Every Night at Eight Overview:

Every Night at Eight (1935) was a Comedy - Musical Film directed by Raoul Walsh and produced by Walter Wanger.

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“Every Night At Eight” – Alice Faye, George Raft, Patsy Kelly, Frances Langford

By Art on Apr 30, 2011 From Classic Cinema Gold

“Every Night at Eight” is a 1935 American comedy musical film by Paramount Pictures starring George Raft, Alice Faye, Patsy Kelly, and Frances Langford. It was directed by Raoul Walsh and produced by Walter Wanger from a screenplay by C. Graham Baker, Bert Hanlon and Gene Towne based on ... Read full article

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Quotes from

Dixie Dean: You promised us success and happiness. All we've had is success.

Daphne O'Connor: If you weren't a good two-fisted guy, you'd make a great dress-maker.

Susan Moore: Let's go to bed like good little girls.
Dixie Dean: Who says we're little?
Daphne O'Connor: Who says we're good?

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Facts about

For Brunswick Records in 1935, Francis Langford waxed four songs from the movie score: "I'm in the Mood for Love" (music by Jimmy McHugh, lyrics by Dorothy Fields), "I Feel a Song Coming On" (music by McHugh, lyrics by Fields and George Oppenheimer), "Speaking Confidentially" (music by McHugh, lyrics by Fields), and "Then You've Never Been Blue" (music by Ted Fio Rito, lyrics by Sam Lewis and Joe Young). Miss Langford, moving to the Decca label, recorded second commercial versions of "Then You've Never Been Blue" in 1938, and "I'm in the Mood for Love" in 1939.
Alice Faye agreed to wear a black wig in order to look like Frances Langford and Patsy Kelly, but her home studio, 20th Century Fox, didn't want her blonde screen image changed. Consequently, the idea was only used as a joke in the middle of the scene with the final words by George Raft: "I changed my mind, turn her back and make her a blonde."
This was the feature-film debut of Frances Langford. Previously, she had appeared in two Vitaphone short subjects, The Subway Symphony and Rambling 'Round Radio Row #4. Her productive screen career, in musicals both major and minor, would span over two decades, ending with a guest shot in The Glenn Miller Story.
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Also directed by Raoul Walsh

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Also produced by Walter Wanger

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Also released in 1935

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