Little Miss Marker (1934)

Marthy Jane, Little Miss Marker: Can you write a letter to God like you do to Santa Claus?
Sorrowful 'Sir Sorry' Jones: No, that's where praying comes in.
Marthy Jane, Little Miss Marker: Bad girls like me can't pray.
Sorrowful 'Sir Sorry' Jones: Aw, you ain't a bad girl.
Marthy Jane, Little Miss Marker: Then show me how to pray. I want to ask God for something.
Sorrowful 'Sir Sorry' Jones: You would. You lay down and go to sleep.
Marthy Jane, Little Miss Marker: Regret knows everything. I'll ask Regret to show me how to pray.
Sorrowful 'Sir Sorry' Jones: Don't you go asking that mug Regret about anything. I'll show you how to pray.

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Sorrowful 'Sir Sorry' Jones: Talking like that ain't nice.
Marthy Jane, Little Miss Marker: What's nice?
Sorrowful 'Sir Sorry' Jones: Being a good girl is nice.
Marthy Jane, Little Miss Marker: I'm a bad girl. Nurse says so.
Sorrowful 'Sir Sorry' Jones: Why?
Marthy Jane, Little Miss Marker: Nurse says there's somebody named God, and a girl's bad if she does't pray to Him every night. Daddy says there's nobody named God.
Sorrowful 'Sir Sorry' Jones: When did he say that?
Marthy Jane, Little Miss Marker: When my mommy went away.
Sorrowful 'Sir Sorry' Jones: I guess your daddy got a bad break.

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Sorrowful 'Sir Sorry' Jones: Dizzy, when that guy comes back for the little doll, don't you turn her over to him until you get that twenty bucks.
Dizzy Memphis: But she's gone, boss.
Sorrowful 'Sir Sorry' Jones: So he sneaked her out, eh? Serves me right. Every time I get big-hearted -
Regret: When was the other time?
Sorrowful 'Sir Sorry' Jones: Why didn't you watch her?
Regret: What am I, a nursemaid? What'd you take her as a marker for, anyway?
Sorrowful 'Sir Sorry' Jones: I don't know.

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Lucille Ward is in studio records for the role of Mrs. Walsh, but she did not appear in the film. Modern sources add Hattie McDaniel, Bill Robinson, Bessie Lyle and Nora Cecil (as Head of Home Finding Society), but none of these actors were in the film either.
The character Regret, named after the prize winning 1915 racehorse, was based on Otto "Abadabba" Berman, the financial genius behind gangster Dutch Schultz's business empire and the close friend of writer Damon Runyon. Berman was shot dead in a hit on Schultz a year after the film's release.
Adolphe Menjou was having difficulty with a particular line in the script. After the prompting of others on the set, Shirley Temple turned to director Alexander Hall and asked, "Is it too late to replace Mr. Menjou on this picture?"
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