The Subject Was Roses (1968) | |
| Director(s) | Ulu Grosbard |
| Producer(s) | Edgar Lansbury, Kenneth Utt (associate) |
| Top Genres | Drama |
| Top Topics | Based on Play, Mother/Son |
Featured Cast:
The Subject Was Roses Overview:
The Subject Was Roses (1968) was a Drama Film directed by Ulu Grosbard and produced by Edgar Lansbury and Kenneth Utt.
Academy Awards 1968 --- Ceremony Number 41 (source: AMPAS)
| Award | Recipient | Result |
| Best Supporting Actor | Jack Albertson | Won |
| Best Actress | Patricia Neal | Nominated |
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Quotes from
Nettie Cleary:
I never doubted he'd do as well as anyone else.
John Cleary: Where he's concerned, you never doubted, period. If he came in right now and said he could fly, you'd help him out the window.
John Cleary: Bless us and save us, said Mrs. O'Davis.
Nettie Cleary: In all my life, the past twelve hours are the only real freedom I've ever known.
Timmy Cleary: Did you enjoy it?
Nettie Cleary: Every moment.
Timmy Cleary: Why did you come back?
Nettie Cleary: I'm a coward.
read more quotes from The Subject Was Roses...
John Cleary: Where he's concerned, you never doubted, period. If he came in right now and said he could fly, you'd help him out the window.
John Cleary: Bless us and save us, said Mrs. O'Davis.
Nettie Cleary: In all my life, the past twelve hours are the only real freedom I've ever known.
Timmy Cleary: Did you enjoy it?
Nettie Cleary: Every moment.
Timmy Cleary: Why did you come back?
Nettie Cleary: I'm a coward.
read more quotes from The Subject Was Roses...
Facts about
Jack Albertson won the 1965 Tony Award (New York City) for Supporting or Features Actor in a Drama for "The Subject was Roses" and recreated the role in this production.
The "shabby genteel" Bronx apartment in Frank D. Gilroy's largely autobiographical "The Subject Was Roses" was recreated and filmed in a warehouse on New York's West 26th Street. Exterior scenes of the Bronx were filmed in that borough's University Heights section, where Pulitzer-winning playwright Frank D. Gilroy spent the first eighteen years of his life before serving in World War II. The neighborhood had changed a great deal in twenty-plus years and was now "down at the heels" but a number of older residents remembered the Gilroy family from back in the day. For authenticity, crew members rolled back prices in the window of a vegetable store to 1946, posted signs to buy War Bonds, and lined the street with period automobiles. Said one older resident: "They even cleaned up the streets. Humph, it takes a movie company to get this neighborhood cleaned up."
The Subject Was Roses was the first film Patricia Neal made after suffering three massive and near-fatal strokes, early in 1965. Neal was in a coma for two-and-a-half weeks and underwent emergency brain surgery. Paralyzed on her right side and unable to talk, she had to learn how to use her limbs again, how to speak again, and had to relearn the alphabet in order to spell the simplest of words. By early 1967, her recovery was so remarkable that it was difficult to tell that she'd suffered a stroke at all, although Neal admitted to still having memory problems. In April 1968, while shooting "The Subject Was Roses" in an old warehouse on Manhattan's West 26th Street, Neal reflected on her ordeal to critic Rex Reed: "I hated life for a year and a half, then I started learning how to be a person again and now I've loved life for a year and a half. And I love it a lot."
read more facts about The Subject Was Roses...
The "shabby genteel" Bronx apartment in Frank D. Gilroy's largely autobiographical "The Subject Was Roses" was recreated and filmed in a warehouse on New York's West 26th Street. Exterior scenes of the Bronx were filmed in that borough's University Heights section, where Pulitzer-winning playwright Frank D. Gilroy spent the first eighteen years of his life before serving in World War II. The neighborhood had changed a great deal in twenty-plus years and was now "down at the heels" but a number of older residents remembered the Gilroy family from back in the day. For authenticity, crew members rolled back prices in the window of a vegetable store to 1946, posted signs to buy War Bonds, and lined the street with period automobiles. Said one older resident: "They even cleaned up the streets. Humph, it takes a movie company to get this neighborhood cleaned up."
The Subject Was Roses was the first film Patricia Neal made after suffering three massive and near-fatal strokes, early in 1965. Neal was in a coma for two-and-a-half weeks and underwent emergency brain surgery. Paralyzed on her right side and unable to talk, she had to learn how to use her limbs again, how to speak again, and had to relearn the alphabet in order to spell the simplest of words. By early 1967, her recovery was so remarkable that it was difficult to tell that she'd suffered a stroke at all, although Neal admitted to still having memory problems. In April 1968, while shooting "The Subject Was Roses" in an old warehouse on Manhattan's West 26th Street, Neal reflected on her ordeal to critic Rex Reed: "I hated life for a year and a half, then I started learning how to be a person again and now I've loved life for a year and a half. And I love it a lot."
read more facts about The Subject Was Roses...
