A Dandy in Aspic (1968)

Gatiss: I don't like you, Eberlin. I don't like you because you're weak and dishonest. But even more, I don't like you because you're frightened of me, and that disturbs me. I want to know why. You can tell me; I'm a very understanding man.
Eberlin: You haven't got an ounce of understanding or emotion in your body. You died the moment you were born. And when your heart finally stops beating, it'll be a mere formality.

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Sobakevich: I mean, if you want to turn this into a gun war, it's all right with us - but our reserves are closer.
Gatiss: Who do you think you are, Al Capone?
Sobakevich: Who's Al Capone?
Gatiss: He was a megalomaniac gangster who murdered anyone who got in his way.
Sobakevich: Really? Whatever happened to him?
Gatiss: He changed his name to Stalin and moved to Russia.
Sobakevich: I thought he sounded familiar.

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Caroline: I'm an existentialist.
Eberlin: Uh - you're a what?
Caroline: I'm an ext - isn't that the right word?
Eberlin: I would say "exhibitionist" is more to the point.
Caroline: What's an existentialist, then?
Eberlin: Well, it's slightly more complex than romping around naked.

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The film's ending was directed by the Laurence Harvey who also directed some scenes shot in Berlin. Anthony Mann directed all of the scenes in Surrey and London as well as some of the Berlin scenes.
Reportedly, the marriage of actress Mia Farrow and Frank Sinatra was in decline during the production of this movie. Apparently, when the film went over schedule, Sinatra phoned everyday to order Farrow to come home.
This picture is a 1960s Cold War spy thriller and is also considered a Eurospy film.
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