By Movie StarAlfred HitchcockAudrey HepburnAva GardnerBarbara StanwyckBasil RathboneBette DavisBilly WilderBob HopeBoris KarloffBurt LancasterBuster KeatonCarole LombardCary GrantCharlie ChaplinClara BowClark GableClaudette ColbertDana AndrewsDeanna DurbinDebbie ReynoldsDoris DayElizabeth TaylorErnst LubitschErrol FlynnEsther WilliamsFranchot ToneFred AstaireFred MacMurrayGary CooperGene KellyGeorge CukorGinger RogersGloria SwansonGrace KellyGreer GarsonGregory PeckGreta GarboHarold LloydHedy LamarrHenry FondaHoward HawksHumphrey BogartIda LupinoIngrid BergmanIrene DunneJack BennyJack LemmonJames CagneyJames StewartJane RussellJean ArthurJean HarlowJeanette MacDonaldJeanne CrainJoan CrawfordJoan FontaineJohn FordJohn WayneJudy GarlandKatharine HepburnKay FrancisKirk DouglasLana TurnerLauren BacallLillian GishLon ChaneyLoretta YoungLouise BrooksMae WestMarilyn MonroeMarion DaviesMarlene DietrichMary AstorMary PickfordMickey RooneyMiriam HopkinsMyrna LoyNatalie WoodNorma ShearerOlivia de HavillandOrson WellesPaul NewmanPaulette GoddardPreston SturgesRichard WidmarkRita HayworthRobert MitchumRudolph ValentinoShirley TempleSidney PoitierSpencer TracySteve McQueenTeresa WrightTyrone PowerVincent PriceVivien LeighWilliam HoldenWilliam PowellWilliam WylerWoody Allen By HolidayNew Year's DayPresident's DayValentine's DayEasterMother's DayFather's DayMemorial DayJuly 4thLabor DayColumbus DayHalloweenThanksgivingChristmasBlack History MonthWomen's History Month All Blogs4 Star Films (3523)50 Most Influential Disney Animators (58)A Person in the Dark (367)All Good Things (815)Backlots (412)Caf? Muscato (572)Caftan Woman (904)Carole & Co. (3081)Cary Grant Won't Eat You (496)Cinema Crossroads (42)Cinematic Catharsis (949)Cinematically Insane (268)CineMaven's Essays from the Couch (152)Classic Cinema Gold (319)Classic Film & TV Cafe (1300)Classic Film Review (14)Classic Movie Hub Blog (2012)Classic Movie Man (1008)Classic Movies (3247)Classic Reel Girl (95)Comet Over Hollywood (1367)Creme de la Creme (32)Criterion Blues (770)Critica Retro (1480)Curtains (58)Durnmoose Movie Musings (1105)Film Reviews and Anything Else I Get Inspired by (27)Finding Franchot: Exploring the Life and Career of Franchot Tone (161)Flickers in Time (2221)GlamAmor (587)Hitchcock Master (147)Hollywood Revue (532)Hometowns to Hollywood (898)How Sweet It Was (86)In The Good Old Days Of Classic Hollywood (154)Lady Eve's Reel Life (733)Le Mot du Cinephiliaque (945)Love Letters to Old Hollywood (150)MacGuffin Movies (362)Movies Silently (1029)Noir and Chick Flicks (1998)Noirish (1273)Once Upon a Screen (420)Outspoken and Freckled (140)Phantom Empires (60)Pop Culture ImagineMDD (103)Serendipitous Anachronisms (82)Shadows and Satin (1043)Silver Scenes - A Blog for Classic Film Lovers (1974)Smum County (115)Stardust and Shadows (120)Studies in Cinema (118)The Baz (166)The Blonde At The Film (333)The Bogie Film Blog (147)The Cinema Dilettante (110)The Giddy Blog (152)The Great Katharine Hepburn (240)The Hitless Wonder Movie Blog (1826)The Jeanette MacDonald Blog (94)The Man on the Flying Trapeze (643)The Old Hollywood Garden (467)The Timothy Carey Experience (1181)The Vintage Cameo (134)The Wonderful World of Cinema (648)Timeless Hollywood (73)True Classics (573)Virtual Virago (1639)Where Danger Lives (136)Wolffianclassicmoviesdigest (645)

I love Turner Classic Movies. I really do. In addition to showing classic films on television, they also produce great DVD collections, books, and other products that I love to buy. It might be a shocking confession, then, to admit that I don't actually have TCM at home. In fact, I don't have cable read more

I love Turner Classic Movies. I really do. In addition to showing classic films on television, they also produce great DVD collections, books, and other products that I love to buy. It might be a shocking confession, then, to admit that I don't actually have TCM at home. In fact, I don't have cable read more

