The Miracle Rider (1935) | |
| Director(s) | B. Reeves Eason, Armand Schaefer |
| Producer(s) | Barney A. Sarecky (associate), Nat Levine (uncredited) |
| Top Genres | Action, Adventure, Western |
| Top Topics | |
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The Miracle Rider Overview:
The Miracle Rider (1935) was a Action - Western Film directed by Armand Schaefer and B. Reeves Eason and produced by Nat Levine and Barney A. Sarecky.
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Quotes from
[last lines]
Tom Morgan: There's your contract.
[first lines]
Daniel Boone: We'd better take the north trail.
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Tom Morgan: There's your contract.
[first lines]
Daniel Boone: We'd better take the north trail.
read more quotes from The Miracle Rider...
Facts about
Chapter Titles:
At 306 minutes, this was the lengthiest of the sound serials.
Mascot pretty much pioneered the two-director approach to serials with this film, a system much copied by other studios (Republic, Columbia, Universal) for their own serial output. One director, an action specialist (in this case B. Reeves Eason), would shoot all the outdoor action and stunt scenes. A second director, more suited to handling dialogue scenes (in this case, Armand Schaefer), would simultaneously shoot all the interiors and dialogue scenes. In this way production time was halved, at considerable savings. Levine's main concern was keeping star Tom Mix's time spent filming to a minimum, as he was paying Mix $10,000 a week. Because of Levine's efficient production methods, he was able to keep Mix's shooting schedule down to four weeks.
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- 1. The Vanishing Indian
- 2. The Firebird Strikes
- 3. The Flying Knife
- 4. A Race With Death
- 5. Double-Barreled Doom
- 6. Thundering Hoofs
- 7. The Dragnet
- 8. Guerilla Warfare
- 9. The Silver Band
- 10.Signal Fires
- 11.A Traitor Dies
- 12.Danger Rides With Death
- 13.The Secret of X-94
- 14.Between Two Fires
- 15.Justice Rides the Range
At 306 minutes, this was the lengthiest of the sound serials.
Mascot pretty much pioneered the two-director approach to serials with this film, a system much copied by other studios (Republic, Columbia, Universal) for their own serial output. One director, an action specialist (in this case B. Reeves Eason), would shoot all the outdoor action and stunt scenes. A second director, more suited to handling dialogue scenes (in this case, Armand Schaefer), would simultaneously shoot all the interiors and dialogue scenes. In this way production time was halved, at considerable savings. Levine's main concern was keeping star Tom Mix's time spent filming to a minimum, as he was paying Mix $10,000 a week. Because of Levine's efficient production methods, he was able to keep Mix's shooting schedule down to four weeks.
read more facts about The Miracle Rider...
