George Segal
(as Nick)
George:
Now that's it! You can take over a few classes from the older men, but until you start plowing pertinent wives, you really aren't working. The broad, inviting avenue to man's job is through his wife, and don't you forget it.
Nick: And I'll be your wife has the broadest, most inviting avenue of the whole damn campus.
[long pause]
Nick: Her father president and all.
Nick: And I'll be your wife has the broadest, most inviting avenue of the whole damn campus.
[long pause]
Nick: Her father president and all.
George Segal
(as Nick)
Richard Burton
(as George)
Elizabeth Taylor
(as Martha)
Richard Burton
(as George)
George:
You take the trouble to construct a civilization, to build a society based on the principles of... of principle. You make government and art and realize that they are, must be, both the same. You bring things to the saddest of all points, to the point where there is something to lose. Then, all at once, through all the music, through all the sensible sounds of men building, attempting, comes the Dies Irae. And what is it? What does the trumpet sound? Up yours.
Elizabeth Taylor
(as Martha)
George:
You're a monster - You are.
Martha: I'm loud and I'm vulgar, and I wear the pants in the house because somebody's got to, but I am not a monster. I'm not.
George: You're a spoiled, self-indulgent, willful, dirty-minded, liquor-ridden...
Martha: SNAP! It went SNAP! I'm not gonna try to get through to you any more. There was a second back there, yeah, there was a second, just a second when I could have gotten through to you, when maybe we could have cut through all this, this CRAP. But it's past, and I'm not gonna try.
Martha: I'm loud and I'm vulgar, and I wear the pants in the house because somebody's got to, but I am not a monster. I'm not.
George: You're a spoiled, self-indulgent, willful, dirty-minded, liquor-ridden...
Martha: SNAP! It went SNAP! I'm not gonna try to get through to you any more. There was a second back there, yeah, there was a second, just a second when I could have gotten through to you, when maybe we could have cut through all this, this CRAP. But it's past, and I'm not gonna try.