Saturday Night and Sunday Morning (1960) | |
| Director(s) | Karel Reisz |
| Producer(s) | Tony Richardson, Harry Saltzman (executive) |
| Top Genres | Drama, Film Adaptation, Romance |
| Top Topics | |
Featured Cast:
Saturday Night and Sunday Morning Overview:
Saturday Night and Sunday Morning (1960) was a Drama - Romance Film directed by Karel Reisz and produced by Tony Richardson and Harry Saltzman.
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Quotes from
Arthur Seaton:
It's not the first time that bastard's called me a red though. Not that I wouldn't vote communist if I thought it would get rid of blokes like him.
Brenda: Somebody told me the other day they'd seen you coming out of the pictures with a young girl.
Arthur Seaton: It's a bloody lie then.
Brenda: Do you think I'm daft Arthur? I can tell you don't go on me as much as you used to .
Arthur Seaton: That isn't true Brenda, you know I like you a lot.
Brenda: I know you, I can see that a mile off.
Arthur Seaton: Not my fault if you don't believe me, is it?
Brenda: You know the trouble with you, you don't know the difference between right and rong, and I don't think you ever will.
Arthur Seaton: Maybe I won't, but I don't want anybody to teach me either.
Brenda: You'll learn one day.
Arthur Seaton: We'll see, but it's now that matters isn't it, we've still got to clear this mess up.
Bert: You know I told you to lay off weeks ago, not that took a blind bit of notice.
Arthur Seaton: Well you've gotta enjoy yourself.
Bert: You've got to keep your feet on the ground.
Arthur Seaton: I don't see much juice in that. You see people settle down and before they know where they are they've kicked the bucket.
Bert: It ain't altogether like that.
Arthur Seaton: No, I now. It would be though if you didn't watch it.
read more quotes from Saturday Night and Sunday Morning...
Brenda: Somebody told me the other day they'd seen you coming out of the pictures with a young girl.
Arthur Seaton: It's a bloody lie then.
Brenda: Do you think I'm daft Arthur? I can tell you don't go on me as much as you used to .
Arthur Seaton: That isn't true Brenda, you know I like you a lot.
Brenda: I know you, I can see that a mile off.
Arthur Seaton: Not my fault if you don't believe me, is it?
Brenda: You know the trouble with you, you don't know the difference between right and rong, and I don't think you ever will.
Arthur Seaton: Maybe I won't, but I don't want anybody to teach me either.
Brenda: You'll learn one day.
Arthur Seaton: We'll see, but it's now that matters isn't it, we've still got to clear this mess up.
Bert: You know I told you to lay off weeks ago, not that took a blind bit of notice.
Arthur Seaton: Well you've gotta enjoy yourself.
Bert: You've got to keep your feet on the ground.
Arthur Seaton: I don't see much juice in that. You see people settle down and before they know where they are they've kicked the bucket.
Bert: It ain't altogether like that.
Arthur Seaton: No, I now. It would be though if you didn't watch it.
read more quotes from Saturday Night and Sunday Morning...
Facts about
The Legion of Decency refused to give the film its seal of approval, thereby affecting the film's chances on American screens.
The film had to go through some dialogue changes before release, mainly owing to the swear words in the original script. Although 'bastards', 'bloody', and 'bleedin' were allowed the censors refused to pass 'sod', 'christ' and 'bogger' (the latter being a script substitution for 'bugger').
One of the reasons why Freddie Francis was brought on board as cinematographer was his experience which executive producer Harry Saltzman felt would be helpful for a novice director like Karel Reisz.
read more facts about Saturday Night and Sunday Morning...
The film had to go through some dialogue changes before release, mainly owing to the swear words in the original script. Although 'bastards', 'bloody', and 'bleedin' were allowed the censors refused to pass 'sod', 'christ' and 'bogger' (the latter being a script substitution for 'bugger').
One of the reasons why Freddie Francis was brought on board as cinematographer was his experience which executive producer Harry Saltzman felt would be helpful for a novice director like Karel Reisz.
read more facts about Saturday Night and Sunday Morning...
