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I love the forum that is created in international cinema where all things can be debated and discussed without fear of what the audience will say. Hollywood caters to the audience and that more often than not means that thrills are given greater weight than substance. Eric Rohmer worked at Cahiers read more

In a sense, I’m scared to be confronted with Bunuel’s films more often than not, because even to this day they are surprisingly subversive. But with The Exterminating Angel there is a different sort of apprehension to be faced altogether. It is a fascinating film, because it shows the de read more

In a sense, I’m scared to be confronted with Bunuel’s films more often than not, because even to this day they are surprisingly subversive. But with The Exterminating Angel, there is a different sort of apprehension to be faced altogether. It is a fascinating film because it shows the de read more

Sabrina, Sabrina where have you been all my life?  ~ William Holden as David Larabee I never understood that incessantly observable trope that permeates all forms of media where the blonde is far superior to the brunette. Aside from being highly superficial, it’s simply not the case. If anythi read more

Sabrina, Sabrina where have you been all my life?  ~ William Holden as David Larabee I never understood that incessantly observable trope that permeates all forms of media where the blonde is far superior to the brunette. Aside from being highly superficial, it’s simply not the case. If anythi read more

Journey to Italy is the splintering of a relationship where the slivers of bitterness begin to wedge themselves under the skin. It’s like slow, painful, nagging torture. Roberto Rosselini’s noted romance film feels like the antithesis of Roman Holiday. It avoids the other films bustling read more

Journey to Italy is the splintering of a relationship where the slivers of bitterness begin to wedge themselves under the skin. It’s like slow, painful, nagging torture. Roberto Rossellini’s noted romance film feels like the antithesis of Roman Holiday. It avoids the other film’s b read more

Mention of God and spirituality, faith and healing, feel completely unrelated to a film that’s seemingly devoid of all of those things. And yet if we place this Ingmar Bergman film alongside his two previous efforts Through a Glass Darkly and Winter Light, The Silence has just as much to say a read more

Mention of God and spirituality, faith and healing, feel completely unrelated to a film that’s seemingly devoid of all of those things. And yet if we place this Ingmar Bergman film alongside his two previous efforts Through a Glass Darkly and Winter Light, The Silence has just as much to say a read more

In the second leg of Ingmar Bergman’s Faith Trilogy he gets right to the core of all matters of faith. He takes an up close and personal look at a man of the cloth named Tomas (Gunnar Bjorstrand), who shepherds a small congregation in a rural Swedish town. Such is the life of a clergyman, as w read more

In the second leg of Ingmar Bergman’s Faith Trilogy, he gets right to the core of all matters of faith. He takes an up close and personal look at a man of the cloth named Tomas (Gunnar Bjorstrand), who shepherds a small congregation in a rural Swedish town. Such is the life of a clergyman, as read more

Strike deserves a place alongside Battleship Potemkin and Man with a Movie Camera in a trifecta of films from the Soviet Union that while reflecting political agendas most certainly influenced film as a medium. Honestly, it’s a film that’s hard to pin down exactly. It’s the debut o read more

Strike deserves a place alongside Battleship Potemkin and Man with a Movie Camera in a trifecta of films from the Soviet Union that while reflecting political agendas most certainly influenced film as a medium. Honestly, it’s a film that’s hard to pin down exactly. It’s the debut o read more

Jacques Tati’s film seems like the perfect mode of expression in the post-war world. It’s boosted by lively, accordion-laden carnival music, with wry commentary from the old lady, and a bicycling postman, the mustachioed Francois (Tati himself). Use of sound becomes so integral to the co read more

Jacques Tati’s film seems like the perfect mode of expression in the post-war world. It’s boosted by lively, accordion-laden carnival music, with wry commentary from the old lady, and a bicycling postman, the mustachioed Francois (Tati himself). Use of sound becomes so integral to the co read more

Broken Blossoms or The Yellow Man and the Girl. How do you deal with such a film coming from modern sensibilities of race and romance? It actually turned out to be easier than you would think, but not altogether straightforward. D.W. Griffith is no stranger to racial controversy in his films. becaus read more

Broken Blossoms or The Yellow Man and the Girl. How do you deal with such a film coming from modern sensibilities of race and romance? It actually turned out to be easier than you would think, but not altogether straightforward. D.W. Griffith is no stranger to racial controversy in his films. becaus read more

Watching a film like Man with a Movie Camera makes me disappointed that there are not more films like it, because what it does, along with the most historically significant films of our times, is transport us to a different time and place we can never fully know or comprehend. Dziga Vertov does that read more

Watching a film like Man with a Movie Camera makes me disappointed that there are not more films like it, because what it does, along with the most historically significant films of our times, is transport us to a different time and place we can never fully know or comprehend. Dziga Vertov does that read more

I had never seen anything from Bernardo Bertolucci, but a few of his other films that came to mind were Last Tango in Paris and 1900. I was expecting some mix of The Godfather and Le Samourai set in Italy during the 1930s. In all honesty, those were the meager reference point I was going into this read more