The Good, the Bad and the Ugly (1966) | |
| Director(s) | Sergio Leone |
| Producer(s) | Alberto Grimaldi |
| Top Genres | Adventure, Western |
| Top Topics | Civil War, Gold, Gunfighters, Spaghetti Western |
Featured Cast:
The Good, the Bad and the Ugly Overview:
The Good, the Bad and the Ugly (1966) was a Adventure - Western Film directed by Sergio Leone and produced by Alberto Grimaldi.
BlogHub Articles:
CD Review: THE GOOD, THE BAD AND THE UGLY Original Soundtrack Expanded Edition
By Dan Day, Jr. on Jan 14, 2021 From The Hitless Wonder Movie BlogI've mentioned on this blog and on Facebook several times how the very first movie soundtrack I ever bought was for THE GOOD, THE BAD AND THE UGLY. That purchase was on audio cassette, and I've bought it many times since, including a vinyl re-release just last summer. Now, Quartet Records, a company... Read full article
The Good, the Bad and the Ugly (1966, Sergio Leone)
By Andrew Wickliffe on Jul 9, 2018 From The Stop ButtonThe Good, the Bad and the Ugly ends up being about three criminals?of varying type?hunting down some stolen Confederate gold. But that Confederate gold story line takes a break after getting setup in the first ten minutes?for almost an hour of the two and a half hour plus film?so Good, the Bad and t... Read full article
The 50th Anniversary Of THE GOOD, THE BAD AND THE UGLY
By Dan Day Jr. on Nov 2, 2016 From The Hitless Wonder Movie BlogFifty years ago, in 1966, THE GOOD, THE BAD AND THE UGLY was produced in Spain and Italy. It is my second favorite film of all time, so accordingly a blog post commemorating this anniversary is in order. Instead of going into the details about the production history of the film, or the storyline, I'... Read full article
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Quotes from
Tuco: [shouting] Hey, Blond! You know what you are? Just a dirty son-of-a-b-!
Blondie: If your friends stay out in the damp, they're liable to catch a cold aren't they... or a bullet.
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Facts about
The film was shot with a process called Techniscope. This process means that you can shoot without an anamorphic lens, and only use half as much film as you would normally use. The Techniscope process places two widescreen frames on a single 35 mm frame.
Eli Wallach would have been decapitated during the train scene if he had lifted his head up. In the wide-shot, you can see the step that would have impacted his head.
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