Grand Prix (1966) was a Sports - Drama Film directed by John Frankenheimer and produced by Kirk Douglas, John Frankenheimer, James Garner and Edward Lewis.
Academy Awards 1966 --- Ceremony Number 39 (source: AMPAS)
|Best Film Editing||Fredric Steinkamp, Henry Berman, Stewart Linder, Frank Santillo||Won|
Grand Prix (1966)By Beatrice on Apr 4, 2019 From Flickers in Time
Grand Prix Directed by John Frankenheimer Written by Robert Alan Arthur 1966/USA Metro-Goldwyn-Mayer/John Frankenheimer Productions/etc. First viewing/Netflix rental If not for the splendid racing scenes, this would just be another waste of some good actors on 3 hours of typical mid-sixties melodr... Read full article
Racing Cars ~ Grand Prix (1966)By Google profile on Jan 23, 2012 From Out of the Past - A Classic Film Blog
About MeBlogger, Out of the Past - A Classic Film Blog and more. Please add my Google profile to your circles. There is no film quite like Grand Prix (1966). It is the quintessential racing movie and while it's not the best film out there we are very lucky to have it. Grand Prix was made during a g... Read full article
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Pete Aron: Oh, Mr. Yamura, I don't think there's one of us who doesn't ask himself at least once in the middle of a race, "What the hell am I doing here?" Of course, when it's over, we conveniently forget that we asked ourselves that question. I think about it and a lot of reasons I don't know. Maybe to do something that brings you so close to the possibility of death and to survive it is to feel life and living so much more intensely.
Izo Yamura: Right after the war, my house in Tokyo was used by an American general and his family. When it was returned to me, it had: flowered wallpaper, three new bathrooms, and four new closets. Americans, I think, are over-devoted to bathrooms and closets.
Pete Aron: Well, we accumulate things.
Izo Yamura: And then you lock them away in closets. And the bathrooms?
Pete Aron: No, no, you don't get me on that one.
Izo Yamura: Some years ago, when I decided to race cars, I tried to buy the Jordan-BRM company.
Pete Aron: Oh yes, I had heard that.
Izo Yamura: Impatience on my part. I also manufacture radios and sewing machines. In order to save time, I wanted a proven product. That was not to be, however. Racing cars are not merely another product. They require great attention if any success is to be hoped for.
Pete Aron: Then that's why you're here.
Izo Yamura: I have been racing my cars in Formula One for two years, and have yet to win my first Grand Prix. I intend to win, by whatever means are open to me.
Pete Aron: That's the right attitude. All you have to do is go fast enough and long enough.
Izo Yamura: And with the best drivers! Do you want a job with me?
Pete Aron: Driving?
Izo Yamura: Driving, of course.
Pete Aron: Who are you dumping?
Izo Yamura: Dumping?
Pete Aron: Ah, which one of your drivers are you getting rid of?
Izo Yamura: Neither one. I am entering a third car.
Pete Aron: That'll be expensive.
Izo Yamura: Yes.
Pete Aron: You've got a driver.
Izo Yamura: My racing headquarters is at Silverstone, in England. Can you be there next week?
Pete Aron: Yes, sir.
Izo Yamura: We must begin to think about - Spa!
Pete Aron: Next week, then.
Izo Yamura: By the way, you are a terrible broadcaster!
[Aron turns and starts heading for the door]
Izo Yamura: Oh, Mr. Aron, if giving you the job would have meant firing one of the other drivers, would you still have taken it?
[Aron glares at Yamura]
Izo Yamura: Good!
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Yves Montand's character, Sarti, tells how he no longer slows down when he sees an accident. He uses the exact words of the real life driver Phil Hill, as quoted by Robert Daley in his book "The Cruel Sport".
John Frankenheimer refused to film cars moving slowly, then speed the film up. He felt the average moviegoer would be able to notice the difference.
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