The Fountainhead Overview:

The Fountainhead (1949) was a Drama - Film Adaptation Film directed by King Vidor and produced by Henry Blanke.

The film was based on the novel of the same name written by Ayn Rand published in 1943.

BlogHub Articles:

THE FOUNTAINHEAD ( 1949 )

By Theresa Brown on Apr 8, 2016 From CineMaven's Essays from the Couch

They say there?s no frigate like a book. But what happens when you turn a frigate into a movie? What?ve you got then? Now Voyaging and Speakeasy have partnered up again to host this weekend?s ?BOOK TO COVER: Books to Film Blogathon.? It?s pretty self-explanatory: ?This blogathon is your opportunity... Read full article


The Fountainhead (1949)

By Beatrice on Jun 10, 2015 From Flickers in Time

The Fountainhead Directed by King Vidor Written by Ayn Rand based on her novel 1949/USA Warner Bros. First viewing/Hulu Plus I cannot fully express my feelings about this film without spoilers. ?Normally, I would suggest that my readers watch the film first but in this case I wouldn’t go ... Read full article


The Fountainhead, Often and Oftener Viewings Makes It Better and Better

By C. S. Williams on Dec 8, 2014 From Classic Film Aficionados

With each viewing of The Fountainhead rather than growing tired of the 65 year old picture, I admire it more and more. Raymond Massey was never more sleazy (in the first two-thirds of the movie), Cooper, strong, silent, never more Cooperesque than in The Fountainhead and Patricia Neal, never more be... Read full article


The Fountainhead, Often and Oftener Viewings Makes It Better and Better

By C. S. Williams on Dec 8, 2014 From Classic Film Aficionados

With each viewing of The Fountainhead rather than growing tired of the 65 year old picture, I admire it more and more. Raymond Massey was never more sleazy (in the first two-thirds of the movie), Cooper, strong, silent, never more Cooperesque than in The Fountainhead and Patricia Neal, never more be... Read full article


The Fountainhead, Often and Oftener Viewings Makes It Better and Better

By C. S. Williams on Dec 8, 2014 From Classic Film Aficionados

With each viewing of The Fountainhead rather than growing tired of the 65 year old picture, I admire it more and more. Raymond Massey was never more sleazy (in the first two-thirds of the movie), Cooper, strong, silent, never more Cooperesque than in The Fountainhead and Patricia Neal, never more be... Read full article


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Quotes from

Howard Roark: No creator was prompted by a desire to please his brothers. His brothers hated the gift he offered. His truth was his only motive. His work was his only goal. His work, not those who used it, his creation, not the benefits others derived from it. The creation which gave form to his truth. He held his truth above all things, and against all men. He went ahead whether others agreed with him or not. With his integrity as his only banner. He served nothing, and no one. He lived for himself. And only by living for himself was he able to achieve the things which are the glory of mankind. Such is the nature of achievement.


Howard Roark: [delivering the closing statements of his own defense] Thousands of years ago the first man discovered how to make fire. He was probably burned at the stake he had taught his brothers to light, but he left them a gift they had not conceived of, and he lifted darkness off the earth. Through out the centuries there were men who took first steps down new roads, armed with nothing but their own vision. The great creators, the thinkers, the artists, the scientists, the inventors, stood alone against the men of their time. Every new thought was opposed. Every new invention was denounced. But the men of unborrowed vision went ahead. They fought, they suffered, and they paid - but they won.


Howard Roark: I am an architect. I know what is to come by the principle on which it is built. We are approaching a world in which I cannot permit myself to live. My ideas are my property. They were taken from me by force, by breach of contract. No appeal was left to me. It was believed that my work belonged to others, to do with as they pleased. They had a claim upon me without my consent. That is was my duty to serve them without choice or reward. Now you know why I dynamited Cortlandt. I designed Cortlandt, I made it possible, I destroyed it. I agreed to design it for the purpose of seeing it built as I wished. That was the price I set for my work. I was not paid. My building was disfigured at the whim of others who took all the benefits of my work and gave me nothing in return. I came here to say that I do not recognize anyone's right to one minute

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Facts about

Roark (Gary Cooper)'s courtroom speech was the longest in film history up until that time.
Shot in early 1948 but not released until mid-1949.
Ayn Rand only agreed to make her book into a movie if the director promised that everything she wrote would make it into the final product.
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Also directed by King Vidor




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