What Price Hollywood? Overview:

What Price Hollywood? (1932) was a Drama - Black-and-white Film directed by George Cukor and produced by David O. Selznick and Pandro S. Berman.

SYNOPSIS

Cukor's movie breakthrough was a film that producer Selznick considered to be a fairly straight reportage of backstage Hollywood. Bennett, a waitress at the Brown Derby, convinces sozzled director Sherman to squire her around Hollywood and get her a screen test, a toe in the movie waters that leads to Oscars, romance, suicide, marriage, separation, and reconciliation. Cukor revisited the scene of this early success with the more melodramatic A Star is Born (1954).

(Source: available at Amazon AMC Classic Movie Companion).

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Academy Awards 1931/32 --- Ceremony Number 5 (source: AMPAS)

AwardRecipientResult
Best WritingAdela Rogers St. Johns, Jane MurfinNominated
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BlogHub Articles:

What Price Hollywood? (1932): Starring Constance Bennett

By 4 Star Film Fan on May 30, 2022 From 4 Star Films

Here is a film so completely attuned to Hollywood celebrity and fandom in its heyday. We open on Hollywood fashion magazines full of stockings and lipstick, and glossies of Greta Garbo & Clark Gable. Then, Mary Evans (Constance Bennett) pushes her retractable bed into the wall to head off to her... Read full article


WHAT PRICE HOLLYWOOD? PART TWO

By Terry on Oct 25, 2015 From Stardust and Shadows

In the first part of this series I took a capsule look at the Studio System with a nod to the use of drugs in order to produce and package the huge amount of product. It was not a complete look as many smaller operations such as PARAMOUNT PICTURES, RKO and the Poverty Row companies such as PRC, and ... Read full article


WHAT PRICE HOLLYWOOD? PART ONE

By Terry on Jun 21, 2015 From Stardust and Shadows

THE STUDIO GATES This is a slightly different look at the Hollywood myth – mainly because we are going to take a ?hardboiled? look at some of the ideas that nostalgic sites gloss over. Not all sites do yet this is an important part of the Hollywood story.? Gloss over, just as the major studios... Read full article


Pre-Code Crazy: What Price Hollywood? (1931)

By shadowsandsatin on May 2, 2015 From Shadows and Satin

In previous months, my Pre-Code Crazy pick has always been a film that I?ve seen numerous times before. And while I was initially quite certain that this month?s selection also fit into that category, it turns out that I?d actually never seen it before! Oh, I?d seen the film?s beginning countless ti... Read full article


What Price Hollywood? (1932) (2)

on Mar 24, 2014 From Journeys in Classic Film

It’s safe to say I know a lot about Hollywood; whether it’s reviewing movies or, by extension, reviewing movies about the art of making movies there’s no escaping the glittering pool of the silver screen.? It could explain the proliferation of behind-the-curtain features I watch.? ... Read full article


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Quotes from

Maximillan 'Max' Carey: Let me give you a tip about Hollywood. Always keep your sense of humor then you can't miss.
Mary Evans: Don't worry about me. I got a great sense of humor.
Maximillan 'Max' Carey: Good. I'll give you my private telephone number. It's... oh well I've forgotten it, but it doesn't matter. You'll find it listed in the book under the name of my Chinese cook, Hip Sing Lung. You think I'm screwy don't you?
Mary Evans: No. I know you're screwy.


[last lines]
Lonny Borden: Oh Mary? Aren't you going to say hello?
Mary Evans: How'd you find us?
Lonny Borden: Detectives. I kidnapped Jackie because I realized I'd never be able to get in to see you any other way.
Mary Evans: Why'd you come?
Lonny Borden: Well among other things, I've a rather important mesage here from Mr. Saxe. I'll read it. "Dear Mary. Just bought a new story. It'd make a good comeback for you. You go to prison for the man you love. Exhibiters interested. Mother and I send love. Julius Saxe." There is a p.s.
[he turns the message over and pretends to read a p.s]
Lonny Borden: "You better re-marry Lonny Borden. He adores you, he always has, cause he realizes that he isn't good enough for you but he'll do anything if you only take him back." It's true. Honest and a whole lot more!
Mary Evans: Then... than you didn't go to Hollywood just to take Jackie from me?
Lonny Borden: Well of course not dear. I came out to help if you needed it.
Mary Evans: Oh Lonny.
Lonny Borden: Let's have dinner together tonight, huh? There's a hotel here with a magnificent main dining room, a thirty piece orchestra, orchids.
Mary Evans: Suppose I said no?
Lonny Borden: Well you know what happened last time.
Mary Evans: Lonny!


[first lines]
[Mary Evans is admiring a magazine photo of Clark Gable]
Mary Evans: Hmmmm. Oh, boy!
[Mary places the magazine photo against her face and pretends Gable is her lover. She speaks in an exaggerated voice]
Mary Evans: Daaahling, how I love you my daaahling, I love you I do.
[she puts the magazine down and returns to her normal voice]
Mary Evans: It's getting late and I must scram.


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Facts about

Eddie 'Rochester' Anderson's first movie.
Max Carey was modelled after Lowell Sherman himself, who was known to be an alcoholic, as well as silent film director Marshall Neilan and actor John Barrymore (who was Sherman's brother-in-law at the time).
David O. Selznick wanted Clara Bow for the role of Mary Evans, but she turned it down when she was offered more money from Fox.
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Best Writing Oscar 1931/32








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Also directed by George Cukor




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Also produced by David O. Selznick




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Also released in 1932




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