Adam's Rib (1949)

Kip Lurie: Amanda, my love, why do you stay married to a legal beagle with ten thumbs?

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Amanda Bonner: And after you shot your husband... how did you feel?
Doris Attinger: Hungry!

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Amanda Bonner: Nobody died in the evening paper, isn't that nice?

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To help build up Judy Holliday's image, particularly in the eyes of Columbia Pictures chief Harry Cohn, Katharine Hepburn deliberately leaked stories to the gossip columns suggesting that her performance in Adam's Rib was so good that it had stolen the spotlight from Hepburn and Spencer Tracy. This got Cohn's attention and Holliday won the part in Born Yesterday.
In the memorable Spencer Tracy-Katharine Hepburn massage scene, a radio plays Frank Sinatra singing Cole Porter's "Farewell, Amanda," a gift to Amanda Bonner (played by Hepburn) from her songwriter-neighbor, Kip Lurie (played by David Wayne) who, earlier in the picture, had crooned the ditty, accompanying himself on the Bonners' piano. While Adam Bonner (played by Tracy) is massaging his wife, he abruptly shuts off the radio. Sinatra is again heard when a record is accidentally started in a later scene. This prerecording of "Farewell, Amanda" is lost.
Katharine Hepburn reportedly urged director George Cukor to focus the camera on Judy Holliday during a number of their shared scenes, not only because she was a fan of the new-to-movies Holliday but because it was hoped the studios would see how terrific Holliday was and cast her as the lead in Born Yesterday, the role she'd created on Broadway. It worked.
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