The Importance of Being Earnest Overview:

The Importance of Being Earnest (1952) was a Comedy - Drama Film directed by Anthony Asquith and produced by Earl St. John and Teddy Baird.

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The Importance of Being Earnest (1952)

By Beatrice on Sep 6, 2015 From Flickers in Time

The Importance of Being Earnest Directed by Anthony Asquith Written by Oscar Wilde 1952/UK British Film-Makers in association with Javelin Films (both uncredited) Repeat viewing/Netflix rental I find this to be supremely re-watchable. Jack Worthing (Michael Redgrave) and Algernon Moncrieff (Micha... Read full article


The 2nd Annual British Invaders Blogathon : The Importance of Being Earnest

By Virginie Pronovost on Aug 1, 2015 From The Wonderful World of Cinema

The Importance of Being Earnest. I never saw this famous Oscar Wilde’s play on stage, only on film and only one version: the 1952’s one?directed by Anthony Asquith and starring Michael Redgrave, Michael Denison, Edith Evans, Joan Greenwood, Dorothy Tutin and Margaret Rutherford. Even if ... Read full article


A Import?ncia de ser Honesto (1952) / The Importance of Being Earnest (1952)

By L? on Nov 30, -0001 From Critica Retro

A Import?ncia de ser Honesto (1952) / The Importance of Being Earnest (1952) Oscar Wilde foi um famoso autor, um dos mais respeitados da d?cada de 1890. Ele escreveu ensaios, contos de fic??o, romances, poesia e pe?as de teatro, e ? a uma dessas ?ltimas que damos aten??o hoje. “A Import?... Read full article


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Quotes from

Lady Bracknell: To speak frankly, I am not in favour of long engagements. They give people an opportunity of finding out each other's characters before marriage. Which I think is never advisable


Lady Bracknell: Thirty-five is an attractive age. London is full of women of the highest birth who have, of their own free choice, remained thirty-five for years.


Canon Chasuble: Charity dear Miss Prism, charity! None of us are perfect. I myself am peculiarly susceptible to draughts.


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Facts about

John Gielgud was offered the role of Jack Worthing in this film. Even though it was one of his signature roles on stage, he turned it down because he disliked filming.
The on-screen credits order is in order of appearance, not in order of importance.
Anthony Asquith's first film in colour
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