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Charlie Brown Clears the Air (1979, Bill Melendez)

The Stop Button Posted by Andrew Wickliffe on Oct 8, 2018

Charlie Brown Clears the Air opens with a deceptively funny gag. Snoopy messing with Linus. It’s the only funny thing in the cartoon, produced for American Lung Association with the apparent purpose of boring children into environmentally responsible behavior. See, Snoopy’s in a mood because his read more

Tooth Brushing (1978, Bill Melendez)

The Stop Button Posted by Andrew Wickliffe on Oct 7, 2018

It’s incredible Tooth Brushing only runs five minutes. The cartoon (an educational short produced for the American Dental Association) starts innocuously enough. Charlie Brown gets out of the dentist, heads home to try out his new brush and other dentist goodies–he’s also got fresh instructions read more

Secret Agent (1943, Seymour Kneitel)

The Stop Button Posted by Andrew Wickliffe on Oct 6, 2018

Secret Agent opens with this really exciting car chase. Clark (Bud Collyer) has just called in and been told to get to work on the right story, only then a car crashes through the drug store he’s in and so he hops on the back of it as it chases another car. Then the cops start chasing the car Clark read more

Bigger Than Life (1956, Nicholas Ray)

The Stop Button Posted by Andrew Wickliffe on Oct 5, 2018

Despite producing the film himself, top-billed James Mason doesn’t have the best part in Bigger Than Life. Instead, Barbara Rush–as his suffering wife–gets it. Mason’s a man with a life threatening chronic illness who has to take special medication. Slowly–though not too slowly–that medication read more

Jungle Drums (1943, Dan Gordon)

The Stop Button Posted by Andrew Wickliffe on Oct 4, 2018

Sitting through the first third of Jungle Drums, I kept hoping the cartoon would keep the African natives in silhouette. I had zero confidence they wouldn’t do some racist caricature and, at least in silhouette, there would be specifics. The natives do get out of silhouette and they are racist cari read more

The Mummy Strikes (1943, Izzy Sparber)

The Stop Button Posted by Andrew Wickliffe on Oct 3, 2018

If it weren’t for the needlessly racist finish from Lois (Joan Alexander), The Mummy Strikes would probably get a pass. Maybe. The action isn’t particularly impressive, but the Egyptian history lesson is pretty cool. Even if it’s all about young King Tush. Jay Morton’s script is (mostly) strong–it, read more

Destruction Inc. (1942, Izzy Sparber)

The Stop Button Posted by Andrew Wickliffe on Oct 2, 2018

Destruction Inc. is nearly a success. It’s frustratingly not, particularly because the only thing holding it back is the animation itself. Thomas Moore and Dave Tendlar lack detail on the action, lack detail on the background, and don’t composite the two well. But Sparber’s direction is fantastic. read more

Flash Gordon’s Trip to Mars (1938, Ford Beebe and Robert F. Hill)

The Stop Button Posted by Andrew Wickliffe on Oct 1, 2018

Flash Gordon’s Trip to Mars is far from the ultimate trip. It’s not even a very good trip. It’s the kind of trip where you go somewhere, go somewhere else, then somewhere else, then go back to the second place, then go back to the first place, then go back to the third place, then go back to the read more

Separate Tables (1958, Delbert Mann)

The Stop Button Posted by Andrew Wickliffe on Sep 30, 2018

Despite taking place in a very English hotel with very English residents–all of them long-term residents, not temporary guests–Separate Tables hinges almost entirely on the Americans. Burt Lancaster is one such American. He’s a regular resident (even ostensibly engaged to manager Wendy Hiller; read more

Flash Gordon’s Trip to Mars (1938, Ford Beebe and Robert F. Hill), Chapter 15: An Eye for an Eye

The Stop Button Posted by Andrew Wickliffe on Sep 29, 2018

An Eye for an Eye is a disappointing finish for Flash Gordon’s Trip to Mars but maybe not an unexpected one, not given the serial’s trajectory. The cliffhanger resolution is quick–Buster Crabbe gets away from Charles Middleton due to Middleton’s lack of observational prowess. They’re fitting read more

Eleventh Hour (1942, Dan Gordon)

