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Werner Rainer Fassbinder is one of those artists known for his tumultuous personal and political life, and yet with all the dialogue swirling around his backstory and untimely death, there is no doubt that he sent a charge through the film community that is still being acknowledged today. The New Ge read more

Werner Rainer Fassbinder is one of those artists known for his tumultuous personal and political life, and yet with all the dialogue swirling around his backstory and untimely death, there is no doubt that he sent a charge through the film community that is still being acknowledged today. The New Ge read more

Imagine that, it took me until after I finished the film to realize that its title was an obvious homage to Dawn of the Dead. And why not, because this comedy-zombie film celebrates the genre and George Romero’s lineage, while also carving out its own little niche. Really, this first installme read more

Imagine that, it took me until after I finished the film to realize that its title was an obvious homage to Dawn of the Dead. And why not, because this comedy-zombie film celebrates the genre and George Romero’s lineage, while also carving out its own little niche. Really, this first installme read more

I love the forum that is created in international cinema where all things can be debated and discussed without fear of what the audience will say. Hollywood caters to the audience and that more often than not means that thrills are given greater weight than substance. Eric Rohmer worked at Cahiers read more

In spite of being a jaded viewer at this point, the Russo Brothers (Arrested Development and Community) and the screenwriting duo of Christopher Markus and Stephen McFeely (The Narnia Franchise) proved still capable when it comes to keeping the Marvel Franchise afloat and, nay, helping it to flouris read more

In spite of being a jaded viewer at this point, the Russo Brothers (Arrested Development and Community) and the screenwriting duo of Christopher Markus and Stephen McFeely (The Narnia Franchise) proved still capable when it comes to keeping the Marvel Franchise afloat and, nay, helping it to flouris read more

I love the forum that is created in international cinema where all things can be debated and discussed without fear of what the audience will say. Hollywood caters to the audience and that more often than not means that thrills are given greater weight than substance. Eric Rohmer worked at Cahiers read more

In a sense, I’m scared to be confronted with Bunuel’s films more often than not, because even to this day they are surprisingly subversive. But with The Exterminating Angel there is a different sort of apprehension to be faced altogether. It is a fascinating film, because it shows the de read more

In a sense, I’m scared to be confronted with Bunuel’s films more often than not, because even to this day they are surprisingly subversive. But with The Exterminating Angel, there is a different sort of apprehension to be faced altogether. It is a fascinating film because it shows the de read more

Sabrina, Sabrina where have you been all my life?  ~ William Holden as David Larabee I never understood that incessantly observable trope that permeates all forms of media where the blonde is far superior to the brunette. Aside from being highly superficial, it’s simply not the case. If anythi read more

Sabrina, Sabrina where have you been all my life?  ~ William Holden as David Larabee I never understood that incessantly observable trope that permeates all forms of media where the blonde is far superior to the brunette. Aside from being highly superficial, it’s simply not the case. If anythi read more

Journey to Italy is the splintering of a relationship where the slivers of bitterness begin to wedge themselves under the skin. It’s like slow, painful, nagging torture. Roberto Rosselini’s noted romance film feels like the antithesis of Roman Holiday. It avoids the other films bustling read more

Journey to Italy is the splintering of a relationship where the slivers of bitterness begin to wedge themselves under the skin. It’s like slow, painful, nagging torture. Roberto Rossellini’s noted romance film feels like the antithesis of Roman Holiday. It avoids the other film’s b read more

Mention of God and spirituality, faith and healing, feel completely unrelated to a film that’s seemingly devoid of all of those things. And yet if we place this Ingmar Bergman film alongside his two previous efforts Through a Glass Darkly and Winter Light, The Silence has just as much to say a read more

Mention of God and spirituality, faith and healing, feel completely unrelated to a film that’s seemingly devoid of all of those things. And yet if we place this Ingmar Bergman film alongside his two previous efforts Through a Glass Darkly and Winter Light, The Silence has just as much to say a read more

In the second leg of Ingmar Bergman’s Faith Trilogy he gets right to the core of all matters of faith. He takes an up close and personal look at a man of the cloth named Tomas (Gunnar Bjorstrand), who shepherds a small congregation in a rural Swedish town. Such is the life of a clergyman, as w read more

In the second leg of Ingmar Bergman’s Faith Trilogy, he gets right to the core of all matters of faith. He takes an up close and personal look at a man of the cloth named Tomas (Gunnar Bjorstrand), who shepherds a small congregation in a rural Swedish town. Such is the life of a clergyman, as read more

Strike deserves a place alongside Battleship Potemkin and Man with a Movie Camera in a trifecta of films from the Soviet Union that while reflecting political agendas most certainly influenced film as a medium. Honestly, it’s a film that’s hard to pin down exactly. It’s the debut o read more

Strike deserves a place alongside Battleship Potemkin and Man with a Movie Camera in a trifecta of films from the Soviet Union that while reflecting political agendas most certainly influenced film as a medium. Honestly, it’s a film that’s hard to pin down exactly. It’s the debut o read more