The Time of Their Lives Overview:

The Time of Their Lives (1946) was a Comedy - Fantasy Film directed by Charles Barton .

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The Time of Their Lives: Bud and Lou Every Night at My House

By FlickChick on Nov 10, 2024 From A Person in the Dark

This is my entry in the Classic Movie Blog Association's A Haunting Blogathon: In the Afterlife. For more eerily delicious articles, please visit here.Bud and Lou on opposite sides of the revolution in 1946's "The Time of Their Lives."My Father: How many times can you watch the same film?9 year old ... Read full article


Abbott and Costello's The Time of Their Lives

By Rick29 on Feb 14, 2022 From Classic Film & TV Cafe

Bud and Lou in one of their few scenes together.One of Abbott and Costello's most atypical films ranks among their best. The Time of Their Lives (1946) is one of only two of the pair's movies in which they don't perform as a team. The previous year's Little Giant is the other non-comedy team picture... Read full article


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Quotes from

Horatio Prim: [he and Melody collide and are wearing each other's clothes] Odds bodkins, we're all mixed up!
[they run into each other again and get back into their own clothes]
Horatio Prim: Melody, don't ever do that again, I'm a boy!


Melody Allen: Horatio, be patient.
Horatio Prim: Be patient? Melody, do you realize that my Nora has been waiting on me for 165 years? And a girl will only wait so long, and no longer!


Cuthbert Greenway: Emily! When you came in here just now, did you or did you not kick me?
Emily: Certainly not.
Cuthbert Greenway: [getting worried] Oh!


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Facts about

When Emily, the character played by Gale Sondergaard, meets the new occupants of the house, one of the women asks her "Didn't I see you in 'Rebecca'?". Sondergaard's character is made to look like Judith Anderson's character in the Alfred Hitchcock thriller Rebecca, and Sondergaard herself bears a striking physical resemblance to Anderson.
Writing in the Saturday Evening Post in 1949, Bud Abbott said this was his favorite film role, because for a change he was the butt of all the punishment, instead of Lou Costello.
Lou Costello's practice of taking home props proved to be a major problem for the special effects crew. Some of the special effects shots required the sets and props to remain intact for shooting with, and without, the actors. Reportedly on one occasion when Lou removed a prop, it required two days of re-shooting for the special effects department.
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Also directed by Charles Barton




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Also released in 1946




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