Calling all Classic Movie Fans: 2014 TCM Film Festival Dates Announced

It’s that time of year again! TCM summons Classic Movie Fandom to Hollywood for its Annual Cinematic Celebration..

Well, what can I say — except that I can hardly contain my excitement! Not a minute after arriving home from the 2013 TCM Film Festival last April, I was already hankering to make my plans for the 2014 Festival! That said, today was a very happy day indeed…

Turner Classic Movies TCM Film Festival 2014

Turner Classic Movies announced today that the 2014 TCM Film Festival is set for April 10-13, marking the 5th consecutive year of the event and coinciding with the 20th anniversary of TCM as a leading authority in classic film.

The Festival’s central theme will be Family in the Movies: The Ties that Bind and will celebrate families of all types — “big and small, happy and imperfect, musical and dramatic”, as well as “the first families of Hollywood and the filmmaking dynasties that have entertained generations.”

TCM's Robert Osborne and Ben Mankiewicz

Passes will go on sale in November through the TCM Classic Film Festival website  at TCM.com, and will range in price from $249 to $1,599 for various levels of access to screenings and events.  TCM’s beloved host and film historian, Robert Osborne, will officially host the festival with TCM’s Ben Mankiewicz introducing various events. The historic Hollywood Roosevelt Hotel will serve as the festival’s official hotel and headquarters, with screenings and events held at the TCL Chinese Theater, the Chinese 6 Theaters, and the Egyptian Theatre.

Click here for Festival Website
Follow TCM FF on Twitter

See CMH Coverage about TCM’s 2013 Film Festival here:
TCM FF 2013 Day One: Hello Gorgeous!
TCM FF 2013 Day Two: Am I on My Feet?
TCM FF 2013 Day Three: But in my Mind I know they still will live on and on…

–Annmarie Gatti for Classic Movie Hub

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Guest Post: The Birth of a Classic Film Buff

The Birth of a Classic Film Buff

Classic films have been a big part of my life for many years. They have been my friend when I have had a bad day, my companion when it was storming outside, and my date on New Year’s Eve.  The love I have for these films started when I was young, and as a result I have acquired a large collection of films.  Along with the films, I have also collected movie memorabilia that comes in the forms of such things as books, posters, pictures, plates, and dolls.  This collection didn’t just happen, and all of it is very near and dear to me because it all represents a thirty year relationship.  When thinking back to how it started I also have to think about why it started. What put me on this path?  I know exactly when it started, and also what the original reason was for it.  It was a film.  Many people might consider it odd that a film should hold such importance, but for me this film changed my life.  The year was 1982, and the film was Gone With the Wind.

Clark Gable and Vivien Leigh in Gone with the Wind Vivien Leigh and Clark Gable in Gone With the Wind (1939, director Victor Fleming)

To set the stage I must make it clear that the situation of my first viewing of Gone With the Wind was less than ideal.  It didn’t take place at a theatre where on a big screen I could truly experience its grandeur.  No, this first encounter occurred with the help of my grandmother’s discarded ancient black and white television set that my sister and I took turns keeping in our room. It was a model that still had a picture tube so although it had a small screen it still took up a great deal of space.  It took fifteen minutes after turning it on for the picture to even appear, the glass was curved which distorted the images, and it had a waviness to the picture that made it such that looking too close was not recommended.  This was a television that’s only real redeeming quality for the longest time was that it allowed me the ability to sneakily watch old Rawhide episodes in the summer when I couldn’t sleep. This demonstrates the power of Gone With the Wind because it still managed to rise above these factors, and allow me to see its true beauty.

Watching an old TV

As stated before, this all happened in 1982; a fact checker would point out that Gone With the Wind came out in 1939 — but for me it didn’t exist until 1982. Truly, before that time I really didn’t know anything about it.  That year CBC television broadcasted it from 7pm to 9pm over the course of two nights, and during those two nights I escaped into a world I never wanted to leave.  I am not going to go into great detail about the difference scenes that I loved, because the only way to truly understand is to watch it yourself.  The important thing is to understand the effect the film had on me, and when the film did end, I was in disbelief that Scarlett and Rhett were not going to be together.  Really, I even checked to see if there was a third part on the next night where the film had a chance to end happily ever after.  I was beside myself, because frankly I did give a damn, and tomorrow might be another day, but for me it wasn’t going to include another installment of Gone With the Wind. I was a fourteen year old girl that always felt a little lost in the outside world, and this beautiful encounter opened my eyes and made things happier. The way to explain it was that I felt at home.

