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Mister Buddwing (1966, Delbert Mann)

The Stop Button Posted by Andrew Wickliffe on Feb 16, 2019

Mister Buddwing is kind of amazing. And exceptional. But only if both those descriptors are used as pejoratives. Like. Wow. What a mess it is. What’s funny is how director Mann maybe sees what he’s trying to do with the film but doesn’t see how he’s not achieving it. The film wants to be edgy read more

Mister Buddwing (1966, Delbert Mann)

The Stop Button Posted by on Feb 16, 2019

Mister Buddwing is kind of amazing. And exceptional. But only if both those descriptors are used as pejoratives. Like. Wow. What a mess it is. What’s funny is how director Mann maybe sees what he’s trying to do with the film but doesn’t see how he’s not achieving it. The film wants to be edgy read more

Mister Buddwing (1966, Delbert Mann)

The Stop Button Posted by on Feb 16, 2019

Mister Buddwing is kind of amazing. And exceptional. But only if both those descriptors are used as pejoratives. Like. Wow. What a mess it is. What’s funny is how director Mann maybe sees what he’s trying to do with the film but doesn’t see how he’s not achieving it. The film wants to be edgy read more

Mister Buddwing (1966, Delbert Mann)

The Stop Button Posted by Andrew Wickliffe on Feb 16, 2019

Mister Buddwing is kind of amazing. And exceptional. But only if both those descriptors are used as pejoratives. Like. Wow. What a mess it is. What’s funny is how director Mann maybe sees what he’s trying to do with the film but doesn’t see how he’s not achieving it. The film wants to be edgy read more

Separate Tables (1958, Delbert Mann)

The Stop Button Posted by Andrew Wickliffe on Sep 30, 2018

Despite taking place in a very English hotel with very English residents–all of them long-term residents, not temporary guests–Separate Tables hinges almost entirely on the Americans. Burt Lancaster is one such American. He’s a regular resident (even ostensibly engaged to manager Wendy Hiller; read more

Middle of the Night (1959, Delbert Mann)

The Stop Button Posted by Andrew Wickliffe on Aug 20, 2018

Paddy Chayefsky adapted his own play for Middle of the Night and there are some clear alterations with original intent. Fifty-six year-old widower Fredric March is in garment manufacturing. His first scene has him hanging out with the other old guys in the factory, kvetching about how there’s nothi read more

Dear Heart (1964, Delbert Mann)

The Stop Button Posted by Andrew Wickliffe on Feb 14, 2014

Dear Heart starts awkwardly and ends awkwardly. At the beginning, director Mann and writer Tad Mosel are very deliberately setting up their protagonists and the setting. The awkwardness makes sense. That very solid foundation allows for everything following. The ending, which plays–at least f read more