Welcome to BlogHub: the Best in Veteran and Emerging Classic Movie Blogs
You can rate and share your favorite classic movie posts here.
You can rate and share your favorite classic movie posts here.
Hail Satan? (2019, Penny Lane)
The Stop Button Posted by Andrew Wickliffe on May 11, 2019
Hail Satan? starts with a joke and ends with Satanic Temple spokesperson Lucien Greaves having to wear a kevlar vest to a rally because so many Pro-Life, Born Again Christians are making legitimate assassination threats. The opening joke is one of the first Satanic Temple rallies, when they’re goof read more
Hail Satan? (2019, Penny Lane)
The Stop Button Posted by on May 11, 2019
Hail Satan? starts with a joke and ends with Satanic Temple spokesperson Lucien Greaves having to wear a kevlar vest to a rally because so many Pro-Life, Born Again Christians are making legitimate assassination threats. The opening joke is one of the first Satanic Temple rallies, when they’re goof read more
Hail Satan? (2019, Penny Lane)
The Stop Button Posted by on May 11, 2019
Hail Satan? starts with a joke and ends with Satanic Temple spokesperson Lucien Greaves having to wear a kevlar vest to a rally because so many Pro-Life, Born Again Christians are making legitimate assassination threats. The opening joke is one of the first Satanic Temple rallies, when they’re goof read more
Rain (1932, Lewis Milestone)
The Stop Button Posted by Andrew Wickliffe on May 10, 2019
Rain is an adaptation of an adaptation. Maxwell Anderson’s script is based on John Colton and Clemence Randolph’s stage script of a Somerset Maugham story. The story’s from 1921, the play first ran in 1922, Rain is from 1932. Maugham’s story is a first-person account, the play is not but does read more
Rain (1932, Lewis Milestone)
The Stop Button Posted by Andrew Wickliffe on May 10, 2019
Rain is an adaptation of an adaptation. Maxwell Anderson’s script is based on John Colton and Clemence Randolph’s stage script of a Somerset Maugham story. The story’s from 1921, the play first ran in 1922, Rain is from 1932. Maugham’s story is a first-person account, the play is not but does read more
Rain (1932, Lewis Milestone)
The Stop Button Posted by on May 10, 2019
Rain is an adaptation of an adaptation. Maxwell Anderson’s script is based on John Colton and Clemence Randolph’s stage script of a Somerset Maugham story. The story’s from 1921, the play first ran in 1922, Rain is from 1932. Maugham’s story is a first-person account, the play is not but does read more
Rain (1932, Lewis Milestone)
The Stop Button Posted by on May 10, 2019
Rain is an adaptation of an adaptation. Maxwell Anderson’s script is based on John Colton and Clemence Randolph’s stage script of a Somerset Maugham story. The story’s from 1921, the play first ran in 1922, Rain is from 1932. Maugham’s story is a first-person account, the play is not but does read more
Two Cars, One Night (2004, Taika Waititi)
The Stop Button Posted by Andrew Wickliffe on May 8, 2019
Trying to describe Two Cars, One Night without getting schmaltzy might be difficult. It’s sublime, gentle, tender, funny, brilliant, inspired, exceptional. Director Waititi’s just as phenomenal directing his young actors as he is at composing the shots to emphasize their experiences; specifically, read more
Two Cars, One Night (2004, Taika Waititi)
The Stop Button Posted by Andrew Wickliffe on May 8, 2019
Trying to describe Two Cars, One Night without getting schmaltzy might be difficult. It’s sublime, gentle, tender, funny, brilliant, inspired, exceptional. Director Waititi’s just as phenomenal directing his young actors as he is at composing the shots to emphasize their experiences; specifically, read more
Two Cars, One Night (2004, Taika Waititi)
The Stop Button Posted by on May 8, 2019
Trying to describe Two Cars, One Night without getting schmaltzy might be difficult. It’s sublime, gentle, tender, funny, brilliant, inspired, exceptional. Director Waititi’s just as phenomenal directing his young actors as he is at composing the shots to emphasize their experiences; specifically, read more
Two Cars, One Night (2004, Taika Waititi)
The Stop Button Posted by on May 8, 2019
Trying to describe Two Cars, One Night without getting schmaltzy might be difficult. It’s sublime, gentle, tender, funny, brilliant, inspired, exceptional. Director Waititi’s just as phenomenal directing his young actors as he is at composing the shots to emphasize their experiences; specifically, read more
Bare minimum word count + 1
The Stop Button Posted by on May 8, 2019
I am having a nightmare time with the Summing-Up microcast. Right after I committed (myself) to getting out a couple “ashcan” episodes this week, I discovered… recording in the car isn’t going to work. It’s just not, which is a bummer, but whatever. Though it did just occur to me I could try read more
Invasion of the Body Snatchers (1956, Don Siegel)
The Stop Button Posted by Andrew Wickliffe on May 6, 2019
The longest continuous stretch of Invasion of the Body Snatchers is about fifteen minutes (the film runs eighty). Small California city doctor Kevin McCarthy and his long-lost lady friend Dana Wynter have just spent the night holed up in his office, hiding from their neighbors, who have all been re read more
Invasion of the Body Snatchers (1956, Don Siegel)
The Stop Button Posted by Andrew Wickliffe on May 6, 2019
The longest continuous stretch of Invasion of the Body Snatchers is about fifteen minutes (the film runs eighty). Small California city doctor Kevin McCarthy and his long-lost lady friend Dana Wynter have just spent the night holed up in his office, hiding from their neighbors, who have all been re read more
Invasion of the Body Snatchers (1956, Don Siegel)
The Stop Button Posted by on May 6, 2019
The longest continuous stretch of Invasion of the Body Snatchers is about fifteen minutes (the film runs eighty). Small California city doctor Kevin McCarthy and his long-lost lady friend Dana Wynter have just spent the night holed up in his office, hiding from their neighbors, who have all been re read more
Invasion of the Body Snatchers (1956, Don Siegel)
The Stop Button Posted by on May 6, 2019
The longest continuous stretch of Invasion of the Body Snatchers is about fifteen minutes (the film runs eighty). Small California city doctor Kevin McCarthy and his long-lost lady friend Dana Wynter have just spent the night holed up in his office, hiding from their neighbors, who have all been re read more
The Punisher #1, In the Beginning, Part 1 (of 6)
The Stop Button Posted by on May 6, 2019
The first page of the issue is the Castle family tombstone. Names, birth years, death year. 1976. A Marvel comic with years. Well, a MAX Comic. And the MAX Comics Punisher apparently isn’t going to be de-aging Frank Castle. Well, actually, it does. The Punisher first appeared in 1974. So, 1976 is read more
The Punisher #2, In the Beginning, Part 2 (of 6)
The Stop Button Posted by on May 6, 2019
The second issue of Punisher, second part of the story arc, echoes nicely with the first. Last issue opened in a cemetery, this issue opens in a cemetery. Ennis also explores a little of Frank’s regular behavior; meeting one of his informants, getting involved with something there, then just headin read more
Daily(?) Microcast
The Stop Button Posted by on May 5, 2019
Mostly about whether or not I’m going to keep microcasting since I’ve figured out how to do it. read more
Secret People (1952, Thorold Dickinson)
The Stop Button Posted by Andrew Wickliffe on May 4, 2019
Secret People is a very peculiar propaganda picture. It’s mostly set in 1937, almost entirely involving Italian immigrants, and it’s very pro-British. The film downplays the idea fascist regimes are dangerous (fascist regimes in 1937, remember) while getting behind the idea of doing whatever the read more