Bette Davis her first Oscar – even if it wasn’t for this film. What am I talking about? Well, in 1934, Ms. Davis wasn’t nominated but, instead, campaigned as a “write in” candidate. Although she didn’t win that year, she did win the next year for her role in Dangerous – a win even Davis acknowledges as an “oops, we’re sorry” win from the Academy. In short, see this film. Davis is a pure win in it.

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Friday February 21: Cool Hand Luke at 3:30PM
1 Win: Best Supporting Actor; 3 Nominations: Best Actor, Best Writing Screenplay Based on Material from Another Medium, Best Music Original Music Score 1968

cool hand luke

“I can eat 50 eggs.”

I know you’ve probably seen this 10 times over but, hey, why not see it ten times more? I truly never get tired of this film. I think it might have something to do with Paul Newman’s fantastic performance but it looks like I’ll have to watch it again to make absolutely sure.

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Minoo Allen for Classic Movie Hub

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How Many Movies did Cary Grant and Katharine Hepburn Star in Together?

How Many Movies Did Cary Grant and Katharine Hepburn Star in Together?

Katharine Hepburn and Cary Grant in Bringing Up Baby

Katharine Hepburn and Cary Grant in Bringing Up Baby (1938, Howard Hawks)

I have to admit that I was quite surprised at the answer myself because (as I never counted them before) I always just ‘assumed’ the answer would be ‘lots’ — but as it turns out Cary Grant and Katharine Hepburn only starred in FOUR films together:

  1. Sylvia Scarlett (1935) On DVD as part of Hepburn Box Set (Warner Home Video)
  2. Bringing Up Baby (1938) On DVD and Streaming (Turner Home Entertainment)
  3. Holiday (1938) On DVD and Streaming (Sony Pictures Home Entertainment)
  4. The Philadelphia Story (1940) On DVD and Streaming (Warner Home Video)

 

             

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–Annmarie Gatti for Classic Movie Hub

Posted in How Many Films Did They Star In Together?, Posts by Annmarie Gatti | 4 Comments

Happy Valentines Day!

 

Just for Fun: a little Valentine’s Day Classic Movie Tribute!

Rita Hayworth Valentine's DayRita Hayworth

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Fred Astaire and Virginia Dale, Holiday Inn, Valentine's Day

Fred Astaire and Marjorie Reynolds

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Elizabeth Taylor Whitmans Chocolates Valentines Day Ad

Yes, Elizabeth Taylor’s Whitman’s Sampler Valentines Day Ad!

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Lucille Ball Valentines Day

Lucille Ball

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Cyd Charisse Valentines Day

Cyd Charisse

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Marilyn Monroe Valentines Day

Marilyn Monroe

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Marilyn Monroe Valentine's Day inside heartAnd a younger Marilyn

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Audrey Hepburn Valentine's Day

Audrey Hepburn (photo: Corbis)

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Debbie Reynolds Valentines Day

Debbie Reynolds

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Lucy and Desi Valentine's Day

Lucy and Desi

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Happy Valentine’s Day 🙂

–Annmarie Gatti for Classic Movie Hub

 

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Reel to Real: 35 Years of Interviewing the Legends – Guest Post by Author David Fantle

 

Reel to Real: 35 Years of Interviewing the Legends

Thanks to Annmarie and Classic Movie Hub for giving me the opportunity to introduce myself, or rather my long-time love affair with classic movies. For me, like many others, I was first introduced to show-stopping Hollywood moments when my parents took me at age 15 to see “That’s Entertainment!” in 1974 at a theater in my hometown of St. Paul, Minnesota. I was mesmerized by the artistry on the screen, and I guess I’ve been an unabashed film fan ever since.

That moment in 1974 was shared by a friend, Tom Johnson, and for more than 35 years we’ve been collaborators sharing in our mutual love for the “Golden Age” of Hollywood. Our interest took a major turn in 1978, just before we started college at the University of Minnesota. After persistent correspondence, we had “green-lighted” meetings set with the big two – Fred Astaire and Gene Kelly. We had truly memorable meetings with filmdom’s two greatest dancers. It would open doors, mean several more trips to Los Angeles and hundreds of interviews with the legends, including James Cagney, Gregory Peck, Charlton Heston, Bob Hope, Lucille Ball, Frank Capra, Vincente Minnelli, Hoagy Carmichael and the hit list goes on.

In 2004, our book, Reel to Real: 25 years of celebrity interviews from vaudeville to movies to TV, a compilation of 60 of our interviews was published and became the “Book of the Month” on the Turner Classic Movies Cable Network.

Reel To Real by David Fantle and Tom Johnson

Despite some 250 celebrity interviews, I’m invariably asked which one was my favorite and least favorite interview. That’s like asking Astaire and Kelly who was their favorite dance partner. With rare exception, most “old school” stars were incredibly warm and welcoming.

Since Astaire and Kelly opened the floodgates to so many future meetings, let me give you a few tidbits from those memorable visits. If you want all the details, you’ll have to buy the book!

We met Fred Astaire in his business manager’s office on Brighton Way in Beverly Hills. As expected, Astaire at age 79 was nattily dressed, soft-spoken and humble. He NEVER lived in the past or wanted to dissect his work. Sitting across from this legend, while it should have been intimidating, was like chatting with your grandfather. He talked about his love of horse racing and how much he enjoyed John Travolta’s performance in “Saturday Night Fever.” It was (and remains) hard to believe that we were in the presence of such artistic greatness, but he put you at immediate ease.

David Fantle and Fred Astaire

David Fantle with Fred Astaire

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Now Gene Kelly was still a youthful 66 when we met him for the first time at his Beverly Hills home. We talked about his joy of working with Judy Garland, the underrated complexity of the “Moses Supposes” number from “Singin’ in the Rain,” and other more contemporary topics. When we parted, he stood at the doorway of his home and he gave us both a thumb’s up as we left, the same affirmation he said he would give Barbra Streisand after a successful take in “Hello Dolly,” which he directed. When we re-visited Kelly some 15 years later, it was like we never lost a beat. His first words to us was, “The college boys are back” although Tom and I were now in our mid 30s.

The memories of these visits and so many more are indelibly etched in my mind and I’m so thankful that two young guys from St. Paul had the tenacity to do it.

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David Fantel with George Burns

David Fantle (left) and Tom Johnson (right) with George Burns

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I currently teach the history of television and the Hollywood musical at Marquette University in Milwaukee and Tom and I continue to interview the few remaining stars that could still be called “classic.” We’re also researching an authorized biography of songwriter and MGM musical producer Arthur Freed.

That’s a snapshot of the past 40 years. Hopefully, I’ll have a chance to write a sequel on Classic Movie Hub in the weeks ahead.

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–David Fantle for Classic Movie Hub

A BIG THANK YOU to David Fantle for sharing this wonderful post with Classic Movie Hub! You can follow David on Twitter at @fantle or reach him via email at david.fantle@gmail.com

And if you’re interested in reading, Reel to Real: 25 years of celebrity interviews from vaudeville to movies to TV, you can find it here on amazon

 

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