The Long, Hot Summer (1958) | |
| Director(s) | Martin Ritt |
| Producer(s) | Jerry Wald |
| Top Genres | Drama, Film Adaptation |
| Top Topics | Based on Play |
Featured Cast:
The Long, Hot Summer Overview:
The Long, Hot Summer (1958) was a Drama - Film Adaptation Film directed by Martin Ritt and produced by Jerry Wald.
BlogHub Articles:
Cinemascope Blogathon: The Long, Hot Summer
By Emily on Mar 12, 2015 From The Vintage CameoThis post is part of the Cinemascope Blogathon, hosted by Wide Screen World and Classic Becky Brain Food. More widescreen goodness continues through March 16th?check out the whole schedule here! The Long, Hot Summer is a sticky Southern drama based on a combination of works by William Faulkner. It... Read full article
"The Long, Hot Summer"...the TV Series!
By Rick29 on May 23, 2013 From Classic Film & TV CafeAh, the wonder of YouTube! I vaguely remember my parents watching a mid-1960s TV series based on the 1958 Paul Newman-Joanne Woodward hit The Long, Hot Summer. But since the show--which lasted just one season--quickly faded into obscurity, I figured it would never be released on video. Then, one nig... Read full article
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Quotes from
Will Varner: More than probable, you will be. But first, you're going to church and get married, yeah, to my daughter.
Ben: Well, that's all right. I'm a quiet-living man, myself.
Eula Varner: Oh, I only know one reason for living quiet; that's if you're too old to live any other way.
Ben: In other words, you two girls take your fun where you can find it.
Clara: Don't jump to conclusions, young man. We're giving you a ride and that's all.
Eula Varner: Where you headed?
Ben: I go as far as you go, M'am.
Eula Varner: Oh, you sound as free as a bird. Doesn't he sound as free as a bird, Clara?
Ben: Well, Clara's wondering what kind of bird. Aren't you Clara?
Will Varner: I was young myself once. I used to hide in the greenery and hoot and bellow.
Clara: I'll bet you did. I'll bet you stayed longest and yelled loudest.
Will Varner: Your mama listened.
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Facts about
This film marks Joanne Woodward and Paul Newman's first cinematic collaboration.
Orson Welles always wore a fake nose when he worked, so when he would sweat on this film, his fake nose would slip. Make-up people had to keep applying material to keep the fake nose from falling.
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