The Stop Button Posted by Andrew Wickliffe on Sep 28, 2018

While Eleventh Hour posits Superman as some kind of American war hero–he’s in Yokohama doing all sorts of damage, usually to ships–the cartoon actually portrays him as a big doofus who’s more lucky than anything else. Clark (Bud Collyer) and Lois (Joan Alexander) are under house arrest. In a read more

Showdown (1942, Izzy Sparber)

The Stop Button Posted by Andrew Wickliffe on Sep 27, 2018

The showdown in Showdown is… not much of a showdown. A hapless–if nimble-fingered–thief dresses up like Superman and commits a bunch of crimes. He doesn’t do it on his own, he does it because his boss commands it. His boss looks a little like Edward G. Robinson. No, there’s no showdown between read more

Flash Gordon’s Trip to Mars (1938, Ford Beebe and Robert F. Hill), Chapter 14: A Beast at Bay

The Stop Button Posted by Andrew Wickliffe on Sep 26, 2018

A Beast at Bay could just as easily be called We Give Up, There’s One More. After a lackluster cliffhanger resolution, Buster Crabbe’s plan to save the Clay kingdom fails because he couldn’t control one unarmed prisoner and then couldn’t beat him in a fistfight. The thirteen chapters of Crabbe read more

Japoteurs (1942, Seymour Kneitel)

The Stop Button Posted by Andrew Wickliffe on Sep 25, 2018

Outside the racism, there’s not much to distinguish Japoteurs. There’s a lot of potential for the finale, when Superman (Bud Collyer) has to stop a crashing airplane–the world’s biggest bomber, which Japanese saboteurs have stolen and intend to take to Tokyo–but it’s not an impressive sequence. read more

Flash Gordon’s Trip to Mars (1938, Ford Beebe and Robert F. Hill), Chapter 13: The Miracle of Magic

The Stop Button Posted by Andrew Wickliffe on Sep 24, 2018

The Miracle of Magic is a funny title for the chapter since nothing really miraculous happens. There’s some anti-miracles. Maybe it refers to the curse of the Clay people getting lifted, which involves magical receptacles, but not really magic itself. It’s a strange sequence where the still suspici read more

Terror on the Midway (1942, Dave Fleischer)

The Stop Button Posted by Andrew Wickliffe on Sep 23, 2018

Terror on the Midway has some mediocre animation, some bad animation, and some excellent design and direction. It’s also got a gratuitous Superman butt shot, which angles to show his curves in the red tights. It’s a weird shot. Especially since it keeps angling. The cartoon starts with Clark (Bud read more

Flash Gordon’s Trip to Mars (1938, Ford Beebe and Robert F. Hill), Chapter 12: Ming the Merciless

The Stop Button Posted by Andrew Wickliffe on Sep 22, 2018

It’s a good thing Ming (Charles Middleton) loves to carelessly gloat because if he didn’t, there’s no way Buster Crabbe could’ve got the upper hand this chapter. Ming the Merciless is, sort of, about Martian queen Beatrice Roberts finding out Middleton isn’t really her pal. But she doesn’t read more

Smiley Face (2007, Gregg Araki)

The Stop Button Posted by Andrew Wickliffe on Sep 21, 2018

Smiley Face is something of an endurance test. How long can the film keep going before falling apart due to its own flimsiness. Thanks to star Anna Faris, it pretty much does make it to the finish. The third act–thanks to the bookending device (the film is told in flashback, narrated by Roscoe Lee read more

Electric Earthquake (1942, Dave Fleischer)

The Stop Button Posted by Andrew Wickliffe on Sep 20, 2018

Outside the racist–though not exceptionally racist all things considered–characterization of the villain, a Native American engineer who’s going to level Manhattan because it was stolen from his people, Electric Earthquake is pretty much great. Well, it’s outstanding. For what it does, it’s read more

Flash Gordon’s Trip to Mars (1938, Ford Beebe and Robert F. Hill), Chapter 11: Human Bait

The Stop Button Posted by Andrew Wickliffe on Sep 19, 2018

And it’s back to the Martian imperial city or whatever it’d be called this chapter. After a surprising cliffhanger resolution–brainwashed Jean Rogers does indeed stab Buster Crabbe in the back–Crabbe and his male sidekicks (Frank Shannon, Donald Kerr, and Richard Alexander) go running around read more
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