The Sin of Madelon Claudet (1931)

Carlo Boretti: I wish Spaniards wouldn't put so much tragedy in their music; they ask for love with so many tears.

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Carlo Boretti: Sit here my dear. Oh wait, I want to get this cushion... it brings out all the blue that's sleeping in your eyes.

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Madelon Claudet: You know, it's the queerest thing. When I was a little girl, Father Matthew used to say to us children, "You pay for everything - everything in this life." And last night when we were dancing, I thought of him, and I laughed to myself and said, "What an old fool you are, Father Matthew..." But he was right. And I'm paying.

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According to Anthony Holden's book "Behind the Oscar" (1993), M.G.M. production chief Irving Thalberg, when pondering a soap-opera-ish script, gave it the green light with the immortal words, "Let's face it. We win Academy Awards with crap like 'Madelon Claudet.'"
After the film flopped badly on its first preview, Irving Thalberg ordered it back into production and had about one-third of the film re-shot. Since Helen Hayes was already making her second film, Arrowsmith, she was called back to work on the "Claudet" retakes during her only times off from shooting "Arrowsmith," Saturday afternoons and Sundays. When Samuel Goldwyn, the producer of "Arrowsmith," heard that Hayes was working seven days a week and making two films simultaneously, he insisted that Hayes stop doing "Claudet" retakes until "Arrowsmith" was finished.
Edward Knoblock's play opened on Broadway in New York City, New York, USA on 17 September 1923 and closed in January 1924 after 144 performances. The opening night cast included May Robson, Rose Hobart, Frank Morgan, Leonard Mudie and Charles Trowbridge.
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