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“He spat on Balzac!” Jean Renoir always had a preoccupation with class divides and Boudu showcases that same blatant juxtaposition of class, or more precisely, the lifestyles of the middle class versus a lowly tramp. Except in this specific instance, the tramp (the indelible Michel Simon read more

Two hallmarks of the political film genre are Mr. Smith Goes to Washington and All the President’s Men. The latter starred The Candidates’s lead Robert Redford. However, in this case, the candidate, Billy McKay, is perhaps a more tempered version of Jefferson Smith. He’s a young la read more

Two hallmarks of the political film genre are Mr. Smith Goes to Washington and All the President’s Men. The latter starred The Candidate’s lead, Robert Redford. However, in this case, the candidate, Billy McKay, is perhaps a more tempered version of Jefferson Smith. He’s a young la read more

Yogi Berra famously once said, If the world was perfect, it wouldn’t be. And to go even further still, in As You Like It Shakespeare wrote, the world is a stage and all the men and women are merely players. They have their exits and entrances.” So it goes with this film — The Truma read more

Yogi Berra famously once said, If the world was perfect, it wouldn’t be. And to go even further still, in As You Like It Shakespeare wrote, the world is a stage and all the men and women are merely players. They have their exits and entrances.” So it goes with this film — The Truma read more

Dashiell Hammet’s “blonde satan” Sam Spade is an icon of not only 20th-century literature but also 20th-century cinema, thanks in part to Humphrey  Bogart and John Huston. He’s the cynical, hard-nosed, unsentimental P.I. whose general unpredictability sometimes leads to angry read more

Dashiell Hammet’s “blonde satan” Sam Spade is an icon of not only 20th-century literature but also 20th-century cinema, thanks in part to Humphrey  Bogart and John Huston. He’s the cynical, hard-nosed, unsentimental P.I. whose general unpredictability sometimes leads to angry read more

  Someone posits the following question: Are you interested in critical film theory? My first response is what even is “critical film theory?” And I know in academic terms they are probably talking about film theory or film studies and the many strands of thought and analysis that h read more

  Someone posits the following question: Are you interested in critical film theory? My first response is what even is “critical film theory?” And I know in academic terms they are probably talking about film theory or film studies and the many strands of thought and analysis that h read more

I said awhile back that I wanted to acknowledge a few living legends who are still with us in a series of short posts and I’ve finally gotten around to it. Enjoy! Olivia De Havilland (1916 – ): One of the famed sisters who starred in numerous Hollywood especially in the 30s and 40s, Oli read more

I said awhile back that I wanted to acknowledge a few living legends who are still with us in a series of short posts and I’ve finally gotten around to it. Enjoy! Olivia De Havilland (1916 – ): One of the famed sisters who starred in numerous Hollywood especially in the 30s and 40s, Oliv read more

As I’ve grown older and, dare I say, more mature, I like to think that I’ve gained a greater appreciation for those moments when I don’t understand, can’t comprehend, and am generally ignorant. Now I am less apt to want to beat myself up and more likely to marvel and try and read more

As I’ve grown older and, dare I say, more mature, I like to think that I’ve gained a greater appreciation for those moments when I don’t understand, can’t comprehend, and am generally ignorant. Now I am less apt to want to beat myself up and more likely to marvel and try and read more

It’s the bane of my literary existence, but I must admit that I have never read Joseph Heller’s seminal novel Catch-22. Please refrain from berating me right now, perhaps deservedly so, because at least I have acknowledged my ignorance. True, I can only take Mike Nichol’s adaptatio read more

It’s the bane of my literary existence, but I must admit that I have never read Joseph Heller’s seminal novel Catch-22. Please refrain from berating me right now, perhaps deservedly so, because at least I have acknowledged my ignorance. True, I can only take Mike Nichol’s adaptatio read more

We are met with a deluge of drums, explosions, and the unmistakable voice of Bono murmuring over the credits. The year is 1974 in Guilford England, the Irish Republic Army is as belligerent as ever, and right from the beginning director Jim Sheridan’s In the Name of the Father grabs hold of ou read more

We are met with a deluge of drums, explosions, and the unmistakable voice of Bono murmuring over the credits. The year is 1974 in Guilford England, the Irish Republic Army is as belligerent as ever, and right from the beginning director Jim Sheridan’s In the Name of the Father grabs hold of ou read more

This is an Otto Preminger film about politics. That should send off fireworks because such a divisive topic is only going to get more controversial with a man such as Preminger at the helm — a man known for his various run-ins with the Production Code. All that can be said is that he didn̵ read more

This is an Otto Preminger film about politics. That should send off fireworks because such a divisive topic is only going to get more controversial with a man such as Preminger at the helm — a man known for his various run-ins with the Production Code. All that can be said is that he didn̵ read more

As the film opens we watch a foot slowly wiggling its toes. It’s nothing extraordinary because we’ve undoubtedly seen this million of times. If not on film then at least in our own lives. But it’s what the foot does that piques our interest. Quite dexterously but still straining, read more