The Maltese Falcon (1941) made San Francisco a true noir town, defined by shadows and fog, and many subsequent films have returned to the city by the bay to take advantage of its seductive yet deadly atmosphere, including, of course, Alfred Hitchcock's Vertigo (1958). Compared with such iconic works read more

The Maltese Falcon (1941) made San Francisco a true noir town, defined by shadows and fog, and many subsequent films have returned to the city by the bay to take advantage of its seductive yet deadly atmosphere, including, of course, Alfred Hitchcock's Vertigo (1958). Compared with such iconic works read more

The Maltese Falcon (1941) made San Francisco a true noir town, defined by shadows and fog, and many subsequent films have returned to the city by the bay to take advantage of its seductive yet deadly atmosphere, including, of course, Alfred Hitchcock's Vertigo (1958). Compared with such iconic works read more

San Francisco has always been a cinematic town, with its storied history, its crooked, crazy streets, and its scenic bay views. The most famous San Francisco cinema tour is provided in Alfred Hitchcock's Vertigo (1958), of course, but the 1936 romantic drama, San Francisco, pens a different kind of read more

San Francisco has always been a cinematic town, with its storied history, its crooked, crazy streets, and its scenic bay views. The most famous San Francisco cinema tour is provided in Alfred Hitchcock's Vertigo (1958), of course, but the 1936 romantic drama, San Francisco, pens a different kind of read more

San Francisco has always been a cinematic town, with its storied history, its crooked, crazy streets, and its scenic bay views. The most famous San Francisco cinema tour is provided in Alfred Hitchcock's Vertigo (1958), of course, but the 1936 romantic drama, San Francisco, pens a different kind of read more

Although women's melodrama and film noir might seem like incompatible genres, there are a few notable occasions when they come together in a single film, and director Nicholas Ray's On Dangerous Ground (1952) shows just how beautifully the two genres can be merged. Surprisingly short at only 82 minu read more

Although women's melodrama and film noir might seem like incompatible genres, there are a few notable occasions when they come together in a single film, and director Nicholas Ray's On Dangerous Ground (1952) shows just how beautifully the two genres can be merged. Surprisingly short at only 82 minu read more

Although women's melodrama and film noir might seem like incompatible genres, there are a few notable occasions when they come together in a single film, and director Nicholas Ray's On Dangerous Ground (1952) shows just how beautifully the two genres can be merged. Surprisingly short at only 82 minu read more

Alfred Hitchcock's films have been the gateway drugs for many a classic movie addict, and of all of his best-known thrillers, Vertigo (1958) is certainly the trippiest, a mind-blowing overdose of deception, desire, and betrayal. Set against the gorgeously atmospheric background of San Francisco, the read more

Alfred Hitchcock's films have been the gateway drugs for many a classic movie addict, and of all of his best-known thrillers, Vertigo (1958) is certainly the trippiest, a mind-blowing overdose of deception, desire, and betrayal. Set against the gorgeously atmospheric background of San Francisco, the read more

Alfred Hitchcock's films have been the gateway drugs for many a classic movie addict, and of all of his best-known thrillers, Vertigo (1958) is certainly the trippiest, a mind-blowing overdose of deception, desire, and betrayal. Set against the gorgeously atmospheric background of San Francisco, the read more

If people think of Al Jolson at all today, they think of him in blackface, belting out his plaintive "Mammy" song at the end of The Jazz Singer (1927) or in countless cartoon parodies of it. It may well discourage viewers from giving the original movie a chance, which is a shame because, as problema read more

If people think of Al Jolson at all today, they think of him in blackface, belting out his plaintive "Mammy" song at the end of The Jazz Singer (1927) or in countless cartoon parodies of it. It may well discourage viewers from giving the original movie a chance, which is a shame because, as problema read more

If people think of Al Jolson at all today, they think of him in blackface, belting out his plaintive "Mammy" song at the end of The Jazz Singer (1927) or in countless cartoon parodies of it. It may well discourage viewers from giving the original movie a chance, which is a shame because, as problema read more

One of the highlights of the new Best of Warner Bros. Musicals Collection is the 1974 montage picture, That's Entertainment!, which showcases some of the greatest moments in movie musical history, although admittedly with an MGM slant. For fans of the genre, the picture is a welcome chance to revisi read more

One of the highlights of the new Best of Warner Bros. Musicals Collection is the 1974 montage picture, That's Entertainment!, which showcases some of the greatest moments in movie musical history, although admittedly with an MGM slant. For fans of the genre, the picture is a welcome chance to revisi read more

One of the highlights of the new Best of Warner Bros. Musicals Collection is the 1974 montage picture, That's Entertainment!, which showcases some of the greatest moments in movie musical history, although admittedly with an MGM slant. For fans of the genre, the picture is a welcome chance to revisi read more