Dr. Jekyll and Mr. Hyde Overview:

Dr. Jekyll and Mr. Hyde (1931) was a Drama - Horror Film directed by Rouben Mamoulian and produced by Adolph Zukor.

The film was based on the novel The Strange Case of Dr Jekyll and Mr Hyde written by Robert Louis Stevenson published in 1886.

Academy Awards 1941 --- Ceremony Number 14 (source: AMPAS)

AwardRecipientResult
Best ActorFredric MarchWon
Best CinematographyKarl StrussNominated
Best WritingPercy Heath, Samuel HoffensteinNominated
Best CinematographyJoseph RuttenbergNominated
Best Film EditingHarold F. KressNominated
Best Music - ScoringFranz WaxmanNominated
.

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Quotes from

Mr. Hyde: If you do one thing I don't approve of while I'm gone, the LEAST little thing, mind you... I'll show you what horror means!


Mr. Hyde: [after strangling Ivy]
Isn't Hyde a lover after your own heart?


Dr. Jekyll: Oh, God. This I did not intend. I saw a light but did not know where it was headed. I have tresspassed on your domain. I've gone further than man should go. Forgive me. Help me!


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Facts about

The remarkable Jekyll-to-Hyde transition scenes in this film were accomplished by manipulating a series of variously colored filters in front of the camera lens. Fredric March's Hyde makeup was in various colors, and the way his appearance registered on the film depended on which color filter was being shot through. During the first transformation scene, the accompanying noises on the soundtrack included portions of Bach, a gong being played backwards, and, reportedly, a recording of director Rouben Mamoulian's own heart. Only in the late 1960's did Mamoulian reveal how they were done.
Mr Hyde's appearance was based on the Neanderthal man.
When Dr. Jekyll comes to Muriel Carew's house for the final time, she is playing "Aufschwung" ("Soaring") from Fantasiestuecke, Op. 12, by Robert Schumann. This is a particularly apposite choice of music for the film, because Schumann had created two alter egos reflecting two different aspects of his personality, the impetuous and passionate "Florestan" and the introverted "Eusebius." Much of his music criticism was written using one or the other as a pseudonym, and the two frequently appear in his music in one guise or another.
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Best Actor Oscar 1931/32




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Also directed by Rouben Mamoulian




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Also produced by Adolph Zukor




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