Mr. Deeds Goes to Town Overview:

Mr. Deeds Goes to Town (1936) was a Comedy - Romance Film directed by Frank Capra and produced by Frank Capra.

The film was based on the serial story Opera Hat written by Clarence Budington Kelland published in American Magazine from April-Sept 1935.

SYNOPSIS

Capra's populist favorite is about a Vermont hayseed (Cooper) who inherits a fortune and his encounters with the cynical, heartless metropolis. Small-town "pixilated" poet and guileless good guy Longfellow Deeds inherits $20 million, and, when he wants to use it to help the needy, various unsavory types try to get him declared insane. As might be expected, Cooper embodies the simple virtues and wins over hardened newspaper reporter Arthur. Capra favorite Riskin wrote the screenplay and Capra won his second Oscar for the direction. Both leads worked for Capra again in Meet John Doe (Cooper) and Mr. Smith Goes to Washington (Arthur). Based on "Opera Hat," a Saturday Evening Post story by Clarence Budington Kelland.

(Source: available at Amazon AMC Classic Movie Companion).

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Academy Awards 1936 --- Ceremony Number 9 (source: AMPAS)

AwardRecipientResult
Best ActorGary CooperNominated
Best DirectorFrank CapraWon
Best PictureColumbiaNominated
Best WritingRobert RiskinNominated
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Quotes from

Babe Bennett: I know why he won't defend himself! That has a bearing on the case, hasn't it? He's been hurt, he's been hurt by everybody he met since he came here, principally by me. He's been the victim of every conniving crook in town. The newspapers pounced on him, made him a target for their feeble humor. I was smarter than the rest of them: I got closer to him, so I could laugh louder. Why shouldn't he keep quiet - every time he said anything it was twisted around to sound imbecilic! He can thank me for it. I handed the gang a grand laugh. It's a fitting climax to my sense of humor.


Louise "Babe" Bennett: [Taking Mr. Deeds to see Grant's Tomb] To most people, it's an awful let-down... To most people, it's a washout.
Longfellow Deeds: Well, that depends on what they see.
Louise "Babe" Bennett: Now what do you see?
Longfellow Deeds: Me? Oh I see a small Ohio farm boy becoming a great soldier. I see thousands of marching men. I see General Lee with a broken heart surrendering. And I can see the beginning of a new nation, like Abraham Lincoln said. And I can see that Ohio boy being inaugurated as President. Things like that can only happen in a country like America.


Longfellow Deeds: [to the Court] It's like I'm out in a big boat, and I see one fellow in a rowboat who's tired of rowing and wants a free ride, and another fellow who's drowning. Who would you expect me to rescue? Mr. Cedar - who's just tired of rowing and wants a free ride? Or those men out there who are drowning? Any ten year old child will give you the answer to that.


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Facts about

This movie marks the entry of the verb doodle (in the sense of absent-minded scribbling) into the English language. The word was coined for the movie by screenwriter Robert Riskin.
From the start, Frank Capra was convinced that Gary Cooper would be perfect for the part of Longfellow Deeds. Production had to wait six months for Cooper to become available, incurring costs of $100,000 for the delay in filming.
The scene in which Deeds meets several famous writers and columnists at a New York restaurant, and finds them to be witty but also sarcastic and rude, is a reference to the Algonquin Round Table, with the character Bill Morrow being loosely based on Alexander Woollcott.
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