Gone With the Wind book by Margaret Mitchell

Gone With the Wind, the novel, written by Margaret Mitchell (first published in 1936)

I needed a way to keep contact with these characters.  The first thing I did was get a copy of the book, and I can thank my Great Aunt Mary for allowing me not only to borrow her copy, but to keep it.  The reading of this novel was a big undertaking for a girl that before this had only read the Anne of Green Gables and Nancy Drew series of books.  I will admit that I started out slowly, but once I got past the first few chapters I was yet again lost in this wonderful world.  There was one weekend I don’t think I moved from my room.  After I closed the novel for the last time I still needed more.  For the time being, I felt that I knew all I could about the characters, but now I was obsessed in learning everything I could about the film, and about the cast.  In those days there wasn’t any such thing as the internet to help aid a person with research.  No, back then research involved books, and now my job was to find all the books I could.   There wasn’t a bookstore in town that I didn’t check out for some scrap of information. I actually found out that Clark Gable was dead from the Encyclopedias we had in the basement, not a happy day. Through my first purchased book, I found out that the movie was in colour. That piece of news made me long to watch the film again. I didn’t actually get to see the movie again for another year when the CBS channel broadcasted it. I remember one of my teachers mentioning how people should make a point of watching it, and if I was the type of person to talk in class, I would have said, “of course I am going to watch it”.  This time I was going to watch it in COLOUR!!!

Video Store Shelves

Not being made of money meant that I often had to rely on the library, or by having the desired books being purchased for me as birthday and Christmas presents.  Slowly a collection was started.  It was at this point, when I started to concentrate more on the actors and actresses, that the path I was on started to branch out a bit.  My main focus was still Gone With the Wind, but through many of my books I started to learn about other actors and actresses, and about other films. So this change in direction meant that, instead of the library, I was checking out the video stores. Unfortunately this was a time when the only video stores that were in our city were the little corner store type that barely had membership cards, let alone the laminated ones that later came along with the large chain stores. This type of store had a very small selection of films, and at this time Gone with the Wind was not available on video.  They did have other classic films however, and I gradually started to realize that this feeling of home wasn’t limited to only Gone With the Wind — and a classic film buff was born.

Some might see this as a cautionary tale of the controlling influence of cinema on young children, but I rather hope that people will read it and feel like they have a similar story to tell.  I would love to hear them.

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–Pam Fallon Thornley for Classic Movie Hub

A BIG THANK YOU to Pam for sharing her very special Classic Movie Memory with Classic Movie Hub.  You can follow Pam on Twitter at @FallonThornley ; Pam always shares such wonderful Classic Movie Facts and Quotes with CMH on Twitter!

 

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Mini Tribute: Paul Petersen

Born September 23, 1945 Child Actor Paul Petersen

Child star Paul Petersen started his acting career at age 10 as a Mouseketeer on the Mickey Mouse Club. His most notable film roles include playing Cary Grant’s son David in Houseboat (1958) and, much later (at age 22), playing Fred MacMurray’s son Tony in The Happiest Millionaire (1967) — but of course he is most famously known for his role as son, Jeff Stone, on The Donna Reed Show from 1958 to 1966!

paul petersen mickey mouse club

Paul Petersen as Mouseketeer

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Paul Petersen with Donna Reed Show Cast

Paul Petersen along with the cast of the Donna Reed Show: Petersen, Carl Betz as Dr. Alex Stone, Donna Reed as Donna Stone, Shelley Fabares as his sister Mary

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Paul Petersen then and now

Petersen as child and as adult

As an adult, Paul Petersen founded the support group “A Minor Consideration” to help child actors transition into adult life.

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–Annmarie Gatti for Classic Movie Hub

 

 

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Mini Tribute: June Foray

Born September 18, 1917 ‘Cartoon Queen’ June Foray!

You may not recognize her face, but you will undoubtedly be familiar with her work! Voice actress June Foray has ‘voiced’ her share of little girls, grannies, dowagers, witches and animals — most famously Granny (from Tweety and Sylvester), Lucifer the Cat (from Disney’s Cinderella), Cindy Lou Who (from How the Grinch Stole Christmas) and Rocky the Squirrel and Natasha Fatale (from the Rocky and Bullwinkle Show)!

June Foray, the voice of Lucifer the Cat, Cindy Lou Who, Rocky Squirrel, Natasha Fatale

June Foray, the voice of (clockwise) Rocky Squirrel, Lucifer the Cat and Cindy Lou Who and Natasha Fatale

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–Annmarie Gatti for Classic Movie Hub

 

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How Many Films did Lauren Bacall and Humphrey Bogart Star in Together?

How Many Films did Lauren Bacall and Humphrey Bogart Star in Together?

Humphrey Bogart and Lauren Bacall

Despite their iconic on-screen and off-screen chemistry Lauren Bacall and Humphrey Bogart only made FOUR films together — all currently available on DVD on Warner Home Video:

  1. To Have and Have Not (1944)   on DVD (Warner Home Video) and Instant Video
  2. The Big Sleep (1946)   on DVD (Warner Home Video) and Instant Video
  3. Dark Passage (1947)   on DVD (Warner Home Video) and Instant Video
  4. Key Largo (1948)   on DVD (Warner Home Video) and Instant Video

They also appeared in one television show together:
 1.   Producers’ Showcase:  Petrified Forest (1955)

                      

–Annmarie for Classic Movie Hub

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Classic Movie Coincidence: Lauren Bacall and Jerry Wald

Lauren Bacall & Producer Jerry Wald share a birthday and three films:

Both Lauren Bacall and Producer Jerry Wald were born today September 16 (13 years apart!).  Wald produced both Dark Passage (1947) and Key Largo (1948) in which Lauren Bacall starred with hubby Humphrey Bogart — and Young Man with a Horn (1950) in which Bacall starred opposite Kirk Douglas.

