What Price Hollywood? (1932) was a Drama - Black-and-white Film directed by George Cukor and produced by David O. Selznick and Pandro S. Berman.
Academy Awards 1931/32 --- Ceremony Number 5 (source: AMPAS)
|Best Writing||Adela Rogers St. Johns, Jane Murfin||Nominated|
WHAT PRICE HOLLYWOOD? PART TWOBy Terry on Oct 25, 2015 From Stardust and Shadows
In the first part of this series I took a capsule look at the Studio System with a nod to the use of drugs in order to produce and package the huge amount of product. It was not a complete look as many smaller operations such as PARAMOUNT PICTURES, RKO and the Poverty Row companies such as PRC, and ... Read full article
WHAT PRICE HOLLYWOOD? PART ONEBy Terry on Jun 21, 2015 From Stardust and Shadows
THE STUDIO GATES This is a slightly different look at the Hollywood myth – mainly because we are going to take a ?hardboiled? look at some of the ideas that nostalgic sites gloss over. Not all sites do yet this is an important part of the Hollywood story.? Gloss over, just as the major studios... Read full article
Pre-Code Crazy: What Price Hollywood? (1931)By shadowsandsatin on May 2, 2015 From Shadows and Satin
In previous months, my Pre-Code Crazy pick has always been a film that I?ve seen numerous times before. And while I was initially quite certain that this month?s selection also fit into that category, it turns out that I?d actually never seen it before! Oh, I?d seen the film?s beginning countless ti... Read full article
What Price Hollywood? (1932) (2)on Mar 24, 2014 From Journeys in Classic Film
It’s safe to say I know a lot about Hollywood; whether it’s reviewing movies or, by extension, reviewing movies about the art of making movies there’s no escaping the glittering pool of the silver screen.? It could explain the proliferation of behind-the-curtain features I watch.? ... Read full article
What Price Hollywood? – The Movie That Inspired A Star Is BornBy Anne Marie on Jan 17, 2014 From We Recycle Movies
I?d like to start 2014 with a throwback. All the way back in 2012, when I started (or rather restarted) We Recycle Movies, the blog was reborn with a trio of reviews of the various versions of A Star Is Born (1937, 1954, and 1976, respectively). At the time, I remarked that they were all based on an... Read full article
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Mary Evans: How do you do Miss DuPont?
Miss DuPont, the Interviewer: My what a lovely place!
Mary Evans: This is my husband.
Miss DuPont, the Interviewer: How do you do Mr. Borden?
Lonny Borden: How do you do.
Miss DuPont, the Interviewer: I didn't dream you were so handsome. What a pair of lovers! Oh I must have a photograph of you looking at each other just like that.
Mary Evans: Well, let's sit down.
Miss DuPont, the Interviewer: Thank you.
Mary Evans: Come on Lonny.
[Mary grabs Lonny's arm and pulls him down to sit]
Julius Saxe: Carey I like you. You're a fine director Carey.
Maximillan 'Max' Carey: Alright, what have I done now?
Julius Saxe: Now see I'll tell you. Carey you are slipping. All the time with the "but". All the time you are drunk. No longer do you care whether the scenes are good. No longer do you care whether the scene is being wasted. All the time retakes. All the time over schedule.
Maximillan 'Max' Carey: Alright. Now let's see, who do we get to replace me?
Julius Saxe: Now listen. I'm saying that to you for your own good. You're even losing your memory with this drinking business. You're getting crazy. It's no good. You've got to stop it. Look here, five years ago you were ten years ahead of it and now you're not quite even with it. And what's the answer? Whiskey!
Maximillan 'Max' Carey: You're right. What the picture business needs is white wines and beers!
Julius Saxe: Ahhhhhh!
Mary Evans: Why do you drink all the time? Can't you cut the heavy swilling?
Maximillan 'Max' Carey: What, and be bored all the time?
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Max Carey was modelled after Lowell Sherman himself, who was known to be an alcoholic, as well as silent film director Marshall Neilan and actor John Barrymore (who was Sherman's brother-in-law at the time).
Eddie 'Rochester' Anderson's first movie.
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