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It is considered inaccurate to refer to the Monster by the name "Frankenstein" rather than "Frankenstein's Monster", however in the prologue, Lord Byron actually does attach the name Frankenstein to the monster.

Not long before filming began, Colin Clive broke a leg in a horse riding accident. Consequently, most of Dr. Frankenstein's scenes were shot with him sitting.

One of James Whale's criteria for taking up the director's reins on the film was that he would have complete artistic freedom. This was easily achieved, as Universal's studio head Carl Laemmle Jr. was vacationing in Europe at the time.

One of the cast cut from the film after the preview was Helen Parrish, who played a "Communion Girl."

Part of the SON OF SHOCK package of 21 titles released to television in 1958, which followed the original SHOCK THEATER release of 52 features one year earlier.



Production of this sequel to the original Frankenstein was publicized as early as 1933 by both Universal Studio press releases and the trade paper "Daily Variety", but director James Whale did not begin work on it until late 1934. With a budget under $300,000, it was originally entitled "The Return of Frankenstein".

Shot in 46 days at a cost of approximately $400,000.

The "body count" in the original cut was 21. This was trimmed to 10 after pressure from the censors.

The musical soundtrack for this film proved so popular, it was used again in the Flash Gordon and Buck Rogers serials starring Buster Crabbe.

The original trailer promises "a lifetime of entertainment in two hours". The final edit ran 75 minutes.

The role of the monster's mate was originally offered to Brigitte Helm but she had recently married and refused to leave Germany. Louise Brooks was another actress considered by James Whale for the role.

The scene in which the monster encounters the Gypsy camp was filmed shortly before the scheduled release date as a substitute for a scene that had been edited out after sneak previews because of censorship concerns. Since the scene was filmed long after the completion of principal filming - and after the film's musical score had been completed - the Gypsy camp scene is the only segment of the movie that has no musical score.

The tiny mermaid in Dr. Pretorius' bottle was Josephine McKim, a member of the 1924 and 1928 U.S. Women's Olympic Swim Teams and one of the four members of that team to win the 1928 gold medal in the 400-Meter Freestyle Relay. McKim was also Maureen O'Sullivan's body double in the infamous nude swimming scene of the previous year's Tarzan and His Mate.

There was an epilogue to this movie featuring Elsa Lanchester as Mary Shelley, but it was cut from the final film.

Though virtually all of Billy Barty's scenes (as the little baby in the bottle) were deleted, he can still be briefly glimpsed in a wide shot of all the bottles on Dr. Pretorius's table (as well as in still photographs).

When filming the scene where the monster emerges from the burnt windmill, Boris Karloff slipped and fell into the water-filled well. Upon being helped out, he realized he had broken a leg in the fall. The metal struts used to stiffen his legs (for the famous "monster lurch") helped keep the bones in place until they could be properly set.

When the castle is self-destructing, the Doctor can be seen against the far wall. Yet he is next seen outside in the arms of his beloved, watching the explosions. There were two endings originally: the first had Doctor Frankenstein dying within the castle and this was filmed. But the producers judged this a bit harsh and wanted a happy ending, so they shot the extra footage (too expensive to re-film the explosions).

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