Marie Antoinette (1938) was a Drama - Drama Film directed by W.S. Van Dyke and Julien Duvivier and produced by Hunt Stromberg and Irving Thalberg.
The film was based on the biography Marie Antoinette: The Portrait of an Average Woman written by Stefan Zweig 1932.
Academy Awards 1938 --- Ceremony Number 11 (source: AMPAS)
|Best Supporting Actor||Robert Morley||Nominated|
|Best Actress||Norma Shearer||Nominated|
|Best Art Direction||Cedric Gibbons||Nominated|
|Best Music - Scoring||Herbert Stothart||Nominated|
Marie Antoinette (1938)By Amanda Garrett on Jun 3, 2016 From Old Hollywood Films
Today, I'm reviewing the 1938 biopic of French Queen Marie Antoinette, starring Norma Shearer. This article is part of The Royalty on Film Blogathon hosted by The Flapper Dame. Eighteenth century French Queen Marie Antoinette is still a pop culture icon for her over-the-top fashions and her ... Read full article
Marie Antoinette (1938)By Beatrice on Dec 2, 2013 From Flickers in Time
Marie Antoinette Directed by W.S. Van Dyke Written by Claudine West, Donald Ogden Stewart, and Ernest Vajda based in part on the book by Stefan Zweig 1938/USA Metro-Goldwyn-Mayer First viewing I am not big on 2 1/2 hour-plus costume dramas … especially if Norma Shearer is going to play a tee... Read full article
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Count Axel de Fersen: I must let you go. Goodbye.
Marie: Good night. Or, if you wish good morning. I shall never say goodbye.
Marie: Do you think one-hundred years hence some Swedish gentleman wandering in Paris might smile over a relic of Marie Antoinette? A miniature perhaps, or a ring? This very ring, for instance.
Marie: It's centuries old. It has an inscription on it --- "Everything leads me to thee."
[She places the ring in his hand]
Marie: Can you see it? Lying on a velvet cushion in its little glass case?
Count Axel de Fersen: I don't know... you might make a present of it, perhaps, to some man who had loved you and it would be worn on his hand for as long as he lived and buried with him when he died because he loved you reverently and as was fitting from a respectable distance but with all his heart for all this life.
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The film became the favorite movie of Eva Perón, who so admired Norma Shearer style that she later dyed her hair blonde.
The gown and wig Norma Shearer wears in the scene where the people throw stones at her carriage is later worn by Lucille Ball in Du Barry Was a Lady and by Jean Hagen in Singin' in the Rain.
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