The Cocoanuts Overview:

The Cocoanuts (1929) was a Comedy - Musical Film directed by Robert Florey and Joseph Santley and produced by Jesse L. Lasky, Walter Wanger and Monta Bell.

SYNOPSIS

The first, and widely regarded to be the zaniest, of the Marx Brothers' films. The film takes place in a Miami hotel during the land boom, and the Marxes hilariously oversee the arrival and departure of herds of comical millionaire travelers. The brothers freely reign ad-lib and riff on the Kaufman script. Florey was better known for his expressionist horror films.

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The Cocoanuts (1929, Robert Florey and Joseph Santley)

By Andrew Wickliffe on Jul 7, 2018 From The Stop Button

The only stand-out sequence in The Cocoanuts comes at the end, when Chico is playing the piano. One of the directors?or both of them?finally had a good instinct and cut to a close-up of Chico?s hands playing. It overrides the first shot of the piano playing, which doesn?t show Chico?s hands at all a... Read full article


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Quotes from

Chico: Right now I'd do anything for money. I'd kill somebody for money. I'd kill *you* for money.
[Harpo looks dejected]
Chico: Ha ha ha. Ah, no. You're my friend. I'd kill you for nothing.
[Harpo smiles]


Hammer: All along the river, those are all levees.
Chico: That's the Jewish neighborhood?
Hammer: Well, we'll pass over that.


Hammer: Three years ago I came to Florida without a nickel in my pocket. Now I've got a nickel in my pocket.


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Facts about

The first use of the overhead camera shot (from the roof of the sound stage looking down at the dancers forming kaleidoscopic patterns) is usually credited to Busby Berkeley, the Broadway dance director whom Samuel Goldwyn brought to Hollywood to stage numbers for Eddie Cantor comedies. But a year before Busby's appearance on the scene in Whoopee!, the overhead shot in used for the first time in an American sound movie in this movie.
Filmed on a stage in New York City. Sound films were still so new that soundproofing was not installed, so the film had to be shot in the early hours of the morning to reduce outside traffic noise.
A musical number featuring Groucho Marx and Margaret Dumont, "A Little Bungalow" was deleted after the previews. In the stage play, it was originally sung by the characters Polly Potter and Robert Adams (the romantic leads). Instead, Bert Kalmar and Harry Ruby wrote "When My Dreams Come True" especially for this film as a love theme.
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Also directed by Robert Florey




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Also produced by Jesse L. Lasky




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Also released in 1929




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