King Creole (1958) | |
| Director(s) | Michael Curtiz |
| Producer(s) | Paul Nathan (associate), Hal B. Wallis |
| Top Genres | Crime, Drama, Musical |
| Top Topics | Book-Based |
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King Creole Overview:
King Creole (1958) was a Crime - Drama Film directed by Michael Curtiz and produced by Hal B. Wallis and Paul Nathan.
The film was based on the novel A Stone for Danny Fisher written by Harold Robbins published in 1952.
BlogHub Articles:
King Creole (1958)
By 4 Star Film Fan on Oct 21, 2025 From 4 Star FilmsIt might be on the nose, but Elvis Presley doing a call and response rendition of “Crawfish” from his balcony with the lady vendor (jazz singer Kitty White) on the street below places us instantly in the movie’s milieu. We’re in the French Quarter of New Orleans, a place bles... Read full article
King Creole (1958): musical noir
By L? on Oct 20, 2018 From Critica RetroKing Creole (1958): musical noir H? muitos debates sobre o que ? noir. O noir ? um movimento ou um g?nero? Sendo movimento, significa que filmes de qualquer g?nero podem ser considerados noir? Sendo g?nero, o noir pode coexistir com outros g?neros? O que eu quero dizer ?: pode haver com?dia ... Read full article
King Creole (1958)
By Beatrice on Oct 3, 2016 From Flickers in TimeKing Creole Directed by Michael Curtiz Written by Herbert Baker and Michael V. Gazzo from a novel by Harold Robbins 1958/USA Wallis-Hazen First viewing/Netflix rental Elvis was still making A movies with this one. ?The director, co-stars, and music are first class. Danny Fisher (Elvis Presley) ca... Read full article
King Creole (1958): musical noir
By L? on Nov 30, -0001 From Critica RetroKing Creole (1958): musical noir H? muitos debates sobre o que ? noir. O noir ? um movimento ou um g?nero? Sendo movimento, significa que filmes de qualquer g?nero podem ser considerados noir? Sendo g?nero, o noir pode coexistir com outros g?neros? O que eu quero dizer ?: pode haver com?dia ... Read full article
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Quotes from
Danny Fisher: No, pa, that's not what you brought me up to do, but I stopped listening to you! I ran out of other cheeks! You know, I remember once, Pop, when I was no more than 3 feet high you took me to the circus. You accidentally bumped into some guy and he turned around and punched you. He punched you right in the mouth, and you know what you did? Nothing! Nothing! When they swing at you, pop, it's not enough to duck, you gotta swing back! Maybe you can't anymore, but I'm not taking after you. You go to school, I'm going out and make a buck.
Shark: Danny... We know you're in here. You come on out now, and you got a chance. You can't get away, Maxie's got the whole town covered!
[Shark flips out his switch-blade]
Shark: This is it, buddy! This is the big get-even day! We've got a lot to settle up, you and me. Danny I knew it was your old man that night. I knew it, and I slugged him anyway, so you come on out and get me! You come out and get me, or we're coming in!
[Shark and his cohort continue to try to trap and corner Danny. Danny climbs up and stands on the bottom sill of a hidden window on the wall in a dark part of the alley as he hides from Shark and his cohort]
Shark: I'm gonna let you in on a little secret, kid. We've been laughing at you. Me and Maxie, ever since it happened we've been splitting a gut. You told me once we'd tangle again. Well, now's your chance. Come on, Danny Boy!
[Shark's cohort inadvertently walks below Danny, then Danny jumps down from the window sill onto, and knocks the cohort out]
Shark: You got him?
Danny Fisher: [Using a muffled voice, pretending to be Shark's cohort answering,] YEAH!
Shark: [thinking his cohort knocked Danny out, but it's the other way around] Hold him. I wanna put my mark on him. Where is he?
[Danny surprises Shark as he charges at him and a fight ensues to a permanent finish]
Danny Fisher: What room is the party in?
Hotel Desk Clerk: I beg your pardon, what party?
Danny Fisher: You know, the PARTY the fellas are having!
Hotel Desk Clerk: Oh! Oh! It's up in room #205.
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Facts about
Elvis Presley said to director Michael Curtiz after filming that "Now I know what a good director is". Curtiz had earlier directed "Casablanca" (1942) and became one of Elvis' favorite directors.
Last Black & White movie Elvis Presley made, and most definitely a "film noir".
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