55 Days at Peking (1963) | |
| Director(s) | Nicholas Ray, Guy Green (uncredited), Andrew Marton (uncredited) |
| Producer(s) | Samuel Bronston, Michal Waszynski (associate) |
| Top Genres | Action, Drama, Historical, War |
| Top Topics | |
Featured Cast:
55 Days at Peking Overview:
55 Days at Peking (1963) was a Drama - Historical Film directed by Guy Green and Andrew Marton and produced by Michal Waszynski and Samuel Bronston.
Academy Awards 1963 --- Ceremony Number 36 (source: AMPAS)
| Award | Recipient | Result |
| Best Music - Scoring | Dimitri Tiomkin | Nominated |
| Best Music - Song | Music by Dimitri Tiomkin; Lyrics by Paul Francis Webster | Nominated |
BlogHub Articles:
No article for 55 Days at Peking at this time. Submit yours here.
Quotes from
Baroness Natalie Ivanoff:
You know, I think I'll get you to take me to San Francisco with you.
Maj. Matt Lewis: Oh? Why to San Francisco?
Baroness Natalie Ivanoff: Well, isn't that the place where they found all the gold?
Maj. Matt Lewis: [laughs]
Maj. Matt Lewis: He's a good soldier when he knows what he's fighting for.
Sir Arthur Robertson: It's easy when it's something you can see; a wall, a hill, a river, but how can you explain to them when it's for a principle.
Maj. Matt Lewis: You can't. Not here in China, it's too far from home.
Capt. Andy Marshall: [Regarding the Boxers massed on the Tartar Wall] No sign of activity, hmm?
Sgt. Harry: No sir, I think they're all asleep.
Capt. Andy Marshall: Ah, but we'd better not be Sergeant.
[Nodding to sleeping soldiers]
Capt. Andy Marshall: You'd better wake them all up.
Sgt. Harry: [to English Soldier] Wake up!
[to German Soldier]
Sgt. Harry: Guten Morgen!
[to French Soldier]
Sgt. Harry: Bonjour! Bonjour!
[to Italian Soldier]
Sgt. Harry: Buongiorno!
[Picks up and looks at hat of Japanese Marine]
Sgt. Harry: ... Good Morning?
Japanese Marine: Good Morning.
read more quotes from 55 Days at Peking...
Maj. Matt Lewis: Oh? Why to San Francisco?
Baroness Natalie Ivanoff: Well, isn't that the place where they found all the gold?
Maj. Matt Lewis: [laughs]
Maj. Matt Lewis: He's a good soldier when he knows what he's fighting for.
Sir Arthur Robertson: It's easy when it's something you can see; a wall, a hill, a river, but how can you explain to them when it's for a principle.
Maj. Matt Lewis: You can't. Not here in China, it's too far from home.
Capt. Andy Marshall: [Regarding the Boxers massed on the Tartar Wall] No sign of activity, hmm?
Sgt. Harry: No sir, I think they're all asleep.
Capt. Andy Marshall: Ah, but we'd better not be Sergeant.
[Nodding to sleeping soldiers]
Capt. Andy Marshall: You'd better wake them all up.
Sgt. Harry: [to English Soldier] Wake up!
[to German Soldier]
Sgt. Harry: Guten Morgen!
[to French Soldier]
Sgt. Harry: Bonjour! Bonjour!
[to Italian Soldier]
Sgt. Harry: Buongiorno!
[Picks up and looks at hat of Japanese Marine]
Sgt. Harry: ... Good Morning?
Japanese Marine: Good Morning.
read more quotes from 55 Days at Peking...
Facts about
During the opening scene where the Legations and their flags are displayed, the camera lingers on the Spanish flag for a few seconds. Given the fact the Spanish legation or diplomats are not mentioned in the movie, some have commented the flag is only shown as the film was filmed in Spain during Franco's regime. While this explanation probably has some truth, there was in fact a Spanish legation and diplomatic staff in Peking during the siege. However, like the Dutch and Belgian Legations, they had no marines and played little role in the siege. This is why "eleven foreign powers" are referenced but only eight nations are named.
It is still possible to walk around the area of Beijing which was the actual location of the Siege of the Peking Legations in 1900, and to recognize sites and street layout depicted with admirable accuracy by the sets constructed in Spain for '55 Days At Peking'. The former legation quarter is east of Tiananmen Square, bounded in the north by Changan Avenue and south by Qianmen Street. One such important site is the gate of the former British Legation in Zhengyi Road, looking remarkably as it did in photos taken in 1900. Much of the area has been occupied for many years by Chinese Government agencies. Most of the heritage buildings remaining of the old legation quarter are reconstructions after the Boxer uprising. The area's tourist potential has been little exploited. The post-Boxer former French Legation post office is the foyer of the Dongjiaominxiang Hotel. The site of the former US Legation has been renovated for up-market restaurants, bars and event venues.
The cameraman on the film was originally going to be Aldo Tonti, but when he saw the sets already built at the Bronston studios, he claimed it would be impossible for him to photograph them in the way Nicholas Ray wanted. Jack Hildyard replaced him as director of photography only a short time before shooting began.
read more facts about 55 Days at Peking...
It is still possible to walk around the area of Beijing which was the actual location of the Siege of the Peking Legations in 1900, and to recognize sites and street layout depicted with admirable accuracy by the sets constructed in Spain for '55 Days At Peking'. The former legation quarter is east of Tiananmen Square, bounded in the north by Changan Avenue and south by Qianmen Street. One such important site is the gate of the former British Legation in Zhengyi Road, looking remarkably as it did in photos taken in 1900. Much of the area has been occupied for many years by Chinese Government agencies. Most of the heritage buildings remaining of the old legation quarter are reconstructions after the Boxer uprising. The area's tourist potential has been little exploited. The post-Boxer former French Legation post office is the foyer of the Dongjiaominxiang Hotel. The site of the former US Legation has been renovated for up-market restaurants, bars and event venues.
The cameraman on the film was originally going to be Aldo Tonti, but when he saw the sets already built at the Bronston studios, he claimed it would be impossible for him to photograph them in the way Nicholas Ray wanted. Jack Hildyard replaced him as director of photography only a short time before shooting began.
read more facts about 55 Days at Peking...
















