| 1 . | Double Indemnity (1944) | Fred MacMurray, Barbara Stanwyck, Edward G. Robinson, Porter Hall |
score |
| 2 . | The Big Sleep (1946) | Humphrey Bogart, Lauren Bacall, John Ridgely, Martha Vickers |
score |
| 3 . | The Maltese Falcon (1941) | Humphrey Bogart, Mary Astor, Gladys George, Peter Lorre |
score |
| 4 . | Angels with Dirty Faces (1938) | James Cagney, Pat O'Brien, Humphrey Bogart, Ann Sheridan |
score |
| 5 . | The Strange Love of Martha Ivers (1946) | Barbara Stanwyck, Van Heflin, Lizabeth Scott, Kirk Douglas |
score |
| 6 . | Notorious (1946) | Cary Grant, Ingrid Bergman, Claude Rains, Louis Calhern |
score |
| 7 . | Sunset Boulevard (1950) | William Holden, Gloria Swanson, Erich von Stroheim, Nancy Olson |
score |
| 8 . | Rebecca (1940) | Laurence Olivier, Joan Fontaine, George Sanders, Judith Anderson |
score |
| 9 . | Sorry, Wrong Number (1948) | Barbara Stanwyck, Burt Lancaster, Ann Richards, Wendell Corey |
score |
| 10 . | Mildred Pierce (1945) | Joan Crawford, Jack Carson, Zachary Scott, Eve Arden |
score |
| 11 . | Suspicion (1941) | Cary Grant, Joan Fontaine, Cedric Hardwicke, Nigel Bruce |
score |
| 12 . | The Two Mrs. Carrolls (1947) | Humphrey Bogart, Barbara Stanwyck, Alexis Smith, Nigel Bruce |
score |
| 13 . | Laura (1944) | Gene Tierney, Dana Andrews, Clifton Webb, Vincent Price |
score |
| 14 . | They Drive by Night (1940) | George Raft, Ann Sheridan, Ida Lupino, Humphrey Bogart |
score |
| 15 . | The Postman Always Rings Twice (1946) | Lana Turner, John Garfield, Cecil Kellaway, Hume Cronyn |
score |
| 16 . | Key Largo (1948) | Humphrey Bogart, Edward G. Robinson, Lauren Bacall, Lionel Barrymore |
score |
| 17 . | The Killers (1946) | Burt Lancaster, Ava Gardner, Edmond O'Brien, Albert Dekker |
score |
| 18 . | The Blue Dahlia (1946) | Alan Ladd, Veronica Lake, William Bendix, Howard Da Silva |
score |
| 19 . | Gilda (1946) | Rita Hayworth, Glenn Ford, George Macready, Joseph Calleia |
score |
| 20 . | Strangers on a Train (1951) | Farley Granger, Ruth Roman, Robert Walker, Leo G. Carroll |
score |
| 21 . | Dark Passage (1947) | Humphrey Bogart, Lauren Bacall, Bruce Bennett, Agnes Moorehead |
score |
| 22 . | Ace in the Hole (1951) | Kirk Douglas, Jan Sterling, Robert Arthur, Porter Hall |
score |
| 23 . | Scarlet Street (1945) | Edward G. Robinson, Joan Bennett, Dan Duryea, Margaret Lindsay |
score |
| 24 . | In a Lonely Place (1950) | Humphrey Bogart, Gloria Grahame, Frank Lovejoy, Carl Benton Reid |
score |
| 25 . | The Asphalt Jungle (1950) | Sterling Hayden, Louis Calhern, Jean Hagen, James Whitmore |
score |
| 26 . | Rope (1948) | James Stewart, Joan Chandler, John Dall, Farley Granger |
score |
| 27 . | Clash by Night (1952) | Barbara Stanwyck, Paul Douglas, Robert Ryan, Marilyn Monroe |
score |
| 28 . | Nightmare Alley (1947) | Tyrone Power, Joan Blondell, Coleen Gray, Helen Walker |
score |
| 29 . | Shadow of a Doubt (1943) | Teresa Wright, Joseph Cotten, Macdonald Carey, Henry Travers |
score |
| 30 . | White Heat (1949) | James Cagney, Virginia Mayo, Edmond O'Brien, Margaret Wycherly |
score |
| 31 . | High Sierra (1941) | Ida Lupino, Humphrey Bogart, Alan Curtis, Arthur Kennedy |
score |
| 32 . | Brute Force (1947) | Burt Lancaster, Hume Cronyn, Charles Bickford, Yvonne De Carlo |
score |
| 33 . | Act of Violence (1948) | Van Heflin, Robert Ryan, Janet Leigh, Mary Astor |
score |
