Tarzan and His Mate (1934) | |
| Director(s) | Cedric Gibbons, Jack Conway (uncredited), James C. McKay (uncredited) |
| Producer(s) | Bernard H. Hyman |
| Top Genres | Action, Adventure, Film Adaptation |
| Top Topics | Book-Based, Pre-Code Cinema, Sequels |
Featured Cast:
Tarzan and His Mate Overview:
Tarzan and His Mate (1934) was a Action - Adventure Film directed by James C. McKay and Cedric Gibbons and produced by Bernard H. Hyman.
Tarzan and His Mate was inducted into the National Film Registry in 2003.
BlogHub Articles:
Tarzan and His Mate (1934, Cedric Gibbons)
By Andrew Wickliffe on Jun 21, 2015 From The Stop ButtonFor a film called Tarzan and His Mate, Johnny Weissmuller’s Tarzan doesn’t get much to do. He spends the film rescuing Maureen O’Sullivan (which is one of the more frustrating aspects of the film–she doesn’t exhibit any jungle survival skills until the finale) from a va... Read full article
Tarzan Thursday – Tarzan and His Mate (1934)
By Bernardo Villela on May 23, 2013 From The Movie RatIntroduction Last year the character of Tarzan celebrated his 100th year in print. A serialized version of the story first appeared in 1912. A hardcover collection of Tarzan of the Apes first appeared in 1914. Being in the middle of the Tarzan centennial period it?s an opportune time to (re)visit ma... Read full article
Tarzan and His Mate
By Beatrice on Mar 25, 2013 From Flickers in TimeTarzan and His Mate Directed by Cedric Gibbons 1934/USA Metro-Goldwyn-Mayer (MGM) Second viewing Jane Parker: Good morning, I love you. You never forget, do you, Tarzan? Tarzan: Never forget… I love you. Jane’s (Maureen O’Sullivan) ex-fiancee Harry Holt returns to Africa in sea... Read full article
Tarzan and His Mate (1934)
By Angela on Nov 5, 2011 From Hollywood RevueAbout a year after the events of Tarzan the Ape Man, Harry Holt (Neil Hamilton) returns to the African jungle with Martin Arlington to go back to the elephant graveyard to gather some ivory. But Harry isn’t just hoping to go home with some ivory. He’s still in love with Jane (Maureen O... Read full article
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Quotes from
Beamish: I wouldn't trust meself in that jungle if it was me, sir.
Harry Holt: Well, I will.
Tarzan: Good morning, I love you.
Jane Parker: Good morning, I love you. You never forget, do you, Tarzan?
Tarzan: Never forget... I love you.
Jane Parker: Love who?
Tarzan: Love you.
Jane Parker: Love who?
Tarzan: Love Jane.
Jane Parker: Love... my...
Tarzan: Love my... wife. My wife!
Martin Arlington: But he's got to understand. Every penny we've got in the world is tied up in this.
Jane Parker: Tarzan knows nothing about money. That wouldn't mean anything to him.
Harry Holt: Well, what's the harm? They're all dead.
[referring to the elephants in the Elephants Graveyard]
Jane Parker: It's as thought somebody asked you to rob a graveyard back home.
Martin Arlington: But these are animals. They're not humans. This is different.
Jane Parker: Not to him.
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Facts about
The infamous nude swimming scene was originally filmed in three different versions: with Jane wearing her traditional costume, with Jane topless and with Jane fully nude. US states were empowered at that time to enact individual censorship laws, and three different versions of the scene were filmed in order to allow individual states to select the version of the scene which best conformed to its laws. All three versions were eventually removed from the film due to protests from conservative religious groups, particularly the powerful Catholic Legion of Decency. The nude version of the scene was discovered in the vaults of Turner Entertainment during the late 1990s following its purchase of the MGM film library, and was restored to most subsequent versions of the film on the direct orders of Turner Entertainment chairman Ted Turner. In the restored version of the scene, Tarzan is depicted wearing his traditional loincloth while Jane appears fully nude, her costume having been torn off when Tarzan playfully tosses her from a tree to the water below. The scene as it exists today is approximately four minutes in duration.
The "African" elephants were actually Indian elephants fitted with prosthetic tusks and ears, as MGM already owned several Indian elephants and considered them easier to handle.
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