Producer Jerry Wald and Lauren Bacall, both share birthday of Sept 16

Jerry Wald was born Jerome Irving Wald on in Brooklyn, NY, and Betty Joan Perske (aka Lauren Bacall) was born on in New York City, NY.

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–Annmarie Gatti for Classic Movie Hub

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Mini Tribute: Penny Singleton

Born September 15, 1908 Penny Singleton!

Singleton appeared in a number of films during the 1930s including After the Thin Man and The Mad Miss Manton – but she hit it ‘big’ when she starred in the Blondie film series, 28 films in all, from 1938 through 1950. She also ‘starred’ as space-age wife, Jane Jetson in The Jetsons cartoon series (1962-1987).

Penny Singleton as Blondie and as Jane Jetson in The Jetsons Penny Singleton as Blondie and as Jane Jetson

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–Annmarie Gatti for Classic Movie Hub

 

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Mini Tribute: Jackie Cooper

 

Born September 15, 1922 Child Star Jackie Cooper!

Jackie Cooper started out as a child star in silent shorts back in 1929, transitioning nicely into ‘sound’ films, and later into ‘adult’ roles and TV producing/directing.

Jackie Cooper as child actor and as adult

Jackie Cooper, young and ‘older’

Cooper was the first child actor to ever receive an Oscar Nomination (Best Actor for his starring role in Skippy 1931), and remained the youngest Oscar Nominee (at age 9) until Justin Henry was nominated at age 8 for Best Supporting Actor in Kramer vs Kramer.

As child star, Cooper is perhaps best known as the character Jackie from the Our Gang shorts and episodes, as well as for his role as Dink in the classic sports film (and tearjerker), The Champ (1931), starring Wallace Beery.

Wallace Beery and Jackie Cooper in The Champ 1931

Wallace Beery and Jackie Cooper in The Champ (1931, director King Vidor, uncredited)

“The Champ and I ain’t fixed up swell as this, but our joint’s more lively.” -Jackie Cooper as Dink in The Champ 1931

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As an ‘adult’ actor, Cooper is probably best remembered for his role as Daily Planet editor Perry White in the Superman films of the 1970s-80s starring Christopher Reeve.

Jackie Cooper as Perry White in Superman

Jackie Cooper, who played the role of Daily Planet editor, Perry White, in Superman I, II, III and IV

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–Annmarie Gatti for Classic Movie Hub

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Musicals 101 (Part Two): Integrated vs. Backstage Musicals

 

Movie Musicals 101: Integrated vs. Back Stage Musical, a formal difference. 

Just like the other “big kid” genres, the movie musical can be divided into separate sub-genres based on their structural differences. The two main sub-genres of the musical are the integrated musical and the backstage musical.

The integrated musical is probably what most people think of when they think of musicals. Instead of using the musical number as an “in-film” performance, a performance for both the audience in the film and the audience in the theatre, the integrated musical uses the musical number for narrative purposes. With the integrated musical, the musical number and plot are one in the same. Instead of freezing the plot in favor of spectacle, the song and dance numbers of the integrated musical are an integral part of the plot, often replacing what could be pages and pages of exposition with a tight, succinct musical number.

Responsibility of character and plot development will actually rely more often on the song and dance numbers than the actual plot itself. The Wizard of Oz, Swing Time, and Singin’ in the Rain are notable examples of this type of musical.

 Judy Garland‘s rendition of Somewhere Over the Rainbow explains the inner turmoil of Dorothy in a perfectly placed and paced song in The Wizard of Oz. (1939, director Victor Fleming) 

The backstage musical, on the other hand, puts no effort towards integrating musical numbers with plot. Any singing and dancing that may occur are completely divorced from the plot of the film’s narrative. Usually set in a theatrical context, said narrative tends to revolve around the production of a staged musical because, well, we are watching a musical. When the song and dance number of a backstage musical begins, story is forgotten for the sake of spectacle. The petty squabbling and cinematic lives of the characters on screen cease to exist when the song and dance number begins. In that moment, all that matters is the spectacle. The musicals of Busby Berkley and the 2009 film Once, are some notable examples of this musical subgenre.

A sight of pure spectacle in Footlight Parade (1993, director Lloyd Bacon)

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Minoo Allen for Classic Movie Hub

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Mini Tribute: Clayton Moore aka The Lone Ranger!

Born September 14, 1914 Clayton Moore!

Clayton Moore spent the first part of his Hollywood career doing bit parts and stunts, gradually working his way up to supporting roles in ‘B’ westerns and serials. In 1949 however he hit his star ‘stride’ when he landed the role of the legendary ‘Masked Man of the West’ on the television version of The Lone Ranger (169 episodes from 1949 – 1957).

Clayton Moore as The Lone Ranger

“Hi-yo, Silver! Away!” Clayton Moore as The Lone Ranger.

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–Annmarie Gatti for Classic Movie Hub

 

 

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