| 34 . | The Stranger (1946) | Edward G. Robinson, Loretta Young, Orson Welles, Philip Merivale |
score |
| 35 . | No Man of Her Own (1950) (1950) | Barbara Stanwyck, John Lund, Jane Cowl, Phyllis Thaxter |
score |
| 36 . | Where the Sidewalk Ends (1950) | Dana Andrews, Gene Tierney, Gary Merrill, Bert Freed |
score |
| 37 . | And Then There Were None (1945) | Barry Fitzgerald, Walter Huston, Louis Hayward, Roland Young |
score |
| 38 . | Beyond a Reasonable Doubt (1956) | Dana Andrews, Joan Fontaine, Sidney Blackmer, Arthur Franz |
score |
| 39 . | Detour (1945) | Tom Neal, Ann Savage, Claudia Drake, Edmund MacDonald |
score |
| 40 . | Blues in the Night (1941) | Priscilla Lane, Betty Field, Richard Whorf, Lloyd Nolan |
score |
| 41 . | Dead Reckoning (1947) | Humphrey Bogart, Lizabeth Scott, Morris Carnovsky, Charles Cane |
score |
| 42 . | Scarface (1932) | Paul Muni, Ann Dvorak, Karen Morley, Osgood Perkins |
score |
| 43 . | Niagara (1953) | Marilyn Monroe, Joseph Cotten, Jean Peters, Max Showalter |
score |
| 44 . | The Big Heat (1953) | Glenn Ford, Gloria Grahame, Jocelyn Brando, Alexander Scourby |
score |
| 45 . | Angel Face (1953) | Robert Mitchum, Jean Simmons, Mona Freeman, Herbert Marshall |
score |
| 46 . | The Third Man (1949) | Joseph Cotten, Alida Valli, Orson Welles, Trevor Howard |
score |
| 47 . | Spellbound (1945) | Ingrid Bergman, Gregory Peck, Michael Chekhov, Leo G. Carroll |
score |
| 48 . | Touch of Evil (1958) | Charlton Heston, Janet Leigh, Orson Welles, Joseph Calleia |
score |
| 49 . | The Killing (1956) | Sterling Hayden, Coleen Gray, Vince Edwards, Jay C. Flippen |
score |
| 50 . | The Letter (1940) | Bette Davis, Herbert Marshall, James Stephenson, Frieda Inescort |
score |
| 51 . | Union Station (1950) | William Holden, Nancy Olson, Barry Fitzgerald, Lyle Bettger |
score |
| 52 . | Crime of Passion (1957) | Barbara Stanwyck, Sterling Hayden, Raymond Burr, Fay Wray |
score |
| 53 . | I Confess (1953) | Montgomery Clift, Anne Baxter, Karl Malden, Brian Aherne |
score |
| 54 . | Kansas City Confidential (1952) | John Payne, Coleen Gray, Preston Foster, Neville Brand |
score |
| 55 . | The Night of the Hunter (1955) | Robert Mitchum, Shelley Winters, Lillian Gish, James Gleason |
score |
| 56 . | D.O.A. (1950) | Edmond O'Brien, Pamela Britton, Luther Adler, Beverly Garland |
score |
| 57 . | Boomerang (1947) | Dana Andrews, Jane Wyatt, Lee J. Cobb, Cara Williams |
score |
| 58 . | The Dark Corner (1946) | Lucille Ball, Clifton Webb, William Bendix, Mark Stevens |
score |
| 59 . | Night and the City (1950) | Richard Widmark, Gene Tierney, Googie Withers, Hugh Marlowe |
score |
| 60 . | Appointment with Danger (1951) | Alan Ladd, Phyllis Calvert, Jan Sterling, Jack Webb |
score |
| 61 . | Gun Crazy (1950) | Peggy Cummins, John Dall, Berry Kroeger, Morris Carnovsky |
score |
| 62 . | Fallen Angel (1945) | Alice Faye, Dana Andrews, Linda Darnell, Charles Bickford |
score |
| 63 . | Kiss of Death (1947) | Victor Mature, Brian Donlevy, Coleen Gray, Richard Widmark |
score |
| 64 . | Cape Fear (1962) | Gregory Peck, Robert Mitchum, Polly Bergen, Lori Martin |
score |
| 65 . | Murder, My Sweet (1944) | Dick Powell, Claire Trevor, Anne Shirley, Otto Kruger |
score |
| 66 . | Crossfire (1947) | Robert Young, Robert Mitchum, Robert Ryan, Gloria Grahame |
score |
| 67 . | Lady in the Lake (1947) | Robert Montgomery, Audrey Totter, Lloyd Nolan, Tom Tully |
score |
