I'll Be Seeing You Overview:

I'll Be Seeing You (1944) was a Drama - Family Film directed by George Cukor and William Dieterle and produced by David O. Selznick and Dore Schary.

BlogHub Articles:

Ginger Rogers, Joseph Cotten, and Shirley Temple star in "I'll Be Seeing You"

By Stephen Reginald on Oct 30, 2022 From Classic Movie Man

Ginger Rogers, Joseph Cotten, and Shirley Temple star in "I'll Be Seeing You" I’ll Be Seeing You (1944) is an American drama film directed by William Dieterle and starring Ginger Rogers, Joseph Cotten, and Shirley Temple. Members of the supporting cast include Spring Byington, Tom Tully, ... Read full article


THE THIRD FRED ASTAIRE AND GINGER ROGERS BLOGATHON: I'll Be Seeing You, 1944

on Dec 28, 2020 From Caftan Woman

Michaela of Love Letters to Old Hollywood is hosting The Third Fred Astaire and Ginger Rogers blogathon while her partner in this endeavour, Crystal of In the Good Old Days of Classic Hollywood is hospitalized with a serious illness. The blogathon is a lovely way we can send our best wishes to Cryst... Read full article


Ver-te-ei Outra Vez (1944) / I'll Be Seeing You (1944)

By L? on Sep 7, 2018 From Critica Retro

Ver-te-ei Outra Vez (1944) / I'll Be Seeing You (1944) Uma das verdades da vida ? que todas as pessoas que conhecemos est?o vivendo batalhas internas que mal podemos imaginar. Olhos pl?cidos podem esconder o tormento da alma e pessoas com mentes agitadas podem esconder a ansiedade com gestos ... Read full article


Ver-te-ei Outra Vez (1944) / I'll Be Seeing You (1944)

By L? on Nov 30, -0001 From Critica Retro

Ver-te-ei Outra Vez (1944) / I'll Be Seeing You (1944) Uma das verdades da vida ? que todas as pessoas que conhecemos est?o vivendo batalhas internas que mal podemos imaginar. Olhos pl?cidos podem esconder o tormento da alma e pessoas com mentes agitadas podem esconder a ansiedade com gestos ... Read full article


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Quotes from

Mrs. Marshall: You must have been looking forward to it, Mary.
Mary Marshall: I was looking forward to seeing you, Aunt Sarah.
Mrs. Marshall: Oh, that's sweet of you, dear.
Mary Marshall: As a matter of fact, selfish. I've been doing a lot of thinking in the past three years, Aunt Sarah, and...
Mrs. Marshall: What sort of things were you thinking, Mary?
Mary Marshall: Coming out into the world and... Even coming here, I had a feeling that ...
Mrs. Marshall: Honey, you've got to stop being afraid. You've got to stop feeling that you're branded like people were in the old days. You've done something. You're paying your debt to society. Most people are willing to let it go at that.
Mary Marshall: I know, Aunt Sarah, but coming out into the world and seeing everybody in uniform, everybody doing something... I just don't belong. I don't fit in. And dreams that I've had for the future are just impossible.
Mrs. Marshall: Well, most dreams are, Mary. It's just the dreaming that counts. Nobody gets exactly what he wants out of life. One of the first things you learn is to make compromises with your dreams.
Mary Marshall: But I'm not talking about palaces and rainbows, Aunt Sarah. I'm talking about a home. A home like this with a kitchen and a stove and an icebox, and a husband, and a child.
Mrs. Marshall: Yes, I have all that. Yet I used to dream about palaces and rainbows.
Mary Marshall: But you're happy.
Mrs. Marshall: Of course. Because I didn't hold out for too much. I accepted what I thought was second best and made that do. Oh, it's something that everybody learns sooner or later. You have to get used to accepting what you think is second best, and then you find out it's first best after all.


Barbara Marshall: Mary, I - I - I told him. I didn't want to hurt you. I didn't know. I told him.
Mrs. Marshall: We're so sorry.
Barbara Marshall: [in tears] Mary, I... Mary, I... I'm so ashamed. Please forgive me. I love you, Mary, and I wouldn't want to hurt you, not for anything. I understand something... I understand something now that I never knew before, that you can make a mistake, do something dreadful, without meaning to... Oh, Mary!
Mary Marshall: [choking on tears] It's all right, Barbara.


Mary Marshall: [Trying on the dress in the dressing room] How much is this dress?
Saleslady: Sixty-nine dollars.
Mary Marshall: Oh? Would you take the tag off, please?
[Handing her some money]
Mary Marshall: Look, here's thirty dollars. And when my aunt asks you the price, will you tell her that it's thirty-nine instead of sixty-nine dollars?
Saleslady: It's a bargain.
Mary Marshall: Thank you.
Mrs. Marshall: [Saleslady leaves the dressing room, and joins Mrs. Marshall outside] Miss, how much was that dress?
Saleslady: Thirty-nine dollars.
Mrs. Marshall: Look, I'll give you twenty dollars. When I ask you again, how much it was, you tell me it's nineteen dollars.
Mary Marshall: [coming out of the dressing room] Do you like it?
Mrs. Marshall: Oh, it's darling on you.
Mary Marshall: Isn't it sweet?
Mrs. Marshall: It was made for you. Um, Miss, how much is this dress?
Saleslady: Nineteen dollars.
Mrs. Marshall: Oh, that's a wonderful buy.
[Mary realizes what happened and laughs]


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Facts about

American Film Institute Catalog of Feature Films, 1941-1950, erroneously gives the release date as 5 January 1944 instead of 5 January 1945.
The quote from Lincoln under his photograph in the YMCA room is from his Cooper Union Address: "Let us have faith that right makes might, and in that faith, let us, to the end, dare to do our duty as we understand it" (February 27, 1860).
Neither of the movies at the cinema, 'Make Way for Glory' and 'Romantic Rhapsody', are actual movies.
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Also directed by William Dieterle




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Also produced by David O. Selznick




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Also released in 1944




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