The Third Man Overview:

The Third Man (1949) was a Film Noir - Mystery Film directed by Carol Reed and produced by Carol Reed, David O. Selznick, Alexander Korda and Hugh Perceval.

The film was based on the novel of the same name written by Graham Greene published in 1949.

Academy Awards 1950 --- Ceremony Number 23 (source: AMPAS)

AwardRecipientResult
Best CinematographyRobert KraskerWon
Best DirectorCarol ReedNominated
Best Film EditingOswald HafenrichterNominated
.

BlogHub Articles:

The Third Man At 70

By 4 Star Film Fan on Oct 16, 2019 From 4 Star Films

Oh, how I love The?Third Man (or The 3rd Man). Regardless of how you write it, Carol Reed‘s post-war noir is one of those special films that was a case of love at first sight.? I knew some of the reasons already, but watching the film with a friend (on his first viewing) teased them out even m... Read full article


The Third Man (1949): Out of the Rubble

By 4 Star Film Fan on Nov 2, 2017 From 4 Star Films

Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love – they had 500 years of democracy and peace, and what did that produce? T... Read full article


The Third Man (1949): Out of the Rubble

By 4 Star Film Fan on Nov 2, 2017 From 4 Star Films

Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love – they had 500 years of democracy and peace, and what did that produce? T... Read full article


The Third Man (1949, Carol Reed)

By Andrew Wickliffe on Jul 16, 2016 From The Stop Button

The Third Man runs just over a hundred minutes and takes place over a few days. It’s never clear just how many; director Reed and writer Graham Greene are both resistant to the idea of making the film too procedural. Greene’s scenes, even when they’re expository, still strive again... Read full article


The Third Man

By Amanda Garrett on Apr 10, 2016 From Old Hollywood Films

Today, I'm reviewing The Third Man (1949), starring Joseph Cotten. This article is part of Words! Words! Words! A Chatty CMBA Blogathon from the members of the Classic Movie Blog Association. Holly Martins, as played by Joseph Cotten in the classic Cold War thriller The Third Man (1949), is n... Read full article


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Quotes from

Opening narrator: I never knew the old Vienna before the war with its Strauss music, its glamour and easy charm. Constantinople suited me better.
[Scenes of black market goods changing hands]
Opening narrator: I really got to know it in the classic period of the black market. We'd run anything if people wanted it enough and had the money to pay. Of course a situation like that does tempt amateurs
[Dead body seen floating in the river]
Opening narrator: but, well, you know, they can't stay the course like a professional.
Opening narrator: Now the city is divided into four zones, you know, each occupied by a power: the American, the British, the Russian and the French. But the centre of the city that's international policed by an international patrol. One member of each of the four powers. Wonderful! What a hope they had! All strangers to the place and none of them could speak the same language. Except a sort of smattering of German.
Opening narrator: Good fellows on the whole, did their best you know. Vienna doesn't really look any worse than a lot of other European cities. Bombed about a bit.
Opening narrator: Oh, I was going to tell you, wait, I was going to tell you about Holly Martins, an American. Came all the way here to visit a friend of his. The name was Lime, Harry Lime. Now Martins was broke and Lime had offered him, some sort, I don't know, some sort of job.
Opening narrator: Anyway, there he was, poor chap. Happy as a lark and without a cent.


Harry Lime: Nobody thinks in terms of human beings. Governments don't. Why should we? They talk about the people and the proletariat, I talk about the suckers and the mugs - it's the same thing. They have their five-year plans, so have I.
Martins: You used to believe in God.
Harry Lime: Oh, I still do believe in God, old man. I believe in God and Mercy and all that. But the dead are happier dead. They don't miss much here, poor devils.


Anna Schmidt: A person doesn't change just because you find out more.


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Facts about

Once he finally arrived in Vienna, Orson Welles refused to film various scenes in the sewers. Due to his protests, various sets replicating the Vienna sewers had to be constructed by Alexander Korda on sound-stages back in England.
Joseph Cotten re-created his role in the Lux Radio production of "The Third Man" with Evelyn Keyes playing Alida Valli's role. Orson Welles was not in this radio play.
In one shot in the Wienkanal, a security officer passes by a wall with the engraving "O5," which was the secret symbol of the Austrian resistance against Nazi occupation. ("O5" represents "OE" or "Ö," the first letter of "Österreich," the native name for Austria.)
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