Compulsion (1959)

Jonathan Wilk: If there is any way of destroying hatred and all that goes with it, it's not through evil and hatred and cruelty, but through charity, love, understanding.

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[last lines]
Jonathan Wilk: In those years to come, you might find yourself asking if it wasn't the hand of god dropped these glasses... And if he didn't, who did?

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Arthur Straus: When we made the deal, you said you could take orders. You said you wanted me to command you.
Judd Steiner: I do - as long as you keep your part of the agreement.

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Although the story was obviously a thinly-disguised recreation of the Nathan Leopold and Richard Loeb murder case, the legal department of 20th Century Fox was still concerned about a possible lawsuit from the still-living Leopold. A great effort was made not to mention Leopold or Loeb in the movie, press releases, and interviews. However, there was apparently poor communication with the advertising department, since when the movie came out, newspaper ads stated, "Based on the famous Leopold and Loeb murder case." Leopold sued the filmmakers. He did not claim libel, slander or anything false or defamatory about the film. Instead, he claimed an invasion of privacy. The court rejected his claim in part because Leopold had already published his own autobiography "Life Plus 99 Years", publicizing essentially the same facts.
Although top-billed, Orson Welles doesn't appear in the film until one hour and five minutes have passed.
In his treatment of the Leopold-Loeb case, Rope, Alfred Hitchcock used his famous "ten-minute takes" and segued from one to the other with a "natural wipe" generally focusing on the back of one of the character's suit jackets. Perhaps as an homage to The Master, this film's director, Richard Fleischer, uses a "natural wipe" focusing on the front of Bradford Dillman's suit to end a scene.
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