Welcome to BlogHub: the Best in Veteran and Emerging Classic Movie Blogs
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You can rate and share your favorite classic movie posts here.
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The Stop Button Posted by on Apr 24, 2019
“I hate writing about great films. I absolutely hate it.” From November 2005. Came across it on a project I’m not ready to talk about yet because I haven’t decided if I’m doing it yet. I’m “testing” the project, because it’s a big one and of questionable reward, even creatively. Well, read more
The Godfather: Part III (1990, Francis Ford Coppola), the director’s cut
The Stop Button Posted by Andrew Wickliffe on Apr 23, 2019
Here’s an all-encompassing theory to explain The Godfather Part III, based only on on-screen evidence (i.e. ignoring production woes, casting woes, rewrites, budget and schedule comprises, and whatever else). Francis Ford Coppola and Mario Puzo hate everyone in the film and everyone who will ever read more
The Godfather: Part III (1990, Francis Ford Coppola), the director’s cut
The Stop Button Posted by Andrew Wickliffe on Apr 23, 2019
Here’s an all-encompassing theory to explain The Godfather Part III, based only on on-screen evidence (i.e. ignoring production woes, casting woes, rewrites, budget and schedule comprises, and whatever else). Francis Ford Coppola and Mario Puzo hate everyone in the film and everyone who will ever read more
The Godfather: Part III (1990, Francis Ford Coppola), the director’s cut
The Stop Button Posted by on Apr 23, 2019
Here’s an all-encompassing theory to explain The Godfather Part III, based only on on-screen evidence (i.e. ignoring production woes, casting woes, rewrites, budget and schedule comprises, and whatever else). Francis Ford Coppola and Mario Puzo hate everyone in the film and everyone who will ever read more
The Godfather: Part III (1990, Francis Ford Coppola), the director’s cut
The Stop Button Posted by on Apr 23, 2019
Here’s an all-encompassing theory to explain The Godfather Part III, based only on on-screen evidence (i.e. ignoring production woes, casting woes, rewrites, budget and schedule comprises, and whatever else). Francis Ford Coppola and Mario Puzo hate everyone in the film and everyone who will ever read more
There should be only two.
The Stop Button Posted by on Apr 23, 2019
I remember not hating Godfather 3 as a kid. Not in 1990. Not on the golden VHS tapes. But I do remember never watching it again. I remember buying the VHS tape used at some point, but I don’t think I ever watched it. There’s a slim chance I marathoned Godfather at some point. But by my late teens, read more
Biddi-biddi-boo, Or: The Eltingville Prescience – The Eltingville Club HC
The Stop Button Posted by on Apr 23, 2019
Either Evan Dorkin’s got the Eltingville TV rights back or whoever has them is a complete numbskull because the book’s so relevant you could subtitle it “An Incel Fable” and it’d be totally appropriate, narratively speaking. But it’d be somewhat intellectually dishonest, as Dorkin started read more
The Predator (2018, Shane Black)
The Stop Button Posted by Andrew Wickliffe on Apr 21, 2019
The Predator has a really short present action, which is both good and bad. Good because one wouldn’t want to see screenwriters Fred Dekker and director Black try for longer, bad because… well, it gets pretty dumb how fast things move along. Dekker and Black don’t do a good job with the expository read more
The Predator (2018, Shane Black)
The Stop Button Posted by Andrew Wickliffe on Apr 21, 2019
The Predator has a really short present action, which is both good and bad. Good because one wouldn’t want to see screenwriters Fred Dekker and director Black try for longer, bad because… well, it gets pretty dumb how fast things move along. Dekker and Black don’t do a good job with the expository read more
The Predator (2018, Shane Black)
The Stop Button Posted by on Apr 21, 2019
The Predator has a really short present action, which is both good and bad. Good because one wouldn’t want to see screenwriters Fred Dekker and director Black try for longer, bad because… well, it gets pretty dumb how fast things move along. Dekker and Black don’t do a good job with the expository read more
The Predator (2018, Shane Black)
The Stop Button Posted by on Apr 21, 2019
The Predator has a really short present action, which is both good and bad. Good because one wouldn’t want to see screenwriters Fred Dekker and director Black try for longer, bad because… well, it gets pretty dumb how fast things move along. Dekker and Black don’t do a good job with the expository read more
Sum Up | 3’6″
The Stop Button Posted by Andrew Wickliffe on Apr 19, 2019
“From thy wedding with the creature who touches heaven, lady God preserve thee.” Most film blogathons are actor, actress, director, sub-genre themed. If you’re trying to branch out, if you just haven’t had a chance to write about something you love yet, they’re efficient opportunities for read more
Sum Up | 3’6″
The Stop Button Posted by Andrew Wickliffe on Apr 19, 2019
“From thy wedding with the creature who touches heaven, lady God preserve thee.” Most film blogathons are actor, actress, director, sub-genre themed. If you’re trying to branch out, if you just haven’t had a chance to write about something you love yet, they’re efficient opportunities for read more
Sum Up | 3’6″
The Stop Button Posted by on Apr 19, 2019
“From thy wedding with the creature who touches heaven, lady God preserve thee.” Most film blogathons are actor, actress, director, sub-genre themed. If you’re trying to branch out, if you just haven’t had a chance to write about something you love yet, they’re efficient opportunities for read more
Sum Up | 3’6″
The Stop Button Posted by on Apr 19, 2019
“From thy wedding with the creature who touches heaven, lady God preserve thee.” Most film blogathons are actor, actress, director, sub-genre themed. If you’re trying to branch out, if you just haven’t had a chance to write about something you love yet, they’re efficient opportunities for read more
Stalag 17 (1953, Billy Wilder)
The Stop Button Posted by Andrew Wickliffe on Apr 17, 2019
Stalag 17 opens with narration explaining the film isn’t going to be like those other WWII pictures, where the soldiers are superhuman and the film bleeds patriotism. No, Stalag 17 is going to be something different—first off, it takes place not on the battlefield, but a German prison camp. Through read more
Stalag 17 (1953, Billy Wilder)
The Stop Button Posted by on Apr 17, 2019
Stalag 17 opens with narration explaining the film isn’t going to be like those other WWII pictures, where the soldiers are superhuman and the film bleeds patriotism. No, Stalag 17 is going to be something different—first off, it takes place not on the battlefield, but a German prison camp. Through read more
Stalag 17 (1953, Billy Wilder)
The Stop Button Posted by on Apr 17, 2019
Stalag 17 opens with narration explaining the film isn’t going to be like those other WWII pictures, where the soldiers are superhuman and the film bleeds patriotism. No, Stalag 17 is going to be something different—first off, it takes place not on the battlefield, but a German prison camp. Through read more
Stalag 17 (1953, Billy Wilder)
The Stop Button Posted by Andrew Wickliffe on Apr 17, 2019
Stalag 17 opens with narration explaining the film isn’t going to be like those other WWII pictures, where the soldiers are superhuman and the film bleeds patriotism. No, Stalag 17 is going to be something different—first off, it takes place not on the battlefield, but a German prison camp. Through read more
Michael vs. Jason: Evil Emerges (2019, Luke Pedder)
The Stop Button Posted by Andrew Wickliffe on Apr 15, 2019
I make this statement with absolute sincerity: a Michael vs. Jason fan movie is a good idea. It doesn’t need actual acting, because neither of the slasher villains are going to be speaking or emoting. Their shapes and the filmmaking are going to do the work. You could do it on zero budget, you just read more