Classic Movie Countdown: Best Picture #’s 38 and 37 — The Great Ziegfeld (1936) and Around the World in 80 Days (1956)

38. The Great Ziegfeld (1936)

Other Nominated Films:
Anthony Adverse, Dodsworth, Libeled Lady, Mr. Deeds Goes to Town, Romeo and Juliet, San Francisco, The Story of Louis Pasteur, A Tale of Two Cities, Three Smart Girls

Florenz Ziegfeld was one of the most famous theater producers of the early 1900′s, producing hits such as the Ziegfeld Follies and Show BoatThe Great Ziegfeld is an extravagant film with gigantic dance sequences, one of which featured 180 performers, 4,300 yards of rayon silk, and cost $220,000. The film in total cost M-G-M about $2 million to make, which, for today, would probably be a budget of $200 million. Luckily for M-G-M, the film was able to bring in over $40 million, and rightly so. Ziegfeld led an interesting life, one that started with little money, but like so many other Americans, he worked his way to the top. While I don’t know much about the man (aside from the fact that the Ziegfeld Theater in Manhattan is named after him), by watching William Powell’s portrayal, I saw how hard of a worker Ziegfeld was, or Flo, as many of his friends called him. But the real star of the show is Luise Rainer, who won an Oscar for playing Flo’s ex-wife Anna Held. Rainer was great from beginning to end, but the one scene that truly stands out for me is when after she finds out that Flo has married Broadway star Billie Burke, (who would go on the play Glinda the Good Witch in The Wizard of Oz) and she phones him to pretend she’s glad for him. Rainer plays the heart-broken woman so well that many believe this is the scene that won her the Oscar. While The Great Ziegfeldtakes many liberties with the life of Ziegfeld, it can’t take away the fact that Robert Z. Leonard creates a fun and exuberant film.

Nominated for 7 Oscars; Winner of 3
Best Actress in a Leading Role – Luise Rainer (WON)
Best Dance Direction – Seymour Felix for “A Pretty Girl Is Like a Melody(WON)
Best Picture – M-G-M (WON)
Best Art Direction – Cedric Gibbons, Eddie Imazu, Edwin B. Willis (WON)
Best Director – Robert Z. Leonard
Best Film Editing – William S. Gray
Best Writing, Original Story – William Anthony McGuire

Anna Held: [on the phone with Ziegfeld after learning of his marriage to Billie Burke] Hello, Flo… Yes. Here’s Anna… I’m so happy for you today, I could not help calling you and congratulate you… Wonderful, Flo! Never better in my whole life!… I’m so excited about my new plans! I’m going to Paris… Yes, for a few weeks, and then I can get back, and then I’m doing a new show, and… Oh, it’s all so wonderful! I’m so happy!… Yes… And I hope you are happy, too… Yes?… Oh, I’m so glad for you, Flo… Sounds funny for ex-husband and ex-wife to tell how happy they are, oui?… Yes, Flo… Goodbye, Flo… Goodbye…

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Classic Movie Countdown: Best Picture #’s 40 and 39 — Cavalcade (1933) and The Broadway Melody of 1929 (1929)

40. Cavalcade (1933)

Other Nominated Films:
42nd Street, A Farewell to Arms, I Am a Fugitive from a Chain Gang, Lady for a Day, Little Women, The Private Life of Henry VIII, She Done Him Wrong, Smilin’ Through, State Fair

At the time of it’s release, Cavalcade was a pretty big triumph. The 110 minute film spans around three decades of history, which is a tough challenge even for directors today. The film is defined by the big events that happen in the lives of the Jane and Robert Marryot, played by Diana Wynyard and Clive Brook. These include the Second Boer War, the death of Queen Victoria, the sinking of the Titanic, and World War I. Cavalcade can easily be considered a tear-jerker due to the fact that the events we witness with this family are tragic on a more personal level. Using such tragic events in history is risky for a film, especially in a time where people are experimenting with cinema and figuring out what topics are proper or offensive to use in a movie. But by taking this risk, Frank Lloyd is able to bring out the best in his actors and allow the audience into the lives of these individuals and feel as they feel. Diane Wynyard is truly fantastic in her role as Jane. It doesn’t look as if she’s acting, but it looks as if she is Jane Marryot, and all of the pain and suffering that Jane has gone through in her life…well it seems as if Diane has been in her shoes before. This was the first Fox Studios film to be awarded Best Picture.

