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A famed philosopher of the MTV age once sang “video killed the radio star,” and John Carney’s Sing Street is a tribute to that unequivocal truth. Certainly, it’s what some might call a return to form for the director, landing closer to his previous work in Once, and staging the way for some read more

In the beginning, this Dumas adaptation, was to be the next zany live action vehicle for the Beatles following the success of A Hard Day’s Night and Help. In fact, they even were ready to work with the same director. Well, Richard Lester stayed and the Beatles were disbanded for several years read more

In the beginning, this Dumas adaptation was to be the next zany live-action vehicle for the Beatles following the success of A Hard Day’s Night and Help. In fact, they even were ready to work with the same director. Well, Richard Lester stayed and the Beatles were disbanded for several years b read more

I did a double take when I saw an article indicating the passings of the Classic Hollywood musical starlet Gloria DeHaven. She was 91. I could have sworn I just was thinking about her recently and I was. Just last week I came across her in a publicity still with two other young stars who I’ve read more

“This affair like a Racine tragedy will be over in 24 hours” Elevator to the Gallows was the debut of Louis Malle, a man who found success in both his native France and the United States. In truth, it’s an easy bit of delectable icy noir to enjoy, because it goes down quite effortl read more

“This affair like a Racine tragedy will be over in 24 hours” Elevator to the Gallows was the debut of Louis Malle, a man who found success in both his native France and the United States. In truth, it’s an easy bit of delectable icy noir to enjoy, because it goes down quite effortl read more

I did a double take when I saw an article indicating the passings of the Classic Hollywood musical starlet Gloria DeHaven. She was 91. I could have sworn I just was thinking about her recently and I was. Just last week I came across her in a publicity still with two other young stars who I’ve read more

Yasujiro Ozu has the esteem of being christened “The Most Japanese Filmmaker.” It’s certainly a high honor, but at first, it can feel rather counter-intuitive because after all, such a great master of cinema cannot be considered average or a composite in the scheme of Japanese film read more

Yasujiro Ozu has the esteem of being christened “The Most Japanese Filmmaker.” It’s certainly a high honor, but at first it can feel rather counter-intuitive, because after all, such a great master of cinema cannot be considered average or a composite in the scheme of Japanese film read more

Recently I was thinking about who I would characterize as favorite directors versus directors that I simply respect. In the latter category I would stick the likes of Quentin Tarantino, The Coen Brothers, and Wes Anderson. Because, truth be told, I do not always like or even enjoy all their films, b read more

Recently I was thinking about who I would characterize as favorite directors versus directors that I simply respect. In the latter category, I would stick the likes of Quentin Tarantino, The Coen Brothers, and Wes Anderson. Because truth be told, I do not always like or even enjoy all their films, b read more

“God, he was gorgeous” When the waitress looks at the image in the obituary, she’s talking about Maurice Russell, but for all intent and purposes she might as well be talking about Peter O’Toole. In some ways, they’re one in the same. He certainly was a ruggedly handsom read more

“God, he was gorgeous.” When the waitress looks at the image in the obituary, she’s talking about Maurice Russell, but for all intent and purposes, she might as well be talking about Peter O’Toole. In some ways, they’re one in the same. He certainly was a ruggedly hands read more

“You don’t get tired, you don’t get hungry, you don’t get thirsty. Are you real?” – Jessie “More or less” – John Russell  How to function within Western culture. That’s what John Russell must figure out as a man who was raised by Apache and read more

“You don’t get tired, you don’t get hungry, you don’t get thirsty. Are you real?” – Jessie “More or less” – John Russell  How to function within Western culture. That’s what John Russell must figure out as a man who was raised by Apache and read more

It’s certainly not a news flash that I often have immense troubles dealing with black, satirical comedy. I think the difficulty for me lies in the dividing line between comedy and tragedy. Oftentimes, although I’m not always fond of violence or profanity, I can make a concession if there read more

It’s certainly not a news flash that I often have immense troubles dealing with black, satirical comedy. I think the difficulty for me lies in the dividing line between comedy and tragedy. Oftentimes, although I’m not always fond of violence or profanity, I can make a concession if there read more

There are few films where art and film more obviously intersect than Museum Hours. In fact, it’s director and general mastermind Jem Cohen blends the line between filmmaker and multimedia artist. His generally deliberate piece on Kunsthistorisches Museum of Art follows two figures in the vibra read more

There are few films where art and film more obviously intersect than Museum Hours. In fact, its director and general mastermind Jem Cohen blends the line between filmmaker and multimedia artist. His generally deliberate piece on Kunsthistorisches Museum of Art follows two figures in the vibrantly be read more

Claire’s Knee is a film made for color. Eric Rohmer’s other films up to this point had almost exclusively been black and white, but it’s as if he knew that his newest oeuvre deserved different treatment. It’s vast countrysides and glistening lakes abundant with flowers and fr read more