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Paul Newman is one of those people who brings other people into theaters. They’ll watch him on reruns when they’re surfing through the channels or tell their children and grandchildren about him. That’s just it. He’s a universal actor who transcends the years with his magneti read more

Paul Newman is one of those people who bring other people into theaters. They’ll watch him on reruns when they’re surfing through the channels or tell their children and grandchildren about him. That’s just it. He’s a universal actor who transcends the years with his magnetis read more

10 years prior Jean-Luc Godard made his own film about movie making entitled Contempt (1963). It too delved into what it looked like to make films, as well as the individuals behind the camera, because their relationships undoubtedly affect what is revealed in front of it. His colleague Francois Tru read more

10 years prior Jean-Luc Godard made his own film about movie-making entitled Contempt (1963). It too delved into what it looked like to make films, as well as the individuals behind the camera because their relationships undoubtedly affect what is revealed in front of it. His colleague Francois Truf read more

Stephen Frears is not the foremost of directors, but he very rarely makes bad films, and Philomena is yet another jewel in his crown. It’s a simple enough story, but those are oftentimes the most rewarding, because they tap into something near and dear to most of us. This is indeed another one read more

Stephen Frears is not the foremost of directors, but he very rarely makes bad films, and Philomena is yet another jewel in his crown. It’s a simple enough story, but those are oftentimes the most rewarding because they tap into something near and dear to most of us. This is indeed another one read more

Harold Lloyd’s feature Girl Shy is not so much a comic gag reel as a character-driven story. The first type I would equate more with Keaton, the second feels more like the sentiment of Chaplin. Lloyd does both very well and in this case, he plays Harold, a tailor’s apprentice with a stut read more

Harold Lloyd’s feature Girl Shy is not so much a comic gag reel as a character-driven story. The first type I would equate more with Keaton, the second feels more like the sentiment of Chaplin. Lloyd does both very well and in this case he plays Harold, a tailor’s apprentice with a stutt read more

“If you had a choice would you either love a girl or have her love you?” That is the question posited to commence the day dreamy dialogue rolling over the credits of Mike Nichol’s Carnal Knowledge. The nostalgic refrains of Glenn Miller’s “Moonlight Serenade” brin read more

“If you had a choice would you either love a girl or have her love you?” That is the question posited to commence the daydreamy dialogue rolling over the credits of Mike Nichol’s Carnal Knowledge. The nostalgic refrains of Glenn Miller’s “Moonlight Serenade” bring read more

What makes In a World… work for me is a new perspective on material that could potentially be so cliche. Even when it enters long-trod territory we as an audience are able to extend grace to a film that is willing to step out there.  The film’s writer and star Lake Bell crafts a story se read more

What makes In a World… work for me is a new perspective on material that could potentially be so cliche. Even when it enters long-trod territory we as an audience are able to extend grace to a film that is willing to step out there.  The film’s writer and star Lake Bell crafts a story se read more

Being ignorant of the term “Hurt Locker,” I did a reasonable thing and looked it up. According to IMDb: To put someone in a “hurt locker” is to physically mess someone up, badly. It is roughly synonymous with causing someone “a world of pain.” According to the mov read more

Being ignorant of the term “Hurt Locker,” I did a reasonable thing and looked it up. According to IMDb: To put someone in a “hurt locker” is to physically mess someone up, badly. It is roughly synonymous with causing someone “a world of pain.” According to the mov read more

Great directors can take a restriction like a single, confined location and turn into something especially extraordinary. Because the likes of Alfred Hitchcock, Sidney Lumet and Louis Malle prove that these are not limits at all, but sources of cinematic inspiration. It what you do with that space read more

Great directors can take a restriction like a single, confined location and turn into something especially extraordinary. Because the likes of Alfred Hitchcock, Sidney Lumet and Louis Malle prove that these are not limits at all, but sources of cinematic inspiration. It what you do with that space read more

Kid Brother is a departure for Lloyd from the general hubbub of urban life as he finds himself on a ranch, living with his two older brothers and his father, who is the local sheriff. His surname this time around is Hickory an aptly brawny moniker for a frontiersman, except he’s hardly the phy read more

Kid Brother is a departure for Lloyd from the general hubbub of urban life as he finds himself on a ranch, living with his two older brothers and his father, who is the local sheriff. His surname this time around is Hickory an aptly brawny moniker for a frontiersmen, except he’s hardly the phy read more

There is a scene in After the Wedding where the new bride Anna gets up and announces that it’s not usually customary for a bride to give a toast, but something is bound to go wrong at some point, so she might as well get it over with. It’s like she’s unknowingly cushioning the blow read more

There is a scene in After the Wedding where the new bride Anna gets up and announces that it’s not usually customary for a bride to give a toast, but something is bound to go wrong at some point, so she might as well get it over with. It’s like she’s unknowingly cushioning the blow read more