Nominated for 4 Oscars; Winner of 3
Best Art Direction  William S. Darling (WON)
Best Director  Frank Lloyd (WON)
Best Picture – Fox Studios (WON)
Best Actress in a Leading Role – Diana Wynyard

Jane Marryot: There should never be any good reason for neglecting someone that you love.

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Classic Movie Countdown: Best Picture #’s 42 and 41 — Cimarron (1931) and The Greatest Show on Earth (1952)

42. Cimarron (1931)

Other Nominated Films:
East Lynne, The Front Page, Skippy, Trader Horn

One of the first films to ever win an Oscar, it’s interesting watching it now, to say the least. It’s one of those films that, for the time it was released, I can understand why it was a big hit. It has some pretty solid gun slinging sequences, and the story is able to hold up for the majority of the film. I also must compliment the acting of Irene Dunne, who did a dynamite job portraying a wife who must deal with the actions of her husband who keeps on riding out on her to find bigger and better things. It does tend to be racist, and not just to one race, but at some points, to all. I do realize that this is accurate to how attitudes were back in the day and to how movies were written at this time, but the only time I, myself, have seen a film so racist would have to be The Birth of a Nation directed by D.W. Griffith, one of the pioneers of filmmaking. Cimarronis the first Western to win a Best Picture award, and one of only three Westerns to win the award throughout the history of cinema (Unforgiven and Dances with Wolves are the only other ones.)

Nominated for 7 Oscars; Winner of 3
Best Art Direction – Max Rée (WON)
Best Picture – RKO Radio (WON)
Best Writing, Adaptation – Howard Estabrook (WON)
Best Actor in a Leading Role – Richard Dix
Best Actress in a Leading Role – Irene Dunne
Best Cinematography – Edward Cronjagor
Best Direction – Wesley Ruggles

Sabra Cravat: Did you have to kill him?
Yancy Cravat: No, I could have let him kill me.

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Welcome To The ClassicMovieHub Blog!

Why hello there! Welcome to the first blog post for ClassicMovieHub. I’ll be your co-host on this fine journey, and as your co-host, let me introduce myself. I’m Josh Kaye, a Cinema Studies major at SUNY Purchase. I won’t say that I’m anything close to an expert on Classic Cinema, as I will be learning more about the Classics as I go on, but watching and learning more about them has always been something I’ve wanted to do. This blog will focus on some of the greatest movies of all time, ranging from the silent classics of Chaplin to the haunting films of Hitchcock, and everything else in between.

For my first series on this blog, to commemorate the Academy Awards, which are on February 26th, I have watched every Best Picture winner between the years of 1927 – 1969. While watching all of these movies, I created a list of what I feel are the best films to win the Oscar based on the film itself, how the film has stuck with me since I first watched it, and every other cinematic aspect such as the acting, the directing, the music, and the cinematography. Beginning Thursday February 2nd, I shall list the films two at time until I reach the Top 10. From there, each film will be listed individually, and on February 27th, the #1 movie will be posted, as will a comparison between the Best Picture of 2011 and the Best Picture of All Time, at least to me.

There may be plenty of surprises as to where I put some films, and I expect not everyone will agree, but that’s the glory of movies…we each gather our own opinion and each feel so differently about one movie compared to the other. All I can hope for is that you spend your precious time to visiting here and reading, as well as giving a piece of your mind.

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