| 68 . | Arabesque (1966) | Gregory Peck, Sophia Loren, Alan Badel, Kieron Moore |
score |
| 69 . | The Woman in the Window (1945) | Edward G. Robinson, Joan Bennett, Raymond Massey, Edmund Breon |
score |
| 70 . | The Set-Up (1949) | Robert Ryan, Audrey Totter, George Tobias, Alan Baxter |
score |
| 71 . | The Naked City (1948) | Barry Fitzgerald, Howard Duff, Dorothy Hart, Don Taylor |
score |
| 72 . | Desperate (1947) | Steve Brodie, Audrey Long, Raymond Burr, Douglas Fowley |
score |
| 73 . | Berlin Express (1948) | Merle Oberon, Robert Ryan, Charles Korvin, Paul Lukas |
score |
| 74 . | Kiss Me Deadly (1955) | Ralph Meeker, Albert Dekker, Wesley Addy, Marian Carr |
score |
| 75 . | The Wrong Man (1956) | Henry Fonda, Vera Miles, Anthony Quayle, Harold J. Stone |
score |
| 76 . | Body and Soul (1947) | John Garfield, Lilli Palmer, Hazel Brooks, Anne Revere |
score |
| 77 . | I Wake Up Screaming (1941) | Betty Grable, Victor Mature, Carole Landis, Laird Cregar |
score |
| 78 . | Lady on a Train (1945) | Deanna Durbin, Ralph Bellamy, David Bruce, George Coulouris |
score |
| 79 . | The Mask of Dimitrios (1944) | Sydney Greenstreet, Zachary Scott, Faye Emerson, Peter Lorre |
score |
| 80 . | Raw Deal (1948) | Dennis O'Keefe, Claire Trevor, Marsha Hunt, John Ireland |
score |
| 81 . | The Bribe (1949) | Robert Taylor, Ava Gardner, Charles Laughton, Vincent Price |
score |
| 82 . | A Double Life (1947) | Ronald Colman, Signe Hasso, Edmond O'Brien, Shelley Winters |
score |
| 83 . | Sweet Smell of Success (1957) | Burt Lancaster, Tony Curtis, Susan Harrison, Martin Milner |
score |
| 84 . | Johnny Eager (1941) | Robert Taylor, Lana Turner, Edward Arnold, Van Heflin |
score |
| 85 . | The Big Combo (1955) | Cornel Wilde, Richard Conte, Brian Donlevy, Jean Wallace |
score |
| 86 . | Blondie's Blessed Event (1942) | Penny Singleton, Arthur Lake, Jonathan Hale, Hans Conried |
score |
| 87 . | Ministry of Fear (1944) | Ray Milland, Marjorie Reynolds, Carl Esmond, Hillary Brooke |
score |
| 88 . | The Breaking Point (1950) | John Garfield, Patricia Neal, Phyllis Thaxter, Wallace Ford |
score |
| 89 . | Nora Prentiss (1947) | Ann Sheridan, Kent Smith, Bruce Bennett, Robert Alda |
score |
| 90 . | Leave Her to Heaven (1945) | Gene Tierney, Cornel Wilde, Jeanne Crain, Vincent Price |
score |
| 91 . | Knock on Any Door (1949) | Humphrey Bogart, John Derek, George Macready, Allene Roberts |
score |
| 92 . | Christmas Holiday (1944) | Deanna Durbin, Gene Kelly, Richard Whorf, Dean Harens |
score |
| 93 . | Black Tuesday (1954) | Edward G. Robinson, Peter Graves, Jean Parker, Milburn Stone |
score |
| 94 . | The Lady from Shanghai (1947) | Rita Hayworth, Orson Welles, Everett Sloane, Glenn Anders |
score |
| 95 . | Pickup on South Street (1953) | Richard Widmark, Jean Peters, Thelma Ritter, Murvyn Vye |
score |
| 96 . | Thieves' Highway (1949) | Richard Conte, Valentina Cortese, Lee J. Cobb, Barbara Lawrence |
score |
| 97 . | Deception (1946) | Bette Davis, Paul Henreid, Claude Rains, John Abbott |
score |
| 98 . | The Street with No Name (1948) | Mark Stevens, Richard Widmark, Lloyd Nolan, Barbara Lawrence |
score |
| 99 . | The Furies (1950) | Barbara Stanwyck, Wendell Corey, Walter Huston, Judith Anderson |
score |
| 100 . | They Won't Believe Me (1947) | Susan Hayward, Robert Young, Jane Greer, Rita Johnson |
score |
This chart uses a weighted rating based on the average rating per film and the number of votes per film.
