One, Two, Three Overview:

One, Two, Three (1961) was a Comedy - Black-and-white Film directed by Billy Wilder and produced by Billy Wilder, I.A.L. Diamond and Doane Harrison.

SYNOPSIS

Yet another great Wilder effort (he also wrote the blistering screenplay with longtime collaborator Diamond), this time a sprinting comedy of clashing ideologies subverted by love. Cagney's last film finds him as a fast-talking, hard-driving head of the German branch of Coca-Cola. Worlds collide as he volunteers to babysit Tiffin, the teenage daughter of a Coke executive from the home office. He loses her, then finds her in love with East German communist beatnik, Buchholtz. Cagney frames him to get him away from Tiffin, then discovers that he and Tiffin are not just married, but expecting. Cagney rescues the kid, but then loses his job to the reformed communist. Notable score by Previn.

(Source: available at Amazon AMC Classic Movie Companion).

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Academy Awards 1961 --- Ceremony Number 34 (source: AMPAS)

AwardRecipientResult
Best CinematographyDaniel L. FappNominated
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Quotes from

Borodenko: When will papers be ready?
C.R. Macnamara: I'll put my secretary right to work on it.
Mishkin: Your secretary? She's that blond lady?
C.R. Macnamara: That's the one.
Peripetchikoff: [after conferring with the others] You will send papers to East Berlin with blond lady in triplicate.
C.R. Macnamara: You want the papers in triplicate, or the blond in triplicate?
Peripetchikoff: See what you can do.


C.R. MacNamara: You've defected?
Peripetchikoff: Is old Russian proverb: "go west young man."


C.R. MacNamara: [to Otto] The only royalty we know are Count Basie, Duke Snider, and Earl Wilson.


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Facts about

The combination to the safe in C.R. MacNamara's office is 22-5-17. This is revealed when MacNamara's demands their children's and her passports to return to the United States.
The building of the Berlin Wall had begun in the night of August 13, 1961, right through the set at the Brandenburger Tor. The team, discovering the change in the morning, had to move to Munich to shoot the missing scenes on the parking lot of the Bavaria Film Studios, where a copy of the lower half of the Brandenburger Tor had to be built.
When Billy Wilder was at Paramount, he often clashed with an executive at the studio named Y. Frank Freeman. Freeman was from Georgia and would often brag about his extensive holdings of Coca-Cola stock. That relationship was part of the inspiration for this project.
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