The Leopard Overview:

The Leopard (1963) was a Drama - Historical Film directed by Luchino Visconti and produced by Goffredo Lombardo and Pietro Notarianni.

Academy Awards 1963 --- Ceremony Number 36 (source: AMPAS)

AwardRecipientResult
Best Costume DesignPiero TosiNominated
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BlogHub Articles:

Revisiting the shades of fear in ‘The Leopard Man’

By Toni Ruberto on Aug 12, 2023 From Classic Movie Hub Blog

We?ve all been there. There’s a noise behind us. A rustling of bushes. Or a movement in a dark street corner. Is someone there? We casually walk a little faster while telling ourselves it?s just our imagination ? or is it? Yes, we?ve all been there (admit it, guys) and that?s wh... Read full article


The Leopard Man (1943): A Work of Sound and Shadow

By 4 Star Film Fan on Oct 23, 2019 From 4 Star Films

It’s fitting that a pair of castanets act as our entry point into the latest entry from Val Lewton’s RKO unit. Not only do they instantly grab our attention, but they foreshadow the auditory nature of the film and, in the cultural context, provide a little shorthand for where our setting... Read full article


New on DVD: The Leopard Man

By Amanda Garrett on Oct 22, 2016 From Old Hollywood Films

Today, I'm reviewing the Val Lewton-Jacques Tourneur horror film, The Leopard Man (1943), about a bizarre serial killer who is stalking the New Mexico desert. Here's what you need to know about The Leopard Man (1943), which was just released on DVD by the good folks at Warner Archive. The D... Read full article


The Leopard Man (1943)

on Oct 31, 2014 From Journeys in Classic Film

Val Lewton was well-known for taking ludicrous titles and crafting a narrative from there. In the case of Cat People or I Walked With a Zombie, the acting and storyline mined those titles for psychological significance. But you can’t expect lightening to hit every time, and thus you get films ... Read full article


The Leopard Man features "one of the greatest horror sequences ever filmed"

By Rick29 on Oct 29, 2014 From Classic Film & TV Cafe

The accolade in the title of this review comes from director William Friedkin, who knows a little about creating horror (The Exorcist) and suspense (the chase scene in The French Connection). Of course, I didn't need Mr. Friedkin to tell me what I already knew. I saw The Leopard Man as a kid and tha... Read full article


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Quotes from

Don Francisco Ciccio Tumeo: It seems Donna Bastiana is a kind of animal. She can't read, write, or tell time. She can barely talk. She's even incapable of loving her own daughter. Good for bed, and that's all. But what can you expect? You know whose daughter she is? She's the daughter of one of your peasants from Runci. His name was Peppe Giunta. He was so filthy and savage that everyone called him Peppe Cowshit.


Father Pirrone: Is Your Excellency here for confession?
Prince Don Fabrizio Salina: Confession? It's not Saturday.
Father Pirrone: Listen to me. Come to confession.
Prince Don Fabrizio Salina: There's no need. You know it all already.
Father Pirrone: The power of confession lies not only in telling our sins, but in repentance.
Prince Don Fabrizio Salina: I know. I know! What would you have of me? I'm a vigorous man. I can't find satisfaction with a woman who crosses herself in bed before every embrace, and can only say "Gesummaria" afterwards. I've had seven children with her and I've never seen her navel. Is that right? I ask you. *She's* the sinner!


Prince Don Fabrizio Salina: And you, Don Ciccio, how did you vote on the 21st?
Don Francisco Ciccio Tumeo: [coughs up drink]
Prince Don Fabrizio Salina: What are you afraid of? There's no one else here but us, the wind, the dogs.
Don Francisco Ciccio Tumeo: Excuse me, Excellency, but that question is useless. You know that everyone in Donnafugata voted, voted 'yes'. They said you, yourself, advised those who couldn't decide to vote like that.
Prince Don Fabrizio Salina: I did, indeed. So, you voted 'yes', hmm...
Don Francisco Ciccio Tumeo: [walks up to the Prince, and then walks away] No, Excellency! I voted absolutely 'no'! No, I swear I voted 'no'! I know, Excellency, I know what you told me: necessity, unity and opportunity, Excellency. And you might be right, afterall. Politics I know nothing about, I leave that to all the others. But Ciccio Tumeo cannot be walked on! An obscure artist... poor and miserable, with holes in his pants, maybe. But benefits he's received, I promise you, he'll never forget! As you know, Excellency, it was Queen Isabella, of Spain, who was Dutchess of Calabria then, who made me study, and allowed me to be who I wanted: Organist of the Mother Church, honored by the benevolence of Your Excellency, and be a respected citizen. The years we were in terrible need, when my poor mother sent a petition up to her court, the money arrived to help us, sure as death every month! And if, today, these holy Kings and lovely Queens, were looking down from Heaven... what would they say? Would they feel that Don Ciccio Tumeo betrayed them? No, Excellency, no! Fortunately they know the truth in paradise.


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Facts about

Re-released in France in July 1980.
The painting that the Prince (Burt Lancaster) comments on in the ball scene is Greuze's 'Death of the Just Man'.
Director Luchino Visconti was disappointed that the producers of the film insisted on casting Burt Lancaster in the lead role, because he felt he was not right for the part. This caused tension between the two during the first few weeks of filming. Visconti's harsh treatment toward Lancaster eventually led to the actor publicly confronting him on the set. Visconti was so impressed with the passion and sincerity that Lancaster displayed during his tirade that the two developed a close and amicable relationship for the rest of the filming process.
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Best Costume Design Oscar 1963










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Also directed by Luchino Visconti




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